Cometary Tales Blog,On Books Books Make the Best Gifts

Books Make the Best Gifts

A group of authors affiliated with the San Francisco chapter of the Women’s National Book Association got together earlier this month to celebrate our pandemic-time publications. Oh, my goodness, what a variety! What awesome works.

Are you shopping for friends and family who aren’t as committed to science fiction and fantasy as you are? Need some hot tips for books that will surprise and delight them with your confidence in stepping out from your own genre?

Here’s your directory, so you can jump to satisfy your target gift recipients’ desires. Each cover photo links to the relevant Amazon page. If you prefer to buy elsewhere, head for the author’s website.

Historical Fiction

Thrillers and Mysteries

Short Stories and Contemporary Fiction

Memoir

Poetry

Books for Children and Parents

Nonfiction and Self-Improvement

And we’re off!

Historical Fiction

COver for Betrayal on the Bayou, showing a broad pool with tall bayou trees leaning over the water and casting reflections.

Hungry for a story with deep African American and French connections? Sheryl J. Bize-Boutte’s Betrayal on the Bayou plunges the reader into 1854 Louisiana, where a young Parisian widower “sets off a twenty-eight-year chain of events that reveal the brutal truths of inequality, colorism, and betrayal.” Sheryl’s blog is here. You’ll find she also teaches writing.

Book cover for What Disappears, with the Eiffel Tower rising above a cityscape.

Russian history? The delights of Paris? Ballet? Does your gift recipient love any of these? Meet up with long-separated twins at the Ballet Russe, and hold your breath as to what will happen next, in Barbara Quick’s What Disappears. Visit Barbara at her website.

Thrillers and Mysteries

Cover for What Jonah Knew, with silhouettes of a small boy and a young man superimposed on one another.

How about a deep, soul-searching, thriller….head for Barbara Graham’s What Jonah Knew, on the surface a story about mothers and sons, but one that delves into “metaphysical questions about life and death—and what happens in between.” Follow Barbara on her website.

Cover for Detours, with a young woman gazing from the cover, pale, wide-eyed and serious.

From mothers and sons to a mothers and daughters, come to Sheri McGuinn’s newest book, Peg’s Story: Detours, which answers questions raised by the first book in this series, Running Away. Discover links between the stories as you follow Peg’s escape to a new life—only to see her mistakes spiral “into a life-changing series of events.” Catch up on Sheri’s website.

Contemporary Fiction

Cover for What Is Possible from Here, with title words on a cardlike field, with clusters of pink flowers behind and around the edges.

Do you want to share stories of real people finding their way through ordinary life? Stories set all over the country? Try Cynthia Gregory’s What is Possible From Here, a collection exploring “the nature of friendship and love, and the myriad ways we endeavor to make meaning in an unpredictable world.” You can also find her nonfiction book, Journaling as a Sacred Practice, through Cynthia’s website. If you’d like a hardcover copy of her collection, you can find it online at Barnes & Noble.

Cover for Begin Again, with a wide landscape of golden hills rising to rough brown hills and a deep blue-clouded sky, with a rainbow falling to earth.

Looking for grounded contemporary women’s fiction? Consider Kimberly Dredger’s Begin Again. This novel takes you on a young widow’s journey, “as she struggles to re-enter life, enduring more loss and sadness on her way to ultimate empowerment.” To expand your collection, you might also pick up Kimberly’s anthology of essays, stories, and poetry, starting on her author page.

Memoir

Cover for Dancing on the Wine-Dark Sea with a woman in a long dress twirling as she wades ankle-deep at the edge of the sea, with a sunset glowing in the sky and on the water.

How about a fabulous feminist travel memoir? Diane LeBow’s Dancing on the Wine-Dark Sea: Memoir of a Trailblazing Woman’s Travels, Adventures, and Romance takes you “dining with Corsican rebels and meeting a black stallion in a blizzard on the Mongolian steppes to assisting exiled Afghan women and savoring a love affair with an elegant French Baron.” Catch up with Diane on her website.

Full disclosure: I WON a copy of this book in the event giveaway, after listening to Diane give us more details about her story. Can’t wait until it arrives, so I can follow the whole adventure.

Cover of Loving Before Loving, with an old black-and-white photograph of a couple smiling together--a white woman with close-cropped hair, and a black man with a short hair and a short-trimmed moustache.

For a blend of social justice history and memoir, look for Joan Lester’s Loving Before Loving: A Marriage in Black and White, which takes the reader back in time. You’ll find a deeply personal story exploring racism, sexism, and marriage, through the lives of one couple: a memoir of love and life in the midst of the civil rights and women’s rights movements. Get to know Joan through her website.

Cover for The Red Sandals, with a graphic of a plant bowing down against a red background, with a black and white photo of a small Chinese girl in a white dress with white ribbons in her hair, her hands clasped together.

For an unflinching look into life in Mao’s China, and the impact on one girl, pick up Jing Li’s The Red Sandals: A Memoir, in which she shares her personal story of being the unwanted girl in a poverty-stricken family, her scholastic journey within the Chinese system, her transition to America, and growth as a teacher and writer. Learn more about Jing and her story here.

Cover for Promenade of Desire, with broad color slashes in yellow and blue and red, over a partially-concealed photograph of a young woman with her arm lifted, in a seemingly-seductive pose.

Through her dramatic memoir, Promenade of Desire—A Barcelona Memoir, Isidra Mencos uses her own story of learning to free herself from repression through books and salsa dance, to create a “sensual, page-turning coming-of-age story: Isidra evolves from a repressed Catholic virgin to a seductive Mata Hari.” Learn more about Isidra and her journey at her website.

Cover for Brown Skin Girl, a graphic design with an artist's representation of a young woman in a long skirt, her long dark hair sweeping out to form a background for the books's subtitle, with shapes of flowers, leaves, and birds woven into the background.

For a heartwarming story of one person’s escape from the abuses of family and culture, follow Mytrae Melania. In her Brown Skin Girl: An Indian-American Woman’s Magical Journey from Broken to Beautiful, she shows how her journey…through many trials…brought her to “freedom, love, and the magic that finds you when you follow your heart.” Find more about her mission at her website.

Poetry

Cover for Birds of San Pancho, with a golden-breasted bird perched on a twig, with blurred greenery in the background.

Shopping for someone who loves poetry? Travel? Birds? Lucille Lang-Day’s Birds of San Pancho and Other Poems of Place deploys Lucille’s wordsmithing to unveil her “vast curiosity, an intimate knowledge of flora and fauna, and a keen appreciation for the things of this world—travel, food, weather, the manifold creatures, love.” Follow Lucille at her website.

Cover for Deeply Notched Leaves, with a background of green leaves and one bright yellow daisy-like flower.

For “a merry-go-round of life experience in story-poems and social commentary full of spice and wisdom,” take a whirl with Dr. Jeanne Powell’s Deeply Notched Leaves. This 2021 collection will set your head spinning. Find more of Jeanne’s literary work at her website.

Books for Children and Parents

Cover for The Strider and the Regulus, a seascape with octopus/squid tentacles rising from the sea and curving through the letters of the title.

Looking for something fantastic for a young adult reader? Tricia Wagner’s The Strider and the Regulus is the opening salvo in a three-volume series. “A starry-eyed boy. A cryptic map. A mythical treasure. What perils await in the chasing of dreams?” Get to know Tricia at her website.

Cover for The Smugglers, with an old-timey suitcase covered with stickers about aliens and space and spaceships, sitting in a long metallic hallway that looks like part of a space structure.

My own 2022 release, The Smugglers, falls in this category. This LGBTQ-friendly story centers on an adolescent alien who’ll face changes in his world—and herself—as they rush to the rescue of an escaped animal. Written for children (middle grade readers and up) and their parents, the story shows us both the mother’s and the child’s point of view through this adventure.

Cover for The Peddler's Gift, wtih drawing of a man in a long coat and rond hat, with several villagers behind him.

Need a storybook for a young person…or do you just love those old traditional-style tales and beautiful illustrations of life in the Old Country? Maxine Schur’s The Peddler’s Gift, illustrated by Kimberly Bulcken Root, is a new edition of the “wistful, moving tale of a boy who steals a toy from a foolish peddler only to discover he’s not so foolish after all.” Find more of Maxine’s books, including Finley Finds His Fortune, at her website.

Cover for Treasure Hunt, with three children peering standing in a large cardboard box, with a pinwheel shape of yellow and green behind them.

Young readers (the 3-8-year-old set) on your gift list? I used to set up treasure hunts for my little brothers…so much fun. Here, Stephanie Wildman’s Treasure Hunt, with art by Estafania Razo, takes three siblings on a search for wonders In their own home. For grownup reading, find Stephanie’s website to discover her book on the perils of privilege in America.

Cover for Sun and Moon's Big Idea, with a cartoon sun and moon, smiling at each other above a cartoon city.

Another something sweet for the 8-and-unders, Karen Faciane’s The Sun and the Moon’s Big Idea, illustrated by Sierra Mon Ann Vidal, brings together the two most prominent “lights” in our sky… to celebrate “the uniquely, wonderful person you were born to be.” Keep up with Karen on her author page.

Nonfiction

Book Cover for Chakra Tonics, showing two glasses filled with a purplish mixture topped by raspberries and blueberries with sprigs of mint.

It’s that time of year, when people are looking for paths to self improvement, for personal well-being and creating moments of calm in this crazy world. Try out Elise Marie Collins’ Chakra Tonics, Essential Elixirs for the Mind, Body, and Spirit. Yes, finally, a “lively information packed recipe book filled with positive life lessons based on the ancient Indian spiritual system, known as the Chakras.” Catch up to Elise via her contact tree.

Book cover for Make Every Move a Meditation, with wavelike shapes in shades of red to gold rolling under words about mindfulness, mental health, and well-being.

Here’s more nonfiction for personal wellbeing: Nita Sweeney’s Make Every Move a Meditation: Mindful Movement for Mental Health, Well-Being, and Insight. Do you imagine meditation is all about sitting still or following strict formulas for movement? Nita teaches ways to understand meditation more deeply: “What if lifting weights, dancing, or walking across a room counted? What if you could make every move a meditation?” At her website, you can pick up a free handout.

You might also like to read:

Lessons of a BayCon Gofer: There Is No DogLessons of a BayCon Gofer: There Is No Dog

The final day of a convention can be a downer: games are ending, there are no parties pending, the con suite is running short on the good stuff, some people you just got to know are leaving early, and—not the least of it—you’re really, really tired.

The Signs Are On the Wall

The Signs Are Coming Off The Walls, Now

I wasn’t due for “work” until afternoon, but I roused myself earlier, for the last DIY project—Make A Parasol (see Firefly).   Alas, I’d missed a program schedule update & the project was over. Long over—it had happened the day before! Won’t happen this year—I’ve finally joined the Smartphone Universe & so have access to the online schedule for BayCon 2015.

 

There's Planets Around Them Thar Stars

There’s Planets Around Them Thar Stars

I did have a backup plan—a panel discussion on new discoveries about extrasolar planets. But I’m kind of a Kepler fanatic, so the information being shared was, well, old hat. I found myself nodding off while people were talking about one of my favorite subjects.

So off to the Gofer Hole to check in and claim my spot as the Art Show Gofer. The day wasn’t boring any more.

My Final Badge-Ribbon Collection, Nowhere Near Championship Length

My Final Badge-Ribbon Set, Actually a Relatively Small Collection

I had my chance to be part of the Art Auction. That was cool—I’ve never been, because I can’t afford to bid anything near what auction items should go for. Instead, I got to set up bidder numbers for folks who did have the resources and were eager to support these wonderful artists.

Once the Auction wound down, I got to be on the giving end of the Art Show. That is, folks queued up to collect the pieces they’d won in the silent bidding and—later on—the auction. The staff took care of the official tasks of collecting payments and pacifying people who’d not won the pieces they wanted. As a Gofer, I fetched their purchases (from the stacks we’d so carefully arranged the night before) and saw those their faces light up with happiness.

Eventually, all but a few of the neat stacks were gone. A few winning bidders were late to collect their prizes. But we set those safely aside.

In the meantime, all afternoon, artists were coming by and packing up any pieces that hadn’t sold. We helped if needed—fetching supplies, finding paperwork they needed, taking down labels and hooks from the display boards—and it was cool to get to talk directly with the artists. Several artists had entrusted the convention staff to display the work on their behalf, having shipped the art with their registration forms. Most had a piece or two still unsold, and these needed to be repacked for shipping homeward. The original boxes were not necessarily available, so I made the rounds of the vendor room to scrounge empty boxes.

Gradually, one by one, the display boards were emptied, we collected all the hooks, labels, and trash, and the staff tracked down the last of the tardy winning bidders.

It was time to empty the room. Load-out time. Most of the stuff needing shifted was heavy—pegboards, frames, bins full of papers and supplies. So I called dibs on the job of getting all the art-to-be-shipped-home safely out to the Art Show director’s car. It took a few trips through a lobby full of exhausted attendees and staffers. Then I glommed onto an empty luggage cart. Plus, the Gofer King was one of the staffers in the lobby and he dispatched an idle Gofer to help on my last round. Whew.

So, most of these events end with what they call Dead Dog.   That’s one of the things you hear staffers talking about near the end of a convention, but they don’t share with mere members what exactly that is. The deep dark secret is: it’s a party. It’s the staff party that happens when everything’s over, the attendees have gone, and all the clean-up work that can get done is done. Aha, it’s what theater types call a strike party.

Kris & Alison, Art Show Maestrae

Kris & Alison, Art Show Maestrae, at Dead Dog

Generally speaking, it’s a Staff event, but Gofers who stick it out all the way to the end are welcomed into the party. There’s food. All the leftovers from the weekend, that no-one wants to have to haul home. All the ice-cold sodas left in the Magic Charity Soda Machine. Meanwhile, the hard-core staffers take the opportunity to give thank-you speeches to each other and praise the folks who’ve stepped up to chair the event next year.

It felt a little like crashing the party at that point, but the Art Show leaders were saying nice things to me, so I felt better. And Alison asked if maybe I’d help her as staff in 2015.  And finally, finally, I gathered up my own art purchases, and Went Home.

 

Art Show Victory!

2015 Art Show Staff!

Gofer Lesson of the Day:  If you stick it out to the end of everything, you can get into the fabulous Dead Dog party.  There will probably not be any dogs there, just tired-out volunteers.  Like you.

How to do this:

Method #1:  Walk into the Gofer Hole and sign up.  You do need to be 16, but there’s no upper limit.  Yes, really, you, too, can be a middle-aged Gofer.  For BayCon 2015, the secret lair is in Tasman.  Go up the escalator, turn right and it’ll be on your right before you reach the convention center.

Method #2:  Email the King of the Gofers.  That’s gofers15@baycon.org.  You get double credit for helping at setup on the day before the convention starts. If you’re super-eager to help & don’t get a reply, email me (cometary@cometarytales.com) and I’ll help you make contact.

Day Zero: Get Thee To FlagstaffDay Zero: Get Thee To Flagstaff

There is no simple way to orchestrate the travel here.  Yes, planes fly to Flagstaff, not the same airlines as fly to the big airports but their small-scale partners.  There’s a shuttle bus from Phoenix, and if you were facing a long layover the van could even be faster.

A view of the Grand Canyon we did not see on our flights (courtesy of Google Earth)

But we arrive in Phoenix with plane tickets in hand and actually welcome a half-hour flight delay, because it allows us a chance to buy lunch.  I even have time for a stroll through the overpriced-souvenir shop, where I hand over $2 for a pair of elastic bands someone in the shop has put out to support a fundraiser for improving water supplies in Haiti.  Seems appropriate. And the chance to put up our feet for a half-hour is welcome, as we’re already tired.  We actually began yesterday, on Day “-1”, with a five-hour drive to rendezvous with Clark’s friend, who lives near Reno, so we could all travel together the whole way.  Our Day Zero expedition consisted of a drive from the pine forests of Plumas County to the desert flats of Reno’s outskirts, a freeway jaunt to the airport (chauffered by another friend), a big plane to Phoenix, a little plane to Flagstaff, then a search for the airport shuttle.  We will have a powerful case of deja vu on Day Fourteen.   You’ll see.

Flagstaff’s airport is a fabulous, small airport.  My favorite kind.  One baggage claim zone.  No trouble meeting a shuttle bus right outside.  As it happens, the other folks sharing the van are another couple going on our trip.  And they have obtained an intelligence report from the rafting company, OARS, that we five will be the only “guests” staying on the raft trip for the full fourteen days.   The rest of the group will leave halfway (and hike out), to be replaced by a new batch of folks for the second week.  So we will actually get to spend a full fifteen days with Todd and Eliza.  Oh, yeah, and until such time as the members of our trip group authorize me to use their names, I will be using fake names, just in case I goof up and say something upsetting or someone turns out to be in Witness Protection.  I won’t do the same for the crew, since I want to actually give them the props they deserve.  In fact, I’d hope this whole piece could be considered a humungous letter of reference for each and every person on the crew.  I’d initially given myself permission to use my own and my husband’s names, but he protested, so here goes.  He is herewith dubbed “Clark”.  And what to call Childhood Friend?  How about Lana?  And surely that makes me “Lois”.  The only funny thing about this, is that I actually have a friend called Lois–so, hey, Lois, you can tell people this is you.  (Fair warning, though, I’m not the heroine of this story!)

The key element of Day Zero is the evening briefing from the Trip Leader.  We gather in one of the Radisson Hotel’s conference rooms.   (The Midway guests also will have a briefing, but not by the Trip Leader , as she will be a mile downhill at the time.)  So we meet our first authentic River Guide.  This is Billie Prosser, who’s been whitewater rafting since she was a teenager, over fifteen years now, much of that time in the Grand Canyon.  These days, she chooses to do only a few of these Grand Canyon trips a year, giving herself the chance to work on other rivers and also to have time for a private trip, as time permits, to enjoy the Canyon without having to take care of people like us.

At the meeting, we also get our first glimpse of our fellow travelers all together.  We are heavily loaded with Californians and Canadians.   There are three women from Canada—their menfolk didn’t want to come.  There’s two father-son duos: one a dad and his athletic teenager, the other a Bechtel project technician taking a voluntary layoff to make the trip with his dad, a (putatively) retired actor and writer.  The Fab Five (Todd & Eliza and the three of us–Lois, Clark, and Lana) are all from California.   The actor, who takes care during the meeting to firmly establish that he’s the most-senior member of the troupe, has also brought along a childhood friend—a woman he hadn’t seen since high school.  While he keeps us entertained, I get the vague feeling he sort of expects someone to recognize him.  Then there’s another triad…a husband and wife and one of their friends.  Is that sixteen?

We get a quick summary of what to expect in the morning.  The crucial item is to have our gear packed and in the lobby by quarter to seven and be ready to leave by seven.  There’s a little last-minute advice on what to be sure to bring.  In case something’s been forgotten, there’s a WalMart in walking distance.  We’re advised to bring lots and lots of moisturizer.  I ask for a definition of “lots”, which it seems is a 16 oz bottle per person per week.  Oh, my goodness, I didn’t bring that much, so we have a trip to WalMart in the plans already.  We’re issued our “drybags”, each labeled with our own personal real names.  (Amazingly, they don’t know to use the fake names I will make up in the future for this blog.)  And Billie gives us a five-minute seminar on how to seal the drybags.  This is important, as all of our clothing and personal items go in this bag, which will then be tied onto a raft and frequently doused with water.  We’re each also issued a small drybag.  The big bag is inaccessible except in camp.  The day bag serves to keep dry what we need to keep dry but have access to during the day.  And we’re allowed to bring whatever we like in our daypacks as well, provided we understand that these will get drenched in larger rapids or if it rains.  The drybags don’t have our personal names on them.  Instead, they each have an identifying name written in Sharpie,  to individualize them.  We just each have to remember our bag’s name.  Mine is “Turpentine Broom”.  Lana’s is “Grease Bush”.  And Clark selects the distinctly memorable “#73”.  Mine is the best.  Here is all about Turpentine Broom  and Grease Bush.  I expect we’ll encounter these plants on our journey.  In the meantime, the names help, as the bags come in only a few colors.

I’m relieved to hear there will be a bag for boots, as this will make room in my kit for all that moisturizer.  Others are relieved to hear that their beer and wine orders have been filled.  Some are anxious to double-check on that after the meeting.  Billie has the checklist.  Evidently, this is a common anxiety.

Then we are off to WalMart.  Yes, our first act upon crossing the moment into our trip environment is to walk down a suburban city street, past a dark and quiet Home Depot, an active supermarket, and a Bank of America with lights glowing invitingly above its ATM, to shop in the megabehemoth of a store that was launched just a few miles from Clark and Lana’s home town.   But oh, they do indeed have It All.  More sunblock.  I must have more sunblock.  Moisturizer, per Billie’s recommendations.  Handy dry facewash cloths to get all that sunblock off.  And a tripod.  What was I thinking, leaving home without a tripod?  And a little mini flex-tripod for Clark.  Sweet.  Now all we have to do is haul this all back to the hotel and get everything crammed into our bags.

And, well, the bag-cramming takes a little while.  Maybe more than a little while.   Part of it is deciding which things are OK in the backpack (maybe in a Ziploc bag, maybe not), which need to go in the daybag, and which can be done without and stuffed in the main drybag.  I have the extra variant that I really have 2 daypacks. One is a one-shoulder sling pack that keeps my cameras and other hiking essentials from bearing down on my healing shoulder and when not in use tucks into the main pocket of my large daypack.  The main daypack takes my raingear, a dry set of fleece sealed in ziplocs, my tripod, and other handy items.  It’s big, it’s bulky, I will make Clark carry it as much as possible.  But it all fits.  And while I fancy myself adept at this sort of thing, it is Clark who is already proving to be better at sealing the big drybag.  He says it is just that he can squish it down better, being a bit heavier, but I think there is more to it than that.  I will keep insisting on doing my bag myself for about four more days.  Then I will give up and let him do it for me.

One last shower and a thorough hair washing.  It will be 2 weeks without a shampooing, at least for me.  I do not want to look at the setting on the alarm clock.  It is just too awful to contemplate.

 

Lessons of a BayCon Gofer: You Do What You ConLessons of a BayCon Gofer: You Do What You Con

A Sign From NASA

It’s a Sign From NASA

As of BayCon 2014, Saturday’s big event is the Variety Show (the event formerly known as Masquerade), so the halls of the Hyatt are full of costumed characters. My husband’s coming tonight, just for the Show. In the meantime, I need to cram in some of my own Con activities, beginning with a kaffeeklatsch (small-group discussion) with the artist guest of honor, Ursula Vernon. Then there’s that one panel discussion (I’m not generally keen on panels, but Maya Kaathryn Bohnhoff  is on this one). And I have my eye on a session about cool Arduino projects, not to mention showing up for a presentation by some friends and acquaintances from the Bay Area Lego User Group.

Does this mean I’m not Gofering at all? Nope. Gofering is a flexible commitment. I can sign in just for the time block I expect to be free. And the Art Show happens to need an extra hand just then.

The Art Show is one of my favorite venues, always with something new to see. Plus this particular day began with that awesome-artist kaffeeklatsch. The only downside? No photography, for obvious reasons. It’s light work, helping things get organized. Sorting collections of paper, helping the Art Show leaders check that all the forms are there and all the pieces have their bid sheets and all the pieces on display are included in their records.   There’s an old computer that needs someone to keep trying to get it to boot up. And finally, I’m entrusted with the queue of members needing to be assigned their bidder numbers and to be reminded of how the bid process works. My qualifications? Being an experienced art-show bidder, and relatively fussy with paperwork.

By the time the queue was down to the occasional new arrival and my services weren’t needed, it was time for the afternoon programs I wanted to attend.

More Fun With Arduino

More Fun With Arduino

And then I had the whole evening free to spend with my husband, who used his one-day pass for the variety show,

Vader & Son with Garcia

Vader & Son with Garcia

a tour, some pictures of paparazzi,

Dot Matrix & Her Fans

Dot Matrix & Her Fans

 

 

 

 

 

 

and an introduction to boffers, where a pair of energetic youngsters thoroughly trounced us both. He drew the line at staying for the midnight reading of Eye of Argon. Being a simply horrid spouse, I sent him home alone and dropped in on a few parties after that quiet, sedate, restful hour of reading, to whit:

En Garde!

The Eye of Argon appears at midnight

 

Gofer Lesson of the Day:  Let yourself enjoy the convention, too.

 

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