Cometary Tales Blog,Hands-On Science Chasing Comets: Notes for Project Leaders #2

Chasing Comets: Notes for Project Leaders #2

Chasing Comets

OK, we’re back for part 2.  Remember that our goal is to impart an intuitive, long-term understanding of how comet tails work.  I’ll give you an observation worksheet that students can use during the Comet Running game, but if time or attention-spans are too short for a worksheet, dispense with that element in favor of learning through movement and Socratic dialogue. (What? You think an engineer wouldn’t have read the Greek philosophers?)

If you have time and enough outdoor space for the “Game” version of this simulation, move right along to “Stage 2” now. The promise of a chance to make their own models is what will entice the students back to the classroom. Otherwise, save the great outdoor model for another time or place and move directly to “Stage 3,” building the individual models.

Stage 2: The Game

Chasing Comets

That’s One Big Comet

This is an outdoor game, and it works to best advantage with a nice BIG comet model. Four five-yard lengths of white fabric streamers attached to a single badminton shuttlecock (“birdie”) make our Comet Chase model. A playground ball or a soccer ball (around 8” in diameter) stands for the sun.   Sort the participants into groups of no more than five and no fewer than three, and move to the great outdoors. A grassy area is safest, because this game involves some complicated running; if you’re stuck with pavement, tone down the running to “jogging” and allow a little extra time.

Start by laying out the ground rules for the game. First, each group will get to play every role. There are three parts: being the sun, being the comet, and being observers back on Earth. Remind everyone of your local rules for behavior outside. It’s harder to listen to instructions out in the sunshine and fresh air!

Take a moment to review the lesson so far. Place the model Sun on the ground, at least ten yards away. Ask an adult helper or one of the students to stand about halfway between the class and the Sun and to hold the head of the comet

Chasing Comets

Large Comet Head With Coma

while you extend the tail’s long white streamers.   This model is much more evocative of the scale of a real comet, which has a tail tremendously longer than the diameter of its coma, or head—but it’s still not a scale model. Allow for some oohs and aahs, but move on to your query: which direction should the comet’s tail point? Don’t move yet; both you and your helper just stand in place.

Chasing Comets

Large Comet: Incoming or Outbound?

Don’t be concerned if it takes more than one answer to get the right one! Some may still want to know which way your comet is moving. But in a few moments, you should achieve the consensus that the tail should point towards the class and away from the sun.

Now, add the movement and ask everyone to call out which way for you to move. Ask your helper to start walking (slowly, please!) towards the sun and then to loop around the sun. You will need to move quickly to keep the comet’s tail pointing away from the sun. In fact, even if your helper cooperates by walking slowly, you will need to break into a run! As you run, if the students aren’t already hollering directions to you, tel them to keep reminding you which way to point the tail: away from the Sun!

Pause partway and while you catch your breath you can demo a technique for helping to align the tail while in motion. With your outside hand, hold the streamers. With your inside hand, point at the Sun. The tail-runners should always find that pointing at the Sun also means pointing at the comet’s head.

Now, it is finally the students’ turn. Run as many iterations as necessary to ensure that each group does each job at least once. For instance, for a class of 20, allow time to run the game at least four times.

The Comet Group: The comet group needs one Head and up to four Tail-Runners. Name the comet after the person who’s serving as the Head. Comets are always named according to the last name of the comet’s discoverer. So if you have Robin Williams as the comet’s head, then this will be Comet Williams. Getting the comet named after him/her may compensate for the fact that the “head” only gets to walk slowly around the sun.

Meanwhile, the tail-runners get to hold the ends of the tail streamers and run to keep the comet’s head between themselves and the Sun.  In the normal course, the “tail” group will tend to lag a little and spread out, but that actually serves to more-accurately represent the shape of the dust tail. If you’re working with a two-tails group, designate one especially determined runner to represent the ion tail by taking one ribbon and maintaining a straight line from the ribbon end through the comet head to the sun.

The Sun Group: The sun group stands in the middle of your running space. One or two group members hold the model sun overhead. This makes it easier for the Comet group to see if they have successfully aligned the comet head and the sun. If the tail-runners stray out of line, members of the sun group need to to shout out “Got you! Got you!” or “Solar Wind Coming!” to warn them that the solar forces are blasting the tail.

The Astronomer Group: The people who are not part of the sun-comet demonstration still have a critical role. They are not just watching other people play the game, but they are tracking the shape of the comet’s tail as it passes around the sun, as observers on Earth. Depending on their perspective at each point in the comet’s orbit, the tail will appear longer or shorter. For example, if the comet is roughly between Earth and the Sun, the tail may look short, because it is stretched towards us. If you have time for writing, ask the Observers to sketch the comet as they see it. (See the handout.) In an average class, each student will get to observe the comet at least twice, which is very helpful for catching the unexpected views.

When every group has had a chance to play every role, take a few minutes to review one more time. As a comet is orbiting around the sun, which way does its tail point? By now, everyone should be willing to state that the tail always points away from the sun.

Still, you may still have a few hold-outs who are not quite sure this can be true. If you are lucky and it’s a sunny day, you have a hole card to play. Invite the students to each imagine that they are comets. “Guess what? You can see exactly where your tail would be. Who can point at it? Where’s your tail, Comet Human?”

If you are not saved by the insight of a student who’s totally absorbed the lesson, it is OK to resort to hints. “Everyone has one. It’s easy to see. Yes, you can see your comet tail! Where is it? Which way does a comet’s tail point? Right: away from the sun. Where’s the sun right now? What do you have that’s pointing away from the sun? It’s not bright and shiny like a comet’s tail. It’s dark, because there are no sunbeams there.

“Yes! Your shadow is your comet tail. It points away from the sun, always, no matter what direction you run.”

Stage 3: The Reward

Finally, everyone needs a model comet of their own to take home and show off and share with family members everything about how comet tails work. This is not an art project; it’s an opportunity to review and experiment individually. If some students are fussy about carefully arranging their streamers to make a colorful pattern, that is all right, but the point is to assemble a working model.

Each participant needs 24 feet of curling ribbon and a birdie (remember what I told you earlier about calling it by its proper name—be prepared for lots of giggling and teasing if you insist on that) . Cut the ribbon into eight lengths of roughly 3 feet. It is perfectly all right—and in fact more realistic—if the streamers come out various lengths. And depending on the students’ social skills, it is also all right for them to exchange colors once the cutting is done. (There are always some who prefer to discover a multi-color comet and others who prefer monotone.)

Once each student has six streamers, have them tie one end of each streamer to the head of the birdie.

Chasing Comets

Detail–Attaching Ribbon For Comet Tail

Your meticulous planners will distribute them evenly around the netting; others will be clumped randomly. Either is fine. Every comet is unique and most are quite non-uniform.

Be real. This project is not done when it the comets have been only built. Everyone needs a chance to try them out. They will, of course, want to toss them around the classroom; if this is not acceptable, make some provision for them to try out that technique outdoors. More scientific, of course, as time permits, is to allow the participants to take turns trying out their comets in the pretend “solar wind” of the classroom fan. As long as they willing and able to mind safety rules about working around a fan, by all means have everyone try out the tail position approaching, passing, and retreating from the Fan Sun. But don’t get all hot under the collar if other comets are flying through the room while you monitor the fan users. Just imagine you’re in the Oort Cloud and you’ll be OK.

Up next:  Supplies You Need and Resources You Can Use

Chasing Comets

A Cluster of Comets, Incoming & Outbound

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If you read it, review itIf you read it, review it

In olden times, when you read a book that you liked, you would tell your friends. You might lend them your copy . . . then chew your fingernails anxiously until it came back safe. (Shall I digress to that time I found my best friend had thrown away my copy of Fellowship of the Ring . . . ? “But I thought you were done with it,” she said. Nothing like rummaging through a bag of garbage to retrieve your favorite book.) And then your friend would tell their friends, and so on.

Mysterious Box
Image credit: Diamondmagna
(CC BY-SA 3.0)

To perform this essential function in the publishing industry, we often employed these boxlike objects that sat on a desk or hung from the wall. Each one had a wire going from the back that plugged into a special kind of outlet, a useless-seeming outlet that you couldn’t plug a toaster into. And on top, there was a thing sort of like a front-door handle, though smaller.

When you picked it up, you’d hear a humming noise coming from one end of the handle-thing. Then, if you carefully pushed a certain sequence of buttons on top of the box–or even more interestingly, spun a dial on top of the box in a particular pattern–the humming noise would be replaced by your friend’s voice. And they could hear you, too! Then you would say something like, “I just read this book. You absolutely have to read this book. Make your mom take you to the bookstore tomorrow and get it. And there’s a whole series, too, I’ve got to go with you, so I can get the next book in the series!”

I have heard that there were other uses for this device, but they do not matter.

Now, big-city people may have decided what books to read based on some review in a newspaper or in a fancy magazine, but real fans relied on direct recommendations from friends.

The same is true today, but–like many of us–I’m guilty of not holding up my end of the stick. We’re all buying our books with the assistance of the internet–even if we’re relying on our local indie bookseller for product, we’re finding our reading online. And we need to be telling all our friends–and nowadays, that is apparently everyone else on the internet–what we liked and why.

So, I’m adding a section to this website dedicated to reviews. I’m being a better reader and adding reviews to my purchases at online sellers. Contact me if you think there’s a book out there I should review (not that I’m aiming to become a book reviewer, mind, but I do want to find books I’ll enjoy reading). And, by the way, when you buy a book from B&N or Amazon or Smashwords or wherever, if you liked the book, take a few seconds before you buy your next book and tell everyone. You don’t have to write an essay– this isn’t homework, it’s socializing. Just tap out a couple of sentences to let people know what was good about it. “hey, fellow readers, try this book, I liked this one thing especially –“

Or you could just pick up the phone and call.

The Importance of Making ConnectionsThe Importance of Making Connections

I have lots of writer friends who cling to the old-fashioned notion of the lonely author toiling away in solitude, until emerging with their masterpiece ready to be snapped up by publishers. They know it’s not real. It’s never been real, but the myth has a certain romance to it. As a great bonus, it puts off into the far future that moment when you discover if your work has meaning to anyone other than yourself.

The one compromise they’ll take is to join a critique circle … more on those in a post I’m still working on. That way, you still have the comfort of an insular environment, listening to just a few voices who don’t actually have power over your publication chances. It feels safe, even when the feedback isn’t always “wow, that’s fantastic!”

Yet, as I’ve learned the hard way, and as publishing pros will tell you if you but listen, the journey to publishing that precious work (and all that follows) begins while you’re still writing. If you’re thinking of making even a part-time extra-gig career of being a writer, you need to approach it as a pro, and seek out the society of others in that endeavor. Sanity check? As an engineer in the power industry, I’m a senior member of the IEEE, our professional organization. It keeps me connected to advances in my field. Don’t you want that for your writing career?

Here are the key groups I’ve joined to network with other writers, learn new skills, and build a better platform for this career: the California Writers Club (and I assure you that wherever you are, there is a similar organization), the Women’s National Book Association, and the Science Fiction and Fantasy Writers Association.

The California Writers Club is a grand old organization, claiming Jack London as an early connection. The South Bay Writers branch is a friendly supportive group for writers at all levels and in all genres, including poetry. Quite a few poets, actually, who connect each other with poetry-focused events in the area.  The group hosts regular sociable (in person) meetings with a speaker and gets together for summer and winter celebrations. If you’ve followed me before, you’ll know we also sponsor twice-monthly online open mics, informal (not competitive) which also attract writers who can’t make it to meetings. At our last open mic, we met two new poets in the area (who didn’t know each other before but turned out to have a connection in their non-writing careers) and then we had a fun surprise, as one of our regulars was attending from his birthday celebration and shared not only a work-in-progress appropriate to Halloween but also the ceremonial candle-blowing-out portion of the party. Alas, he could not figure out how to send us slices on Zoom.

Birthday lit with last candle being lit, with candles that spell "Happy Birthday"
Nothing like friends when you need to celebrate

If you haven’t been a part of a professional organization before, keep in mind that in this context “social” has two elements: making friends (don’t we all need friends?) and networking (making friends who mutually help out each other careerwise). I’ve gained in both senses from being a part of this group, including making contacts beyond the group, as friends introduce me to other friends in the broader writing community. As is usual for CWC, all meetings are open to nonmembers, and usually attendance is free for a newbie, so anyone can visit and form their own impressions.

There are several CWC branches in my area, and they all welcome members of other branches, which is great for catching speakers you want to hear or just getting some variety in your mix of connections. Like others I kow, I’ve joined a second branch, the one based on the San Francisco Peninsula. It’s not convenient for me to attend most meetings, because they’re held an hour’s drive away, but that particular branch happens to have a higher concentration of sci-fi/fantasy writers, some of whom I’d met through online open mics. Now, I run that chapter’s online open mic and I’m leading the members-only anthology project. If I hadn’t joined this club, it might have been years (or never) before I’d had an opportunity to first assist an experienced anthology editor and then take the helm for the next edition.

Another resource I strongly recommend is the Women’s National Book Association, which has chapters all around the country and offers many online ways to interact and learn. This organization is all about supporting women and underrepresented authors as they work to professional goals; and no, you don’t need to be a woman to join or to attend events. The San Francisco chapter has a great cast of characters, including poets, nonfiction writers, novelists, short-story authors, agents, and local small publishers. Some members are involved with the annual San Francisco Writers Conference. Both the local and national organizations offer online programs as well as some in person events. During covid, this is one organization that took to heart the lessons we all learned about how effective the online environment can be to bring together those who can’t access distant in-person events.  For instance, they converted their formerly hard-to-access annual pitching workshop event to an online program, and chose to keep it that way.

Finally, with some effort, I’ve managed to qualify for membership in my genre’s professional organization, SFWA. They do require a certain amount of sales, and I work with a small publisher who likes my slightly off-the-beaten-trail work, so I was lucky there. However, even before I qualified for membership, I volunteered as a tech for the annual conference (when it was online) and have learned that I’m good at contributing on that end (the engineering degree did help a bit, there), which meant I could eventually earn my way to attend the annual writing conference, which otherwise would be outside my means. That’s another trick I’d learned from engineering conferences, where volunteering got me into events I couldn’t otherwise have attended. SFWA offers a lot of support, cameraderie, and networking connections to members. Not to mention the chance to hobnob with some of my SFF heroes and meet in person writers and techies I’d only been able to meet through Discord or on a Zoom call.

This essay started as an email to a new friend, a poet working on her MFA who was looking for connections in this area and reached out through our open-mic signup form. She’s taking a strong route, creatively seeking to build bridges early in her career. You, too, can look for the connections that will help you grow as a professional. Hey, if you’re not (or not only) a writer, but an engineer or an Amazon tech or a scientist or whatever, remember to connect with organizations that bring together others in your field for mutual benefit. (Yes, of course that includes unions.) Trust me, even if you’re an introvert like me, taking that step works to draw you out of your isolation and enliven your life and empower your career.

Ready . . . set . . . and . . .Ready . . . set . . . and . . .

Pre-Orders Are Open

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This first-contact story explores the challenges of communication between species–when neither side has a universal translator to rely on, when the alien in question is so odd most people would consider it an animal, not a person, and when accidents and misunderstandings get in the way.

Ansegwe’s a tagalong, a wannabe poet, and the pampered offspring of a rich, powerful family. When faced with the choice of leaving an injured alien creature to fend for itself in the wilds of a strange world, he makes decisions that force him to contend with his own failings–but also help him discover his mission in life.

Available in hardcover, trade paperback, and digital editions on January 31st. Pre-order now! Free shipping for B&N members and on Amazon Prime.

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