Cometary Tales Blog,Secrets of the Grand Canyon Day Zero: Get Thee To Flagstaff

Day Zero: Get Thee To Flagstaff

There is no simple way to orchestrate the travel here.  Yes, planes fly to Flagstaff, not the same airlines as fly to the big airports but their small-scale partners.  There’s a shuttle bus from Phoenix, and if you were facing a long layover the van could even be faster.

A view of the Grand Canyon we did not see on our flights (courtesy of Google Earth)

But we arrive in Phoenix with plane tickets in hand and actually welcome a half-hour flight delay, because it allows us a chance to buy lunch.  I even have time for a stroll through the overpriced-souvenir shop, where I hand over $2 for a pair of elastic bands someone in the shop has put out to support a fundraiser for improving water supplies in Haiti.  Seems appropriate. And the chance to put up our feet for a half-hour is welcome, as we’re already tired.  We actually began yesterday, on Day “-1”, with a five-hour drive to rendezvous with Clark’s friend, who lives near Reno, so we could all travel together the whole way.  Our Day Zero expedition consisted of a drive from the pine forests of Plumas County to the desert flats of Reno’s outskirts, a freeway jaunt to the airport (chauffered by another friend), a big plane to Phoenix, a little plane to Flagstaff, then a search for the airport shuttle.  We will have a powerful case of deja vu on Day Fourteen.   You’ll see.

Flagstaff’s airport is a fabulous, small airport.  My favorite kind.  One baggage claim zone.  No trouble meeting a shuttle bus right outside.  As it happens, the other folks sharing the van are another couple going on our trip.  And they have obtained an intelligence report from the rafting company, OARS, that we five will be the only “guests” staying on the raft trip for the full fourteen days.   The rest of the group will leave halfway (and hike out), to be replaced by a new batch of folks for the second week.  So we will actually get to spend a full fifteen days with Todd and Eliza.  Oh, yeah, and until such time as the members of our trip group authorize me to use their names, I will be using fake names, just in case I goof up and say something upsetting or someone turns out to be in Witness Protection.  I won’t do the same for the crew, since I want to actually give them the props they deserve.  In fact, I’d hope this whole piece could be considered a humungous letter of reference for each and every person on the crew.  I’d initially given myself permission to use my own and my husband’s names, but he protested, so here goes.  He is herewith dubbed “Clark”.  And what to call Childhood Friend?  How about Lana?  And surely that makes me “Lois”.  The only funny thing about this, is that I actually have a friend called Lois–so, hey, Lois, you can tell people this is you.  (Fair warning, though, I’m not the heroine of this story!)

The key element of Day Zero is the evening briefing from the Trip Leader.  We gather in one of the Radisson Hotel’s conference rooms.   (The Midway guests also will have a briefing, but not by the Trip Leader , as she will be a mile downhill at the time.)  So we meet our first authentic River Guide.  This is Billie Prosser, who’s been whitewater rafting since she was a teenager, over fifteen years now, much of that time in the Grand Canyon.  These days, she chooses to do only a few of these Grand Canyon trips a year, giving herself the chance to work on other rivers and also to have time for a private trip, as time permits, to enjoy the Canyon without having to take care of people like us.

At the meeting, we also get our first glimpse of our fellow travelers all together.  We are heavily loaded with Californians and Canadians.   There are three women from Canada—their menfolk didn’t want to come.  There’s two father-son duos: one a dad and his athletic teenager, the other a Bechtel project technician taking a voluntary layoff to make the trip with his dad, a (putatively) retired actor and writer.  The Fab Five (Todd & Eliza and the three of us–Lois, Clark, and Lana) are all from California.   The actor, who takes care during the meeting to firmly establish that he’s the most-senior member of the troupe, has also brought along a childhood friend—a woman he hadn’t seen since high school.  While he keeps us entertained, I get the vague feeling he sort of expects someone to recognize him.  Then there’s another triad…a husband and wife and one of their friends.  Is that sixteen?

We get a quick summary of what to expect in the morning.  The crucial item is to have our gear packed and in the lobby by quarter to seven and be ready to leave by seven.  There’s a little last-minute advice on what to be sure to bring.  In case something’s been forgotten, there’s a WalMart in walking distance.  We’re advised to bring lots and lots of moisturizer.  I ask for a definition of “lots”, which it seems is a 16 oz bottle per person per week.  Oh, my goodness, I didn’t bring that much, so we have a trip to WalMart in the plans already.  We’re issued our “drybags”, each labeled with our own personal real names.  (Amazingly, they don’t know to use the fake names I will make up in the future for this blog.)  And Billie gives us a five-minute seminar on how to seal the drybags.  This is important, as all of our clothing and personal items go in this bag, which will then be tied onto a raft and frequently doused with water.  We’re each also issued a small drybag.  The big bag is inaccessible except in camp.  The day bag serves to keep dry what we need to keep dry but have access to during the day.  And we’re allowed to bring whatever we like in our daypacks as well, provided we understand that these will get drenched in larger rapids or if it rains.  The drybags don’t have our personal names on them.  Instead, they each have an identifying name written in Sharpie,  to individualize them.  We just each have to remember our bag’s name.  Mine is “Turpentine Broom”.  Lana’s is “Grease Bush”.  And Clark selects the distinctly memorable “#73”.  Mine is the best.  Here is all about Turpentine Broom  and Grease Bush.  I expect we’ll encounter these plants on our journey.  In the meantime, the names help, as the bags come in only a few colors.

I’m relieved to hear there will be a bag for boots, as this will make room in my kit for all that moisturizer.  Others are relieved to hear that their beer and wine orders have been filled.  Some are anxious to double-check on that after the meeting.  Billie has the checklist.  Evidently, this is a common anxiety.

Then we are off to WalMart.  Yes, our first act upon crossing the moment into our trip environment is to walk down a suburban city street, past a dark and quiet Home Depot, an active supermarket, and a Bank of America with lights glowing invitingly above its ATM, to shop in the megabehemoth of a store that was launched just a few miles from Clark and Lana’s home town.   But oh, they do indeed have It All.  More sunblock.  I must have more sunblock.  Moisturizer, per Billie’s recommendations.  Handy dry facewash cloths to get all that sunblock off.  And a tripod.  What was I thinking, leaving home without a tripod?  And a little mini flex-tripod for Clark.  Sweet.  Now all we have to do is haul this all back to the hotel and get everything crammed into our bags.

And, well, the bag-cramming takes a little while.  Maybe more than a little while.   Part of it is deciding which things are OK in the backpack (maybe in a Ziploc bag, maybe not), which need to go in the daybag, and which can be done without and stuffed in the main drybag.  I have the extra variant that I really have 2 daypacks. One is a one-shoulder sling pack that keeps my cameras and other hiking essentials from bearing down on my healing shoulder and when not in use tucks into the main pocket of my large daypack.  The main daypack takes my raingear, a dry set of fleece sealed in ziplocs, my tripod, and other handy items.  It’s big, it’s bulky, I will make Clark carry it as much as possible.  But it all fits.  And while I fancy myself adept at this sort of thing, it is Clark who is already proving to be better at sealing the big drybag.  He says it is just that he can squish it down better, being a bit heavier, but I think there is more to it than that.  I will keep insisting on doing my bag myself for about four more days.  Then I will give up and let him do it for me.

One last shower and a thorough hair washing.  It will be 2 weeks without a shampooing, at least for me.  I do not want to look at the setting on the alarm clock.  It is just too awful to contemplate.

 

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2021 Final Roundup2021 Final Roundup

I promised a post on my so-called accomplishments of the past year. It’s a decent exercise, especially when the year ahead looks so daunting. I’ve had to slap some provisional titles on works in progress, but that’s part of the fun. So, without further ado:

Fabulous AccomplishmentWhat Bit of Writing It Has to Do With
One short story published in an SFF market, both digital and printParrish Blue
Finished first revision cycle with Wind and Smoke, divided the work, and completed second round revision with Volume 1.Wind and Smoke (work in progress)
Finished a two-book entry to my series, revised and submitted Book 1, nearly completed revisions on Book 2Shadows of Insurrection (submitted)
Fires of Resolution (WIP, in final revisions)
Talked a regular reader into reading the first two volumes of Lidian’s Promise, made decisions on updates needed to go to market.A Sorcerer in Levoigne (WIP)
Strangers in Almadina (WIP)
Wrote, revised, and had a short story published in an anthology, PLUS experienced having that story nominated for the Pushcart Prize.“Heart’s Delight” (anthologized in Fault Zone: Reverse)
Wrote, revised, advocated for, and had published a neurodivergent short story.“Reunion” (anthologized in Fault Zone: Reverse)
Wrote, revised, and had accepted a middle-grade SF novella for a shared-universe collectionThe Smugglers (planned for mid-2022)
Wrote, revised, performed, and had accepted a humorous short story for a shared-universe collection“Coke Machine” (planned for spring 2022)
Submitted multiple entries to the California Writer’s Club (CWC) SF Peninsula Chapter’s Literary Stage competition, won awards for opening chapter for a diverse-characters novel, a humorous madcap short story, a structured poem (a sestina), and a short story.A Sorcerer in Levoigne (Chapter 1), “Coke Machine,” “Trap” (poetry), “Solitary Dances”
Note: the contest does not involve publication, but awards are listed on the SF Peninsula Chapter website.
Launched a newsletter and published the first eleven monthly issues (Twelfth issue came out in January 2022.)Tales from the Oort Cloud
What do you mean? You haven’t subscribed yet? EZ box on this page. Pop-up roaming the page. Link in the title and right here. Go for it. You won’t be sorry.
Attended the Nebula Awards Conference online(I’ve volunteered to help at the 2022 conference.)
Served on four panels at Octocon, the Irish National Science Fiction ConventionModerated a panel on the isekai subgenre in anime, and another on global optimistic futures, took part in an improv panel (Orbital Tidy Town Committee), and a science panel on energy futures
Volunteered a full schedule at WorldCon virtualHosted Kaffeklatsches, monitored panels, teched a publishing workshop.
Performed a reading with Strong Women, Strange WorldsAll That Was Asked
No video, but similar to a reading on Fairy Princess Lolly‘s livestream program last year.
Performed a reading on Fairy Princess Lolly’s livestream series, Author Reads“Parrish Blue”
Part of a longer program. You’ll find this reading at T= 53:47 in the video.
Became board-adjacent on SF-Pen chapter of CWC as runner of open micsFourth Tuesday open mics
Provided a second year of tech support for the South Bay Writers chapter of CWCOpen mics on First and third Fridays
Updated my website, with a proper landing page, the blog in its own territory, and space for appearances.Cometary Tales (you are here!)
Increased my vast followership on Twitter (hahaha)Up to 241 for Cometary Tales and
204 for Pixel Gravity
Sold some copies of my book!“Some” is as close as you’re going to get to a number, here.
Also: racked up several agent rejections, practiced pitches and studied statistics of twitter pitch contests, and wrote four (count ’em! FOUR!) blog posts!Tally Ho!

I should note that at each of the open mics I manage, I also take part, sharing excerpts from works in progress as well as poetry and related works.

I’ve also been diligent at showing up for my critique partners and my non-critique writing group, even if I can’t be there in person. That boils down to 10-12 hours a week of reviewing colleagues’ work, accepting notes on my work, and discussing craft and our work together in online meetings.

Rediscovering Old BooksRediscovering Old Books

I spent my elementary-school years soaking up the very best in English literature.

For a preteen horse-mad bookworm that meant: Enid Blyton, Hilda Boden, Josephine Pullein-Thompson, her sister Christine Pullein-Thompson, and Many More. I didn’t notice at the time, but now it’s obvious:  all my early writing models were women. My very first book purchase was a pony book by Hilda Boden, who took up writing stories to help support her family. I kept that book–Joanna’s Special Pony–for years, and reread it many times, imagining the windswept Scottish coast populated with wild (but tameable) ponies and admiring the resourceful, determined heroine of the tale.

I’d nearly forgotten Lilian Buchanan’s illustrations–until I saw them again, and recognized them.

From that day onward, every smidge of my allowance (well, sparing a few pennies for sweets) went for the next installment of the Famous Five or Malory Towers or any number of pony books.

All of those books stayed behind in Yorkshire when my mother had to pack us all up for the move to the States. My British childhood was over, and military moving allowances are based on weight, so . . . my pony books, boarding-school novels, and mysteries went to the thrift store for some other child to collect.

“I thought you were done with baby dolls, you still have the Barbies,” my mother argued.

“Not all of them,” I countered. “I promised that one, the littlest one, that I wouldn’t ever ever give her away.”

But it was too late. 

I think maybe I broke my mom’s heart a little bit. Well, a little bit more. Motherhood involves a lot of heartache. Well, Baby Doll may have been lost to me forever, but I’m sure she had at least one more little girl make her similar promises.

The only good thing about the move was that all my friends had to study up for the Eleven-Plus, which would determine whether they’d go to a nice boarding/academic secondary school (like Malory Towers), get stuck in a dead-end “modern school” with no college track, or take up a trade and actually be able to earn a living. Me, I got to spend a couple of weeks coasting through the end of what Americans called “fifth grade” sitting in a classroom with children who–it seemed to me–hardly read at all, before being unleashed to a long, long American summer vacation. Luckily, my grandparents’ house was packed with books–mostly Reader’s Digest collections, but also a classic edition of One Thousand and One Nights and my dad’s stash of science fiction magazines.

Over the years, those old-style children’s books have been supplanted in the market by more literary-style books for children, others with science-fiction or fantasy roots, and thankfully many with more diverse casts of characters. A few have received a dusting-off over the years . . . there’s even a 2020 BBC-TV adaptation of Malory Towers that puts the storyline in a historical-fiction context while also envisioning a more diverse enrollment and faculty at the school.

Now, it’s my turn to have a house packed with books, and it’s an eclectic collection–not even taking into account all the books that aren’t technically mine, but my husband’s.  No matter–I put them on the shelf and dust them (occasionally), so they’re mine in that sense. I’ve launched a little Instagram project to share a few of those books, on a regular basis–mostly the out-of-print ones, the ones I inherited from my Dad (a fellow SF fan), and ones that may be old but that still speak to current issues.  The hard part is figuring out how to photograph them–top bookish instagrammers have such lovely still-life setups for their book posts. I’ll do my best to at least not to give people eyestrain.

None of that means I’ve stopped gathering-in books. Just in time for my birthday, my very first Quarantine Birthday, I retrieved a book long-lost in the move from England, my first book purchase, my favorite book from that day until the day it vanished to the thrift store with my dolls. 

The dolls are gone, my mother long forgiven, but the books never have left my mind. Just this month, I made a birthday present for myself of a copy of Joanna’s Special Pony, dusted off from some other collector’s shelf–one in better condition than the one I left behind, PLUS a copy of the sequel. That was a book I never got my hands on, because it was only in hardcover and my allowance was two shillings sixpence, exactly the price of a paperback (my, what a coincidence–almost as if my parents wanted me to buy books).

If you like Instagram, the series is here. I’ll try to remember to link to those postings from the Facebook page as well.

Chasing Comets

Chasing Comets: Supplies & ResourcesChasing Comets: Supplies & Resources

Supplies and Materials

Below, you’ll find a handy supply document you can download, with shopping lists for small and large groups and a range of cost estimates, depending on how much of the supplies you can acquire from available supplies or donations by participants.   With a minimal outlay, you and your group can experience being comet chasers–observers of comets.

Basically, you need a bunch of badminton birdies for your comet heads—keep in mind you don’t need performance-grade shuttlecocks or even new ones. If your high school has a badminton team, they will have worn-out birdies you can take off their hands.   A grungy, beat-up birdie makes a more realistic comet head.

Chasing Comets

Birdies for Comets

And you need a bunch of ribbon—curling ribbon for the comet tails. The supply sheet estimates ribbon packages at around $8, but if you look at this photo, you’ll see the last time I bought supplies, it was out of the clearance bin at $2. And if you can get one in five of your participants to bring in a roll to share, it won’t cost you a dime.

Chasing Comets

Zoom Out–Yes! Here’s All You Need To Make Comets

The one oddball item is that tulle fabric ribbon for the big comet. This you might have a hard time finding in your junk drawer unless you’ve been helping a bride make wedding tchochkes. But for $10 you can buy enough to make three huge comets. Cut five-yard lengths and tie one end of each to a vane of a single birdie, allowing a few inches of extra length to fan out as the comet’s “coma”. Tulle scrunches up easily, so even a six-inch-wide ribbon will feed through the holes between the birdie’s vanes.

Chasing Comets

Detail–How To Tie Fabric Tails

You should be able to borrow a portable fan and a playground or soccer ball. If you can’t, it will take a roughly $25 expenditure to get those items in stock—a cost you can recoup in part by either donating it to the group you’re working with or simply deducting the expense as part of your cost of volunteering.

And it is presumed you can find a pencil, which makes holding the small model a little easier when you’re doing the demo with the fan;  here’s the trick for hooking the pencil to the comet head:

Chasing Comets

Holder For Fan Experiment

Depending on how good you are at scrounging supplies and locating soccer balls, your costs will range from $10 to $85 for typical group sizes.   The spreadsheet I use has a calculation column to adjust the requirements list for other class sizes  So, if you want a copy of this  fully-functional workbook, “like” the Facebook page & I’ll send you one via a Facebook “message”. (You can also try emailing me through the “contacts” page here, but you’ll get a faster response on FB.)  Your FB contact will be used for nothing other than sending you a file and boosting the “likes”-count on my page.  [Insert maniacal laughter, if desired.]

Meanwhile, you can get the static workbook as a pdf right away:

Just Supplies Chasing Comets

 

Resources and References

Now that you are all excited about comets, here are some fun places to go where you can find more cometary material:

A lovely one-page summary from the Spaceguard Program (sponsored by the European Space Agency) gives a clear description of comet tail structure and dynamics, including a neat animation of what both tails look like as the comet proceeds around the sun. The ion tail streams straight back, while the dust tail is curved a bit as the particles within the dust tail blend movement due to their individual orbits about the sun and the forces of the radiation pressure. Net, both tails roughly point away from the sun, as in our demonstration.

Sweet page from NASA with helpful animations and clear descriptions.

Follow the European Space Agency’s comet-chasing spacecraft, Rosetta, as it aims for the first robotic landing on a cometary nucleus.

Read this:  a “real” science article with a good set of detailed discussions of the types of comet tails and how they work.

Or, try this excellent piece by freelance science writer Craig Freidenrich on the inner workings of comets.

The Swinburne Centre for Astrophysics and Supercomputing’s educational site helps with details on the structure of comets.

Explore a public-domain catalog of Solar System images, from Hubble and other spacefarers.

Discover how Oort clouds may be one way star systems interact directly with one another, because the Oort clouds project so far out.

See the invisible part of a comet.

Find out all about radiation pressure.

Plan to catch sight of the meteor shower sponsored by Comet Halley.

Explore the origins of comets at this UC Berkeley site.

Check out NASA’s solar system photo gallery, with images from NASA and European Space Agency exploration missions and telescopes.

Visit the Lunar and Planetary Institute’s educational site, with even more hands-on activities for young astrophysicists. Roam their site for educator workshops and more.

OK, seriously, I’m not the only science blogger keen on comets.

A new comet is incoming this month (May 2014).

Our guy Euler was the first one to suggest that light exerts pressure, but we had to wait over 100 years to get to Maxwell, who proved it, and then another quarter-century went by before some Russians managed to measure radiation pressure. (Also, gotta love Google Books.)

Oh, and by 1915 the proof of radiation pressure made it into Scientific American.

 

 

 

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