Learning to Thread

January 3, 2022| cometary| 0 Comment | 5:33 pm

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A screen grab from a twitter posting: text is within blog post.

For my New Year’s Day new learning, I worked out how to create a thread (properly) in Twitter, in order to post my very first awards eligibility thread.

I know, I know, none of these are going to win any awards, though one has already been nominated (by the editor of the anthology) for a majorly major award. Nominations count; just being nominated is a huge, huge thrill.

But not everyone likes to hang out on social media. Facebook is broken. Twitter has deep wells of toxicity, Instagram is all about being pretty (and owned by Facebook), and Tik-Tok is … out of my league.

So in this blog post, I’ll try to recreate the Twitter post. I have two 2021 stories that are Hugos-eligible (the science-fiction ones). What awards do you know about that you’re eligible to nominate for? You might be surprised!

Let’s jump ahead now, and make this Not About Me. It’s readers who nominate for Hugos, and readers don’t care if the author is famous, made a bucket of money, or only managed to sell one story. Sure, the list of finalists is short, but consider–what did you read last year? What moved you? If you’re a 2021 or 2022 WorldCon member, you can nominate the things you liked. You can nominate up to five things in EVERY category. They don’t have to be the movies, stories, novels, or magazines that your friends liked, that your social-media leaders went on and on about. You can voice your own preferences.

So, pitch made. GO forth, write reviews on Amazon and Goodreads, nominate all your favorites for awards, and then enjoy all the new (and not-so-new) stories out there in 2022.

Here, then, is my Twitter thread. Do ya love or hate my cartoony profile pic? I’ll only put it in for the opening tweet; otherwise, it gets annoying in blog format.

The official awards-eligibility thread. In 2021, I had three short stories published:

1. a #scifi story about stolen land

2. a light #scifi #romance featuring a favorite 20th-century artist

3. an upbeat piece of literary fiction grown from #autism, #depression, and #optimism.

2/7 “Heart’s Delight,” anthologized in Fault Zone: Reverse, edited by @LaurelAnneHill and published by Sand Hill Review Press. An intelligent ecosystem repels those whose ancestors took the land unjustly, returning custody to its true caretakers. #SFF

3/7 For the record, I live on Tamien Nation Territory, bordering Popeloutchum (Amah Mutsun) land, connected to the territory of the Muwekma Ohlone Tribe of the San Francisco Bay Area. These people are all, right now, working to protect this land, e.g.: http://amahmutsun.org/history

4/7 “Parrish Blue,” published by Water Dragon Publishing (Dragon Gems short fiction). In an elite restaurant on a climate-ravaged Earth, under the glow of a recreated artwork, a young woman rediscovers a dream of life immersed in wonder—and finds one who shares that dream. #SFF

5/7 I’m dropping in an image of the piece of art these two fall in love under (Romance, by Maxfield Parrish). Just because.

A fairy-tale castle stands on a hill, with peaks risin gin the distance, and people in old-time fantasy clothes gazing on the scene from a collonade — (Note: on Twitter, alt-text includes artist attribution: this is a photograph of a public-domain artwork. The photograph came from Plum Leaves at Flickr: https://www.flickr.com/photos/eoskins/5841870848).

6/7 “Reunion,” anthologized in Fault Zone: Reverse, edited by @LaurelAnneHill and published by Sand Hill Review Press. Two young people, separated in childhood by separate traumatic events, renew a friendship forged through shared suffering.

8/7 These are all findable via my linktree.

Glowy orange sunset clouds float over a cluster of treetops at lower left. With text linktr.ee @Vanessa_MacLarenWray | Linktree. Character-drive literary speculative fiction. Science-y stuff. Cats. Ponies.

7/7 If this story resonates for you, consider further research at https://autisticadvocacy.org or connect with mental-health resources in your community. Also, remember to reconnect with friends in 2022.

It’s surprising hard to recreate a Twitter posting in a blog! Go follow me on Twitter, OK?

Marichka Explains Etheric EngineeringMarichka Explains Etheric Engineering

Explain etherics? Hah!

Nobody can explain etheric engineering. Or the stuff that makes it work: aether.

The best anyone can do is describe aether. To our faulty three-plus-temporal-dimension senses, aether is nothing but a dark brownish fluid. It seems to bubble, giving off flashes well into the UV end of the spectrum.

That’s why one’s advised to wear goggles (or install UV-protective mods if you’re likely to encounter the stuff regularly). Relatively cheap, those. Even I have ’em, and you know what my finances are like! If you get the stuff on you (I strongly advise against it!), it tends to adhere.

так.

Is sticky. You don’t want it stuck to you, trust me.

If aether gets loose, you want to corral it fast. Every compartment at risk of an aether spill (that is, any compartment etheric conduit passes through) should be equipped with an aether net. When deployed, it becomes a fine, gauzy web that attracts aether. Not to worry, it’ll draw off whatever’s stuck to you as well as gather up the globules floating in your face. So, no, it’s not a “net” so much as an “attractor.” I’d be happy to argue semantics with you any day.

Don’t get in my face about why it’s pronounced ay-ther in Standard. Open your chem reference, search for (C2H5)2O, and shut up already.

A swril of orange with a black ball at the core, and a bright blue jet

Aether’s the stuff that wormholes tunnel through. So no surprise that aether’s about as safe to play with as your average gravitational singularity. Aether is all places at once. That is, it knows only one where and one when.

The aether in the conduits of my ship is the aether flowing in yours. That’s why our comms people can talk to each other in real time. That’s why skipships don’t get lost, navigating the galactic byways, why the big ships that barge through gate-boosted wormholes don’t crush us as they pass. We’re all floating in the same ocean of aether.

There are…entities…out there who can perceive and manipulate aether directly. Some of them invented devices that make use of it. We lesser beings—humans, our allies, our enemies, our uncanny neighbors—have taken it on ourselves to copy those devices. Nobody knows what happens when you make a mistake copying Ancient etheric devices.

Nobody knows, because nobody comes back from those experiments. I like to think they’re gently transported to a parallel universe, given a kindly lecture on interfering with things they know not of, and sent off to some alt-universe pastoral countryside to learn…I dunno, painting, country dance, noveling, harmless little hobbies.

It’s nicer to imagine that than the alternative. Aether is dangerous stuff. A seemingly innocuous ball of cute fizzy brown goo can happily float straight through your ship’s hull. Try breathing vacuum sometime. Not fun. Not fun at all, no matter how well trained your crew is or how good your mods are.

And that’s just for starters.

So take it from me: don’t mess with aether without proper training. Even then, keep all the tools you might need right handy. You never know when you might need them.

Image Credits:

Detail from cover of “Coke Machine,” by Niki Lenhart.
Artist’s depiction of a black hole at the center of a galaxy. NASA/JPL-Caltech. (Modified for effect)

In certain portions of this timeline, Marichka Zelenskyy (no relation) may be found fixing things at the Truck Stop at the Center of the Galaxy. In other portions of the timeline, she is busy elsewhere.

I love a good crossover novel . . . or in this case, series of novels. An author who can successfully blend the tropes and themes of two kinds of worlds can perform that magical feat of pulling you outside your own world and showing you the things that bind people together, no matter what world they’re inhabiting.

The Glass Bottles series by J. Dark will give you that. Here, J Dark blends the noir detective story with urban fantasy. What makes it work is that the features of both worlds are both given their full due. Don’t think of this as a mashup–it’s more than that, it’s an overlay that draws on compelling elements of each type of story to bring fans of either just what they need. I’ve just finished the first one, Best Intentions, and I think you’ll agree that this is a dark, engaging tale that draws you in … and maybe kicks you a few times in the gut before it lets you go.

Yeah, yeah, yeah, you’ll get yours, you demanding film noir fan: the grim, gritty streets of The City, the denizens of the underworld–some better than they seem, some worse, the wiseacre Private Eye with the dingy little office, the mysterious crime that the police can’t handle, the stranger at the door…a stranger who may need her help…or may be about to kill her. Yeah, the PI is a dame, OK, a hot dame, no less, you got a problem with that?

Oh, and you, you urban fantasy addict, you get: a fully-worked out magic system that’s unique in its own way, but that you can pick up on as the story progresses, demons, pentagrams, spells, and rituals. These are all set against a backdrop of a seemingly ordinary city that’s fallen on tough times and normal complications of families, friends, and law versus order. All of these are contained within an ordered universe with an explanation for why-things-are-this-way…an explanation that ties directly to the deepest peril that the hero of the story must face.

While I don’t do spoilers, I will share a tiny content warning–this is not a story for children–got that?–not any more than the Maltese Falcon is a lighthearted romp for the kiddies. And while there are interesting magical–make that magickal–animals that play important roles, this is nothing like a Harry Potter story.

Here’s your setup. No Spoilers.

Fern Fatelli and her sister Fawn work on either side of the private-public law-enforcement line, in the city of Dayning (a fictionalized urban enclave of Halifax, Nova Scotia). Fern’s got her PI business to tend to, with equal parts moxie, magick, and good old-fashioned gumshoe footwork. When she needs a bodyguard, her old buddy–who also happens to be a troll–stands by her. There’s some baaaad stuff going down in the city…there are these strange little bottles that seem to suck something essential right out of a person, but no one knows what they are, where they came from, who is using them … let alone, why.

Our Fern is comfortable in the lower echelons of her city, using her limited magick on the old PI standards–scrounging up evidence on adultery for a disgruntled spouse. But this time, a seemingly typical case lands her in the role of hero, the one who has to solve an enormous puzzle to save her friends, her family, and her world…to save them all from an ancient evil that was set loose long ago, with the very best of intentions.

J Dark has a way with creating twists that will catch you off balance. Just when you think you sort of know what the solution to the mystery is going to be, something comes in out of left field–something that was there, all along, that you weren’t paying attention to–and everything changes again. You’ll enjoy the ride, but it’s like a roller coaster in the dark, so hang on tight.

At this point, there are three Glass Bottles books released, plus a short story, a prequel actually, A Last Good Day, that’s available for a free download at the publisher’s website. The books are on Barnes & Noble, Amazon, and several digital-books sites. J Dark has a blog, too, where you can read about writing or try to catch up with a serialized sci-fi work-in-progress.

If, like me, you’re kind of curious about this re-imagining of life in Nova Scotia–or, as it’s been renamed in these books, New Scotland–there’s a trove of imagery on Google’s map images–check out this awesome shot by Mark Lamontagne that captures the blend of old and new echoed in J Dark’s vision.

On Aisle 42, Universe Components: Notes for Project LeadersOn Aisle 42, Universe Components: Notes for Project Leaders

I have a pair of projects to present this time–together, they are a sugar-based approach to understanding the building blocks of our universe. The goal is to build up a sense of the scale and dynamic relationships among the smallest particles identified to date, and how they combine to form the stuff we call “matter”. By the end of these activities, everyone participating should have a clearer picture of the following:

1. All of the matter in our universe is composed of just a few extremely basic and very tiny building blocks. They’re called quarks and leptons.

2.These building blocks, in the right combinations, make the next-level construction materials. The most common ones are electrons, protons, and neutrons. But there are others, too.

3. Once you have electrons, protons, and neutrons, you can build elements. Each element has particular physical and chemical properties–which arise from its unique physical composition of protons, electrons, and neutrons.

To make this activity fun (besides incorporating sweet treats), it helps to build into the presentation an element of discovery. First, we come to terms with the fact that the familiar atom is not the smallest particle. Second, we wrap our minds around the knowledge that even the tiny particles inside the atomic nucleus are made of even tinier ones. Third, at the conclusion, it’s truly mind-expanding to try to envision each of these in true relative scale.

The atom is still a meaningful idea, so long as we adjust its definition to suit modern understanding. The concept of the atom dates back over 2500 years, to Leucippus of Miletus and his more-famous student, Democritus. They reasoned out that if you keep cutting a material, you’ll eventually reach a particle that cannot be divided further. In Greek, the word “a” means “not” and “tomos” means cut, so when you call something an “atom,” you’re saying you can’t subdivide it. However, even now that we know that the structures we call “atoms” can be broken open, we still use the term. For instance, we’ll talk about “an atom of iron” or “the carbon atom”. But instead of defining the atom as “indivisible”, we now describe it as the smallest unit of a material that still retains those unique physical and chemical properties defined by its combination of electrons, protons, and neutrons.

In this project, we will build atoms from electrons, protons, and neutrons. Energized by our constructions, we will discard our preconceptions about the structure of the universe and descend to the sub-sub atomic scale, where we will capture quarks and leptons, then build ourselves some protons and neutrons and electrons. And then we will eat the lot: atoms, quarks, protons and all. It’s elemental.

We’ll proceed in two parts: “The Atomic Marshmallow Project” introduces the idea of atoms and their components, and “One Side Will Make You Smaller” takes us down into the realm of quarks. As in our other science projects, we’ll include information to share with the participants as you go along. For those who would like to delve into more detail, you’ll find links to good sources with plenty of depth.