Cometary Tales Blog Lessons of a BayCon Gofer: There Is No Dog

Lessons of a BayCon Gofer: There Is No Dog

The final day of a convention can be a downer: games are ending, there are no parties pending, the con suite is running short on the good stuff, some people you just got to know are leaving early, and—not the least of it—you’re really, really tired.

The Signs Are On the Wall

The Signs Are Coming Off The Walls, Now

I wasn’t due for “work” until afternoon, but I roused myself earlier, for the last DIY project—Make A Parasol (see Firefly).   Alas, I’d missed a program schedule update & the project was over. Long over—it had happened the day before! Won’t happen this year—I’ve finally joined the Smartphone Universe & so have access to the online schedule for BayCon 2015.

 

There's Planets Around Them Thar Stars

There’s Planets Around Them Thar Stars

I did have a backup plan—a panel discussion on new discoveries about extrasolar planets. But I’m kind of a Kepler fanatic, so the information being shared was, well, old hat. I found myself nodding off while people were talking about one of my favorite subjects.

So off to the Gofer Hole to check in and claim my spot as the Art Show Gofer. The day wasn’t boring any more.

My Final Badge-Ribbon Collection, Nowhere Near Championship Length

My Final Badge-Ribbon Set, Actually a Relatively Small Collection

I had my chance to be part of the Art Auction. That was cool—I’ve never been, because I can’t afford to bid anything near what auction items should go for. Instead, I got to set up bidder numbers for folks who did have the resources and were eager to support these wonderful artists.

Once the Auction wound down, I got to be on the giving end of the Art Show. That is, folks queued up to collect the pieces they’d won in the silent bidding and—later on—the auction. The staff took care of the official tasks of collecting payments and pacifying people who’d not won the pieces they wanted. As a Gofer, I fetched their purchases (from the stacks we’d so carefully arranged the night before) and saw those their faces light up with happiness.

Eventually, all but a few of the neat stacks were gone. A few winning bidders were late to collect their prizes. But we set those safely aside.

In the meantime, all afternoon, artists were coming by and packing up any pieces that hadn’t sold. We helped if needed—fetching supplies, finding paperwork they needed, taking down labels and hooks from the display boards—and it was cool to get to talk directly with the artists. Several artists had entrusted the convention staff to display the work on their behalf, having shipped the art with their registration forms. Most had a piece or two still unsold, and these needed to be repacked for shipping homeward. The original boxes were not necessarily available, so I made the rounds of the vendor room to scrounge empty boxes.

Gradually, one by one, the display boards were emptied, we collected all the hooks, labels, and trash, and the staff tracked down the last of the tardy winning bidders.

It was time to empty the room. Load-out time. Most of the stuff needing shifted was heavy—pegboards, frames, bins full of papers and supplies. So I called dibs on the job of getting all the art-to-be-shipped-home safely out to the Art Show director’s car. It took a few trips through a lobby full of exhausted attendees and staffers. Then I glommed onto an empty luggage cart. Plus, the Gofer King was one of the staffers in the lobby and he dispatched an idle Gofer to help on my last round. Whew.

So, most of these events end with what they call Dead Dog.   That’s one of the things you hear staffers talking about near the end of a convention, but they don’t share with mere members what exactly that is. The deep dark secret is: it’s a party. It’s the staff party that happens when everything’s over, the attendees have gone, and all the clean-up work that can get done is done. Aha, it’s what theater types call a strike party.

Kris & Alison, Art Show Maestrae

Kris & Alison, Art Show Maestrae, at Dead Dog

Generally speaking, it’s a Staff event, but Gofers who stick it out all the way to the end are welcomed into the party. There’s food. All the leftovers from the weekend, that no-one wants to have to haul home. All the ice-cold sodas left in the Magic Charity Soda Machine. Meanwhile, the hard-core staffers take the opportunity to give thank-you speeches to each other and praise the folks who’ve stepped up to chair the event next year.

It felt a little like crashing the party at that point, but the Art Show leaders were saying nice things to me, so I felt better. And Alison asked if maybe I’d help her as staff in 2015.  And finally, finally, I gathered up my own art purchases, and Went Home.

 

Art Show Victory!

2015 Art Show Staff!

Gofer Lesson of the Day:  If you stick it out to the end of everything, you can get into the fabulous Dead Dog party.  There will probably not be any dogs there, just tired-out volunteers.  Like you.

How to do this:

Method #1:  Walk into the Gofer Hole and sign up.  You do need to be 16, but there’s no upper limit.  Yes, really, you, too, can be a middle-aged Gofer.  For BayCon 2015, the secret lair is in Tasman.  Go up the escalator, turn right and it’ll be on your right before you reach the convention center.

Method #2:  Email the King of the Gofers.  That’s gofers15@baycon.org.  You get double credit for helping at setup on the day before the convention starts. If you’re super-eager to help & don’t get a reply, email me (cometary@cometarytales.com) and I’ll help you make contact.

You might also like to read:

On Aisle 42, Universe Components: Notes for Project LeadersOn Aisle 42, Universe Components: Notes for Project Leaders

I have a pair of projects to present this time–together, they are a sugar-based approach to understanding the building blocks of our universe.  The goal is to build up a sense of the scale and dynamic relationships among the smallest particles identified to date, and how they combine to form the stuff we call “matter”.  By the end of these activities, everyone participating should have a clearer picture of the following:

1. All of the matter in our universe is composed of just a few extremely basic and very tiny building blocks.  They’re called quarks and leptons.

2.These building blocks, in the right combinations, make the next-level construction materials.  The most common ones are electrons, protons, and neutrons.  But there are others, too.

3. Once you have electrons, protons, and neutrons, you can build elements.  Each element has particular physical and chemical properties–which arise from its unique physical composition of protons, electrons, and neutrons.

To make this activity fun (besides incorporating sweet treats), it helps to build into the presentation an element of discovery.  First, we come to terms with the fact that the familiar atom is not the smallest particle.  Second, we wrap our minds around the knowledge that even the tiny particles inside the atomic nucleus are made of even tinier ones.  Third, at the conclusion, it’s truly mind-expanding to try to envision each of these in true relative scale.

The atom is still a meaningful idea, so long as we adjust its definition to suit modern understanding.  The concept of the atom dates back over 2500 years, to Leucippus of Miletus and his more-famous student, Democritus.  They reasoned out that if you keep cutting a material, you’ll eventually reach a particle that cannot be divided further.  In Greek, the word “a” means “not” and “tomos” means cut, so when you call something an “atom,” you’re saying you can’t subdivide it.  However, even now that we know that the structures we call “atoms” can be broken open, we still use the term. For instance, we’ll talk about “an atom of iron” or “the carbon atom”.  But instead of defining the atom as “indivisible”, we now describe it as the smallest unit of a material that still retains those unique physical and chemical properties defined by its combination of electrons, protons, and neutrons.

In this project, we will build atoms from electrons, protons, and neutrons.  Energized by our constructions, we will discard our preconceptions about the structure of the universe and descend to the sub-sub atomic scale, where we will capture quarks and leptons, then build ourselves some protons and neutrons and electrons.  And then we will eat the lot:  atoms, quarks, protons and all. It’s elemental.

We’ll proceed in two parts:  “The Atomic Marshmallow Project” introduces the idea of atoms and their components, and “One Side Will Make You Smaller” takes us down into the realm of quarks.  As in our other science projects, we’ll include information to share with the participants as you go along. For those who would like to delve into more detail, you’ll find links to good sources with plenty of depth.

Everything You Need to Build A Universe

What Didn’t Fit On the PageWhat Didn’t Fit On the Page

I regularly guest-host for the podcast Small Publishing in a Big Universe. It’s great fun!.

This weekend, producer Steven Radecki put up a page featuring all the hosts, including those of us who try to reduce the workload of primary host Lisa Jacob.

How sweeet! But, my goodness, this is all the biographical info he had space for:

Vanessa MacLaren-Wray writes about worlds where people matter. She is the author of All That Was Asked, Shadows of Insurrection, and Flames of Attrition as well as the MG novel The Smugglers, and she also writes short fiction and poetry.

My readers deserve the full story. Here you go:

Vanessa MacLaren-Wray began her audio career by voicing the demands of the Permies, a community of invisible little people residing under her grandmother’s coffee table. She parlayed that skill into a successful childhood, such that Barbie could explain why GI Joe (the 60’s version) was a far better marriage prospect than Ken, all the ponies she knew could provide running commentary on the foibles of humans, and she could anchor segments of Walt Whitman Intermediate School’s famous in-school newscasts. As a semi-adult, she voiced a documentary encouraging other young women to study engineering and obtained four years of acting training through the Little Country Theater at the University of Southern North Dakota at Fargo, gaining lead roles in The Grinch Who Stole Christmas, Thurber Carnival, The Two Gentlemen of Verona, and Miss Reardon Drinks a Little, among others.

Vanessa is the author of science fiction and fantasy works that imagine worlds where people matter. Shadows of Insurrection, Flames of Attrition, The Smugglers, and All That Was Asked are available from Water Dragon Publishing and everywhere books are sold. Her short fiction has appeared with Dragon Gems and Fault Zone: Reverse, and her poetry has appeared in Fault Zone: Detachment, Hadrosaur Tales, and The Magazine of Speculative Poetry. She reads classics (Austen, Clemens), mysteries (Reichs, James), manga and light novels (Nagabe, Kazuki),  SFF  and poetry (of course), and street signs. She loves to chat with authors and publishing professionals about their struggles and joys in bringing art, poetry, and stories to readers. Heads-up: if you talk to her at any books-related event, she might put you on her “gotta interview them” list.

Do remember to stop over at SPBU, listen to the grand backlog of episodes (Lisa keeps ’em short and sweet), and subscribe so you don’t miss any. Meet all the hosts here.

Machine DesignMachine Design

 

I draw for you the art of Leonardo:
 
A man whose legs are feathered airfoils
of that smooth asymmetric camber
which folds the wind under an eagle’s wings.
 
A man poised in a cage of struts and sailcloth,
curved like the feathers on the haft of an arrow,
an apparatus geared to spin, to lift him free.
 
The paintings were for money.
 
 
 
 
This poem first appeared in Hadrosaur Tales #19, 2004.  You can still find copies of the original Hadrosaur Tales online at clarkesworldbooks.  Meanwhile, Hadrosaur Productions now publishes a new magazine, Tales of the Talisman, as well as novels, short fiction collections, and audio recordings.  Look them up at www.hadrosaur.com

 

© 2012-2026 Vanessa MacLaren-Wray All Rights Reserved