Cometary Tales Blog,Truck Stop at the Center of the Galaxy Marichka Explains Etheric Engineering

Marichka Explains Etheric Engineering

Explain etherics? Hah!

Nobody can explain etheric engineering. Or the stuff that makes it work: aether.

The best anyone can do is describe aether. To our faulty three-plus-temporal-dimension senses, aether is nothing but a dark brownish fluid. It seems to bubble, giving off flashes well into the UV end of the spectrum.

That’s why one’s advised to wear goggles (or install UV-protective mods if you’re likely to encounter the stuff regularly). Relatively cheap, those. Even I have ’em, and you know what my finances are like! If you get the stuff on you (I strongly advise against it!), it tends to adhere.

таĐș.

Is sticky. You don’t want it stuck to you, trust me.

If aether gets loose, you want to corral it fast. Every compartment at risk of an aether spill (that is, any compartment etheric conduit passes through) should be equipped with an aether net. When deployed, it becomes a fine, gauzy web that attracts aether. Not to worry, it’ll draw off whatever’s stuck to you as well as gather up the globules floating in your face. So, no, it’s not a “net” so much as an “attractor.” I’d be happy to argue semantics with you any day.

Don’t get in my face about why it’s pronounced ay-ther in Standard. Open your chem reference, search for (C2H5)2O, and shut up already.

A swril of orange with a black ball at the core, and a bright blue jet

Aether’s the stuff that wormholes tunnel through. So no surprise that aether’s about as safe to play with as your average gravitational singularity. Aether is all places at once. That is, it knows only one where and one when.

The aether in the conduits of my ship is the aether flowing in yours. That’s why our comms people can talk to each other in real time. That’s why skipships don’t get lost, navigating the galactic byways, why the big ships that barge through gate-boosted wormholes don’t crush us as they pass. We’re all floating in the same ocean of aether.

There are…entities…out there who can perceive and manipulate aether directly. Some of them invented devices that make use of it. We lesser beings—humans, our allies, our enemies, our uncanny neighbors—have taken it on ourselves to copy those devices. Nobody knows what happens when you make a mistake copying Ancient etheric devices.

Nobody knows, because nobody comes back from those experiments. I like to think they’re gently transported to a parallel universe, given a kindly lecture on interfering with things they know not of, and sent off to some alt-universe pastoral countryside to learn…I dunno, painting, country dance, noveling, harmless little hobbies.

It’s nicer to imagine that than the alternative. Aether is dangerous stuff. A seemingly innocuous ball of cute fizzy brown goo can happily float straight through your ship’s hull. Try breathing vacuum sometime. Not fun. Not fun at all, no matter how well trained your crew is or how good your mods are.

And that’s just for starters.

So take it from me: don’t mess with aether without proper training. Even then, keep all the tools you might need right handy. You never know when you might need them.

Image Credits:

  1. Detail from cover of “Coke Machine,” by Niki Lenhart.
  2. Artist’s depiction of a black hole at the center of a galaxy. NASA/JPL-Caltech. (Modified for effect)

In certain portions of this timeline, Marichka Zelenskyy (no relation) may be found fixing things at the Truck Stop at the Center of the Galaxy. In other portions of the timeline, she is busy elsewhere.

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Rediscovering Old BooksRediscovering Old Books

I spent my elementary-school years soaking up the very best in English literature.

For a preteen horse-mad bookworm that meant: Enid Blyton, Hilda Boden, Josephine Pullein-Thompson, her sister Christine Pullein-Thompson, and Many More. I didn’t notice at the time, but now it’s obvious:  all my early writing models were women. My very first book purchase was a pony book by Hilda Boden, who took up writing stories to help support her family. I kept that book–Joanna’s Special Pony–for years, and reread it many times, imagining the windswept Scottish coast populated with wild (but tameable) ponies and admiring the resourceful, determined heroine of the tale.

I’d nearly forgotten Lilian Buchanan’s illustrations–until I saw them again, and recognized them.

From that day onward, every smidge of my allowance (well, sparing a few pennies for sweets) went for the next installment of the Famous Five or Malory Towers or any number of pony books.

All of those books stayed behind in Yorkshire when my mother had to pack us all up for the move to the States. My British childhood was over, and military moving allowances are based on weight, so . . . my pony books, boarding-school novels, and mysteries went to the thrift store for some other child to collect.

“I thought you were done with baby dolls, you still have the Barbies,” my mother argued.

“Not all of them,” I countered. “I promised that one, the littlest one, that I wouldn’t ever ever give her away.”

But it was too late. 

I think maybe I broke my mom’s heart a little bit. Well, a little bit more. Motherhood involves a lot of heartache. Well, Baby Doll may have been lost to me forever, but I’m sure she had at least one more little girl make her similar promises.

The only good thing about the move was that all my friends had to study up for the Eleven-Plus, which would determine whether they’d go to a nice boarding/academic secondary school (like Malory Towers), get stuck in a dead-end “modern school” with no college track, or take up a trade and actually be able to earn a living. Me, I got to spend a couple of weeks coasting through the end of what Americans called “fifth grade” sitting in a classroom with children who–it seemed to me–hardly read at all, before being unleashed to a long, long American summer vacation. Luckily, my grandparents’ house was packed with books–mostly Reader’s Digest collections, but also a classic edition of One Thousand and One Nights and my dad’s stash of science fiction magazines.

Over the years, those old-style children’s books have been supplanted in the market by more literary-style books for children, others with science-fiction or fantasy roots, and thankfully many with more diverse casts of characters. A few have received a dusting-off over the years . . . there’s even a 2020 BBC-TV adaptation of Malory Towers that puts the storyline in a historical-fiction context while also envisioning a more diverse enrollment and faculty at the school.

Now, it’s my turn to have a house packed with books, and it’s an eclectic collection–not even taking into account all the books that aren’t technically mine, but my husband’s.  No matter–I put them on the shelf and dust them (occasionally), so they’re mine in that sense. I’ve launched a little Instagram project to share a few of those books, on a regular basis–mostly the out-of-print ones, the ones I inherited from my Dad (a fellow SF fan), and ones that may be old but that still speak to current issues.  The hard part is figuring out how to photograph them–top bookish instagrammers have such lovely still-life setups for their book posts. I’ll do my best to at least not to give people eyestrain.

None of that means I’ve stopped gathering-in books. Just in time for my birthday, my very first Quarantine Birthday, I retrieved a book long-lost in the move from England, my first book purchase, my favorite book from that day until the day it vanished to the thrift store with my dolls. 

The dolls are gone, my mother long forgiven, but the books never have left my mind. Just this month, I made a birthday present for myself of a copy of Joanna’s Special Pony, dusted off from some other collector’s shelf–one in better condition than the one I left behind, PLUS a copy of the sequel. That was a book I never got my hands on, because it was only in hardcover and my allowance was two shillings sixpence, exactly the price of a paperback (my, what a coincidence–almost as if my parents wanted me to buy books).

If you like Instagram, the series is here. I’ll try to remember to link to those postings from the Facebook page as well.

Books Make the Best GiftsBooks Make the Best Gifts

A group of authors affiliated with the San Francisco chapter of the Women’s National Book Association got together earlier this month to celebrate our pandemic-time publications. Oh, my goodness, what a variety! What awesome works.

Are you shopping for friends and family who aren’t as committed to science fiction and fantasy as you are? Need some hot tips for books that will surprise and delight them with your confidence in stepping out from your own genre?

Here’s your directory, so you can jump to satisfy your target gift recipients’ desires. Each cover photo links to the relevant Amazon page. If you prefer to buy elsewhere, head for the author’s website.

Historical Fiction

Thrillers and Mysteries

Short Stories and Contemporary Fiction

Memoir

Poetry

Books for Children and Parents

Nonfiction and Self-Improvement

And we’re off!

Historical Fiction

COver for Betrayal on the Bayou, showing a broad pool with tall bayou trees leaning over the water and casting reflections.

Hungry for a story with deep African American and French connections? Sheryl J. Bize-Boutte’s Betrayal on the Bayou plunges the reader into 1854 Louisiana, where a young Parisian widower “sets off a twenty-eight-year chain of events that reveal the brutal truths of inequality, colorism, and betrayal.” Sheryl’s blog is here. You’ll find she also teaches writing.

Book cover for What Disappears, with the Eiffel Tower rising above a cityscape.

Russian history? The delights of Paris? Ballet? Does your gift recipient love any of these? Meet up with long-separated twins at the Ballet Russe, and hold your breath as to what will happen next, in Barbara Quick’s What Disappears. Visit Barbara at her website.

Thrillers and Mysteries

Cover for What Jonah Knew, with silhouettes of a small boy and a young man superimposed on one another.

How about a deep, soul-searching, thriller
.head for Barbara Graham’s What Jonah Knew, on the surface a story about mothers and sons, but one that delves into “metaphysical questions about life and death—and what happens in between.” Follow Barbara on her website.

Cover for Detours, with a young woman gazing from the cover, pale, wide-eyed and serious.

From mothers and sons to a mothers and daughters, come to Sheri McGuinn’s newest book, Peg’s Story: Detours, which answers questions raised by the first book in this series, Running Away. Discover links between the stories as you follow Peg’s escape to a new life—only to see her mistakes spiral “into a life-changing series of events.” Catch up on Sheri’s website.

Contemporary Fiction

Cover for What Is Possible from Here, with title words on a cardlike field, with clusters of pink flowers behind and around the edges.

Do you want to share stories of real people finding their way through ordinary life? Stories set all over the country? Try Cynthia Gregory’s What is Possible From Here, a collection exploring “the nature of friendship and love, and the myriad ways we endeavor to make meaning in an unpredictable world.” You can also find her nonfiction book, Journaling as a Sacred Practice, through Cynthia’s website. If you’d like a hardcover copy of her collection, you can find it online at Barnes & Noble.

Cover for Begin Again, with a wide landscape of golden hills rising to rough brown hills and a deep blue-clouded sky, with a rainbow falling to earth.

Looking for grounded contemporary women’s fiction? Consider Kimberly Dredger’s Begin Again. This novel takes you on a young widow’s journey, “as she struggles to re-enter life, enduring more loss and sadness on her way to ultimate empowerment.” To expand your collection, you might also pick up Kimberly’s anthology of essays, stories, and poetry, starting on her author page.

Memoir

Cover for Dancing on the Wine-Dark Sea with a woman in a long dress twirling as she wades ankle-deep at the edge of the sea, with a sunset glowing in the sky and on the water.

How about a fabulous feminist travel memoir? Diane LeBow’s Dancing on the Wine-Dark Sea: Memoir of a Trailblazing Woman’s Travels, Adventures, and Romance takes you “dining with Corsican rebels and meeting a black stallion in a blizzard on the Mongolian steppes to assisting exiled Afghan women and savoring a love affair with an elegant French Baron.” Catch up with Diane on her website.

Full disclosure: I WON a copy of this book in the event giveaway, after listening to Diane give us more details about her story. Can’t wait until it arrives, so I can follow the whole adventure.

Cover of Loving Before Loving, with an old black-and-white photograph of a couple smiling together--a white woman with close-cropped hair, and a black man with a short hair and a short-trimmed moustache.

For a blend of social justice history and memoir, look for Joan Lester’s Loving Before Loving: A Marriage in Black and White, which takes the reader back in time. You’ll find a deeply personal story exploring racism, sexism, and marriage, through the lives of one couple: a memoir of love and life in the midst of the civil rights and women’s rights movements. Get to know Joan through her website.

Cover for The Red Sandals, with a graphic of a plant bowing down against a red background, with a black and white photo of a small Chinese girl in a white dress with white ribbons in her hair, her hands clasped together.

For an unflinching look into life in Mao’s China, and the impact on one girl, pick up Jing Li’s The Red Sandals: A Memoir, in which she shares her personal story of being the unwanted girl in a poverty-stricken family, her scholastic journey within the Chinese system, her transition to America, and growth as a teacher and writer. Learn more about Jing and her story here.

Cover for Promenade of Desire, with broad color slashes in yellow and blue and red, over a partially-concealed photograph of a young woman with her arm lifted, in a seemingly-seductive pose.

Through her dramatic memoir, Promenade of Desire—A Barcelona Memoir, Isidra Mencos uses her own story of learning to free herself from repression through books and salsa dance, to create a “sensual, page-turning coming-of-age story: Isidra evolves from a repressed Catholic virgin to a seductive Mata Hari.” Learn more about Isidra and her journey at her website.

Cover for Brown Skin Girl, a graphic design with an artist's representation of a young woman in a long skirt, her long dark hair sweeping out to form a background for the books's subtitle, with shapes of flowers, leaves, and birds woven into the background.

For a heartwarming story of one person’s escape from the abuses of family and culture, follow Mytrae Melania. In her Brown Skin Girl: An Indian-American Woman’s Magical Journey from Broken to Beautiful, she shows how her journey
through many trials
brought her to “freedom, love, and the magic that finds you when you follow your heart.” Find more about her mission at her website.

Poetry

Cover for Birds of San Pancho, with a golden-breasted bird perched on a twig, with blurred greenery in the background.

Shopping for someone who loves poetry? Travel? Birds? Lucille Lang-Day’s Birds of San Pancho and Other Poems of Place deploys Lucille’s wordsmithing to unveil her “vast curiosity, an intimate knowledge of flora and fauna, and a keen appreciation for the things of this world—travel, food, weather, the manifold creatures, love.” Follow Lucille at her website.

Cover for Deeply Notched Leaves, with a background of green leaves and one bright yellow daisy-like flower.

For “a merry-go-round of life experience in story-poems and social commentary full of spice and wisdom,” take a whirl with Dr. Jeanne Powell’s Deeply Notched Leaves. This 2021 collection will set your head spinning. Find more of Jeanne’s literary work at her website.

Books for Children and Parents

Cover for The Strider and the Regulus, a seascape with octopus/squid tentacles rising from the sea and curving through the letters of the title.

Looking for something fantastic for a young adult reader? Tricia Wagner’s The Strider and the Regulus is the opening salvo in a three-volume series. “A starry-eyed boy. A cryptic map. A mythical treasure. What perils await in the chasing of dreams?” Get to know Tricia at her website.

Cover for The Smugglers, with an old-timey suitcase covered with stickers about aliens and space and spaceships, sitting in a long metallic hallway that looks like part of a space structure.

My own 2022 release, The Smugglers, falls in this category. This LGBTQ-friendly story centers on an adolescent alien who’ll face changes in his world—and herself—as they rush to the rescue of an escaped animal. Written for children (middle grade readers and up) and their parents, the story shows us both the mother’s and the child’s point of view through this adventure.

Cover for The Peddler's Gift, wtih drawing of a man in a long coat and rond hat, with several villagers behind him.

Need a storybook for a young person
or do you just love those old traditional-style tales and beautiful illustrations of life in the Old Country? Maxine Schur’s The Peddler’s Gift, illustrated by Kimberly Bulcken Root, is a new edition of the “wistful, moving tale of a boy who steals a toy from a foolish peddler only to discover he’s not so foolish after all.” Find more of Maxine’s books, including Finley Finds His Fortune, at her website.

Cover for Treasure Hunt, with three children peering standing in a large cardboard box, with a pinwheel shape of yellow and green behind them.

Young readers (the 3-8-year-old set) on your gift list? I used to set up treasure hunts for my little brothers
so much fun. Here, Stephanie Wildman’s Treasure Hunt, with art by Estafania Razo, takes three siblings on a search for wonders In their own home. For grownup reading, find Stephanie’s website to discover her book on the perils of privilege in America.

Cover for Sun and Moon's Big Idea, with a cartoon sun and moon, smiling at each other above a cartoon city.

Another something sweet for the 8-and-unders, Karen Faciane’s The Sun and the Moon’s Big Idea, illustrated by Sierra Mon Ann Vidal, brings together the two most prominent “lights” in our sky
 to celebrate “the uniquely, wonderful person you were born to be.” Keep up with Karen on her author page.

Nonfiction

Book Cover for Chakra Tonics, showing two glasses filled with a purplish mixture topped by raspberries and blueberries with sprigs of mint.

It’s that time of year, when people are looking for paths to self improvement, for personal well-being and creating moments of calm in this crazy world. Try out Elise Marie Collins’ Chakra Tonics, Essential Elixirs for the Mind, Body, and Spirit. Yes, finally, a “lively information packed recipe book filled with positive life lessons based on the ancient Indian spiritual system, known as the Chakras.” Catch up to Elise via her contact tree.

Book cover for Make Every Move a Meditation, with wavelike shapes in shades of red to gold rolling under words about mindfulness, mental health, and well-being.

Here’s more nonfiction for personal wellbeing: Nita Sweeney’s Make Every Move a Meditation: Mindful Movement for Mental Health, Well-Being, and Insight. Do you imagine meditation is all about sitting still or following strict formulas for movement? Nita teaches ways to understand meditation more deeply: “What if lifting weights, dancing, or walking across a room counted? What if you could make every move a meditation?” At her website, you can pick up a free handout.

Lessons of a BayCon Gofer: There Is No DogLessons of a BayCon Gofer: There Is No Dog

The final day of a convention can be a downer: games are ending, there are no parties pending, the con suite is running short on the good stuff, some people you just got to know are leaving early, and—not the least of it—you’re really, really tired.

The Signs Are On the Wall

The Signs Are Coming Off The Walls, Now

I wasn’t due for “work” until afternoon, but I roused myself earlier, for the last DIY project—Make A Parasol (see Firefly).   Alas, I’d missed a program schedule update & the project was over. Long over—it had happened the day before! Won’t happen this year—I’ve finally joined the Smartphone Universe & so have access to the online schedule for BayCon 2015.

 

There's Planets Around Them Thar Stars

There’s Planets Around Them Thar Stars

I did have a backup plan—a panel discussion on new discoveries about extrasolar planets. But I’m kind of a Kepler fanatic, so the information being shared was, well, old hat. I found myself nodding off while people were talking about one of my favorite subjects.

So off to the Gofer Hole to check in and claim my spot as the Art Show Gofer. The day wasn’t boring any more.

My Final Badge-Ribbon Collection, Nowhere Near Championship Length

My Final Badge-Ribbon Set, Actually a Relatively Small Collection

I had my chance to be part of the Art Auction. That was cool—I’ve never been, because I can’t afford to bid anything near what auction items should go for. Instead, I got to set up bidder numbers for folks who did have the resources and were eager to support these wonderful artists.

Once the Auction wound down, I got to be on the giving end of the Art Show. That is, folks queued up to collect the pieces they’d won in the silent bidding and—later on—the auction. The staff took care of the official tasks of collecting payments and pacifying people who’d not won the pieces they wanted. As a Gofer, I fetched their purchases (from the stacks we’d so carefully arranged the night before) and saw those their faces light up with happiness.

Eventually, all but a few of the neat stacks were gone. A few winning bidders were late to collect their prizes. But we set those safely aside.

In the meantime, all afternoon, artists were coming by and packing up any pieces that hadn’t sold. We helped if needed—fetching supplies, finding paperwork they needed, taking down labels and hooks from the display boards—and it was cool to get to talk directly with the artists. Several artists had entrusted the convention staff to display the work on their behalf, having shipped the art with their registration forms. Most had a piece or two still unsold, and these needed to be repacked for shipping homeward. The original boxes were not necessarily available, so I made the rounds of the vendor room to scrounge empty boxes.

Gradually, one by one, the display boards were emptied, we collected all the hooks, labels, and trash, and the staff tracked down the last of the tardy winning bidders.

It was time to empty the room. Load-out time. Most of the stuff needing shifted was heavy—pegboards, frames, bins full of papers and supplies. So I called dibs on the job of getting all the art-to-be-shipped-home safely out to the Art Show director’s car. It took a few trips through a lobby full of exhausted attendees and staffers. Then I glommed onto an empty luggage cart. Plus, the Gofer King was one of the staffers in the lobby and he dispatched an idle Gofer to help on my last round. Whew.

So, most of these events end with what they call Dead Dog.   That’s one of the things you hear staffers talking about near the end of a convention, but they don’t share with mere members what exactly that is. The deep dark secret is: it’s a party. It’s the staff party that happens when everything’s over, the attendees have gone, and all the clean-up work that can get done is done. Aha, it’s what theater types call a strike party.

Kris & Alison, Art Show Maestrae

Kris & Alison, Art Show Maestrae, at Dead Dog

Generally speaking, it’s a Staff event, but Gofers who stick it out all the way to the end are welcomed into the party. There’s food. All the leftovers from the weekend, that no-one wants to have to haul home. All the ice-cold sodas left in the Magic Charity Soda Machine. Meanwhile, the hard-core staffers take the opportunity to give thank-you speeches to each other and praise the folks who’ve stepped up to chair the event next year.

It felt a little like crashing the party at that point, but the Art Show leaders were saying nice things to me, so I felt better. And Alison asked if maybe I’d help her as staff in 2015.  And finally, finally, I gathered up my own art purchases, and Went Home.

 

Art Show Victory!

2015 Art Show Staff!

Gofer Lesson of the Day:  If you stick it out to the end of everything, you can get into the fabulous Dead Dog party.  There will probably not be any dogs there, just tired-out volunteers.  Like you.

How to do this:

Method #1:  Walk into the Gofer Hole and sign up.  You do need to be 16, but there’s no upper limit.  Yes, really, you, too, can be a middle-aged Gofer.  For BayCon 2015, the secret lair is in Tasman.  Go up the escalator, turn right and it’ll be on your right before you reach the convention center.

Method #2:  Email the King of the Gofers.  That’s gofers15@baycon.org.  You get double credit for helping at setup on the day before the convention starts. If you’re super-eager to help & don’t get a reply, email me (cometary@cometarytales.com) and I’ll help you make contact.

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