Passage

Moon & Spica

Eclipsed Moon With Spica

 

 

A few weeks ago, we had a beautiful lunar eclipse visible in North America.  It was well worth sitting out to watch the Earth’s shadow advance until the Moon was completely covered and glowing with a warm red hue, then retreat until the Moon shone bright once again.  Here is a combination of a poem written for a workshop many years back, inspired by another lunar eclipse, with a few photos from this year’s event.  Multitudes of astrophotographers caught fine images of that eclipse.  This time, my equipment on hand was my hardy little point-and-shoot Lumix, which yielded many images suitable for artistic manipulation, especially with effects added by the drifting fog that interrupted our clear view.  Mars was in view as well, so I’ll include one image with Mars.  Can you spot it?

I watch the Mother walk my night,

spreading her darkness through my shadows.

She turns to me as the night turns, and I watch, I gaze,

rapt in the music of her light.

 

2014 April 14-15 Total Lunar Eclipse
Wrapped round and full in the stillness of this, my night,

she draws in light and darkness from the sky,

and sets them in my hands and at my feet,

until the whole land is an image of sky,

until I am full, full round and whole,

wholly wrapped in the music within my darkness.

 

Fog Rainbows
She waxes as the night wanes, and I gaze, gaze,

until I dream I am a fish which has never before known water,

and now, for the first time, breathes …

until I dream I am a child who has never known her name,

and now, for the first time, dreams …

 

Artist's Impression
dreams she stands with a woman, a stranger,

in a land which bears an image of sky.

The other, the stranger, is silent beside her,

while she speaks to the mother as a favored daughter.

As she speaks, I give back through my hands

the light and darkness which is the sky

until the land rests again beneath my shadows,

until the child knows me for herself.

 

Floating in the Ether
Even as we greet and join each other,

the Mother steps over the edge of the world.

Even as the stars first claim the sky,

I breathe the mist of my first morning.

 

Bloodshed Moon

 

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Machine DesignMachine Design

 

I draw for you the art of Leonardo:
 
A man whose legs are feathered airfoils
of that smooth asymmetric camber
which folds the wind under an eagle’s wings.
 
A man poised in a cage of struts and sailcloth,
curved like the feathers on the haft of an arrow,
an apparatus geared to spin, to lift him free.
 
The paintings were for money.
 
 
 
 
This poem first appeared in Hadrosaur Tales #19, 2004.  You can still find copies of the original Hadrosaur Tales online at clarkesworldbooks.  Meanwhile, Hadrosaur Productions now publishes a new magazine, Tales of the Talisman, as well as novels, short fiction collections, and audio recordings.  Look them up at www.hadrosaur.com

 

Lessons of a BayCon Gofer: There Is No DogLessons of a BayCon Gofer: There Is No Dog

The final day of a convention can be a downer: games are ending, there are no parties pending, the con suite is running short on the good stuff, some people you just got to know are leaving early, and—not the least of it—you’re really, really tired.

The Signs Are On the Wall

The Signs Are Coming Off The Walls, Now

I wasn’t due for “work” until afternoon, but I roused myself earlier, for the last DIY project—Make A Parasol (see Firefly).   Alas, I’d missed a program schedule update & the project was over. Long over—it had happened the day before! Won’t happen this year—I’ve finally joined the Smartphone Universe & so have access to the online schedule for BayCon 2015.

 

There's Planets Around Them Thar Stars

There’s Planets Around Them Thar Stars

I did have a backup plan—a panel discussion on new discoveries about extrasolar planets. But I’m kind of a Kepler fanatic, so the information being shared was, well, old hat. I found myself nodding off while people were talking about one of my favorite subjects.

So off to the Gofer Hole to check in and claim my spot as the Art Show Gofer. The day wasn’t boring any more.

My Final Badge-Ribbon Collection, Nowhere Near Championship Length

My Final Badge-Ribbon Set, Actually a Relatively Small Collection

I had my chance to be part of the Art Auction. That was cool—I’ve never been, because I can’t afford to bid anything near what auction items should go for. Instead, I got to set up bidder numbers for folks who did have the resources and were eager to support these wonderful artists.

Once the Auction wound down, I got to be on the giving end of the Art Show. That is, folks queued up to collect the pieces they’d won in the silent bidding and—later on—the auction. The staff took care of the official tasks of collecting payments and pacifying people who’d not won the pieces they wanted. As a Gofer, I fetched their purchases (from the stacks we’d so carefully arranged the night before) and saw those their faces light up with happiness.

Eventually, all but a few of the neat stacks were gone. A few winning bidders were late to collect their prizes. But we set those safely aside.

In the meantime, all afternoon, artists were coming by and packing up any pieces that hadn’t sold. We helped if needed—fetching supplies, finding paperwork they needed, taking down labels and hooks from the display boards—and it was cool to get to talk directly with the artists. Several artists had entrusted the convention staff to display the work on their behalf, having shipped the art with their registration forms. Most had a piece or two still unsold, and these needed to be repacked for shipping homeward. The original boxes were not necessarily available, so I made the rounds of the vendor room to scrounge empty boxes.

Gradually, one by one, the display boards were emptied, we collected all the hooks, labels, and trash, and the staff tracked down the last of the tardy winning bidders.

It was time to empty the room. Load-out time. Most of the stuff needing shifted was heavy—pegboards, frames, bins full of papers and supplies. So I called dibs on the job of getting all the art-to-be-shipped-home safely out to the Art Show director’s car. It took a few trips through a lobby full of exhausted attendees and staffers. Then I glommed onto an empty luggage cart. Plus, the Gofer King was one of the staffers in the lobby and he dispatched an idle Gofer to help on my last round. Whew.

So, most of these events end with what they call Dead Dog.   That’s one of the things you hear staffers talking about near the end of a convention, but they don’t share with mere members what exactly that is. The deep dark secret is: it’s a party. It’s the staff party that happens when everything’s over, the attendees have gone, and all the clean-up work that can get done is done. Aha, it’s what theater types call a strike party.

Kris & Alison, Art Show Maestrae

Kris & Alison, Art Show Maestrae, at Dead Dog

Generally speaking, it’s a Staff event, but Gofers who stick it out all the way to the end are welcomed into the party. There’s food. All the leftovers from the weekend, that no-one wants to have to haul home. All the ice-cold sodas left in the Magic Charity Soda Machine. Meanwhile, the hard-core staffers take the opportunity to give thank-you speeches to each other and praise the folks who’ve stepped up to chair the event next year.

It felt a little like crashing the party at that point, but the Art Show leaders were saying nice things to me, so I felt better. And Alison asked if maybe I’d help her as staff in 2015.  And finally, finally, I gathered up my own art purchases, and Went Home.

 

Art Show Victory!

2015 Art Show Staff!

Gofer Lesson of the Day:  If you stick it out to the end of everything, you can get into the fabulous Dead Dog party.  There will probably not be any dogs there, just tired-out volunteers.  Like you.

How to do this:

Method #1:  Walk into the Gofer Hole and sign up.  You do need to be 16, but there’s no upper limit.  Yes, really, you, too, can be a middle-aged Gofer.  For BayCon 2015, the secret lair is in Tasman.  Go up the escalator, turn right and it’ll be on your right before you reach the convention center.

Method #2:  Email the King of the Gofers.  That’s gofers15@baycon.org.  You get double credit for helping at setup on the day before the convention starts. If you’re super-eager to help & don’t get a reply, email me (cometary@cometarytales.com) and I’ll help you make contact.

Sunday at BayCon 2013Sunday at BayCon 2013

The last full day of the convention is truly the moment when plans and results can be expected to diverge the most.  One must combine shifts in plans from the ORIGINAL plan with adjustments in expectations resulting from events of the first few days.  Here is how this instance worked out:

Time Frame What the Plan was What really happened
Sunday morning See if there’s something different to do in the Arduino II workshop and if not, go to the Dr. Who birds-of-a-feather (BoF) get-together.  Sit in on the panel discussion on how to differentiate among various dragons–if that is boring, go on to the live podcast of Poe’s “The Raven”.

Trish Henry's Butterflytastic Arduino Organ Housing

Trish Henry’s Butterflytastic Arduino Organ Housing

And My Own Finished Arduino Project

And My Own Finished Project

 

 

Costume Swap find, ready for Regency dancing.

Costume Swap & Dealers’ Room finds, ready for Regency!

 

Actually made it to the Arduino workshop at 9:30.  They were still getting things organized for the second session, so maybe that counts as being on time.  It was the same projects, but with fewer participants (it being 9 a.m. on Sunday), so there was plenty of room for me. 

I joined a table where two others had chosen the same project–a master-crafter who put together her project in half the time I needed and an astronomer from Reno who had watched the annular eclipse not far from where I had been.

 

In time, I got my software downloaded, wiring connections made, taking advantage of help from Arduino Labs’ Larry Burch & his friend Tim Laren & the soldering wizard whose name I failed to get.  Got all my decorations done and even sort of got it working.  The mapping of the connections isn’t quite right on the scale, but I can reprogram at home.  Yay!

The costume swap took place in the back of the DIY room while we were hot-gluing our hardware.  When the swap was over, the person-in-charge called out, “Last call!  If you want something, take it!”  We tech DIY’rs were stalled waiting for turns to get software downloaded at the time, so several of us rummaged through the pile.  I found a long dress that was part of someone’s costume for something & one of the other women encouraged me to give it a try.  Hey, I could squeeze into it—so now I have a dress to wear for Regency dancing tonight!

 

And by the time we were all done, it was after noon.  I carried my prizes out to the car and ate lunch.  More peanut-butter-or-jelly, but with salad today.  Forgot to pack chips.

 

Next:  plenty of time for a purchasing visit to the Dealers’ Room.  Found a piece of jewelry (a necklace in a vaguely steampunk style) within my budget and bought it.  Sweet.  Finally feel “dressed for SF”.

Sunday afternoon Go to session on getting the “swords” right in Swords and Sorcery, then to the Cassini Mission panel–the ONLY real science panel at this con.

American 1890's belly-dancer "Little Egypt"

American 1890’s belly-dancer “Little Egypt”

 

 

NASA-CassiniTitan

Cassini at Titan? Missed this panel!

 

 

 

What the youngsters don't know about kaffeeklatsch

Can you believe what  youngsters don’t know about kaffeeklatsch?

 

 

 

 

 

 

 

 

 

 

Remember WorldCon 2002?

Remember WorldCon 2002?

 

 

 

 

 

 

LMB signs my copy of her first appearance in Analog! Yesss!

LMB signs my copy of her first appearance in Analog! Yesss!

 

And Installment IV--signed, too.

And Installment IV–signed, too.

 

 

 

 

 

 

 

 

 

 

Ewww.  The Swords presentation turned out to be extremely in-your-face (literally) factual, with photographs of people with cuts and blood and so on.  Double-icky.  I exited swiftly and dashed to Mary Cordero’s belly-dance workshop.

 

Oh, now, that was so much super-fun!  Learned basic belly-dance techniques, picked up some dance history, practiced and played with movement, and had fun in a roomful of women.  Well, let’s be honest, two of the drummers were  guys and one brave man was trying the dance himself.

 

Most people think belly dance is only for women, but clearly Mary is not one to put up barriers–and there’s a strong tradition of men (and not just gay men) involved in the art form.  Check out “Whose dance is this anyway?”  I have also since learned about Tahtib, which is stick-fighting, like Eskrima, and would be a totally cool addition to this con, as it blends boffers and belly-dance.

 

This “women’s dance” is real exercise, so I pulled off my overjacket and scarf, to discover I’d put on my butterfly shirt backwards.  Oh, well, I pulled my arms in and switched it around.  We’re all “girls” here, right?  Mary kept the workload light, so we ended up a little sweaty but not exhausted.  She passed out random badge ribbons and encouraged us to come to her party later.

 

Luckily, I was already prepared for my first change-in-plan, which resulted from my stumbling into signing up for the Guest of Honor Kaffeeklatsch.  The deal is “bring your own coffee” so I took time to cool down from belly-dancing and then sought out a cup of tea (using my Inner Gail to persuade the store clerk to rummage in a drawer for more English Breakfast teabags). Others brought drinks, but coffee was not a popular choice.  While waiting to begin, the key discussion item was whether “kaffeeklatsch” is  a real thing (from which I discover I am now on the “other side” of the generation gap) and whether the activity should be renamed because no-one brings coffee.

 

It was a pleasant group “visit” with Lois McMaster Bujold, though likely it was on the torturous side for our hostess.  My suspicions that she is a member of our society of introverts was confirmed, even as she was peppered with questions about the Vorkosigans and the culture Chalion and her other novels.

 

We were a very mixed bag of folks…but we had more in common than admiring “LMB”.  One guy went to ConJose for his first SF con and he described the line I was standing in to get Bujold to sign a book for me at my first con.  The “girl” across from me was also in the Arduino workshop with me–she tried to get Lois to accept her glowing Arduino badge as a gift, and succeeded in getting her to keep it for the session.

 

Bujold had already announced that she’s rather tired of working in the “Vorkoverse” but attendees were brimming with ideas of stories they’d like to hear.  Near the end of our allotted time, however, the talk ranged more freely, and the participants chatted more among themselves about television and science and child-rearing and books, so at least Bujold had a chance to not talk a little.

 

When it looked as though the session was ending, she agreed to a photo with Ruth (my fellow Arduino-ist) and to sign my Analogs. Mysteriously, (or not-so, with Analog’s mid-month issues), I was missing an issue.  But, as she puts it, I could choose to make my life mission to find that last issue and get it signed.  Or not.  I’d only asked her to sign one, and she offered to do them all.  Like me, she regrets doing the three-name routine, as it makes her name soooo long to sign.

 

But six o’clock rolled around and the last few deep fans were still reluctant to set her free.  I made my exit hoping that would provide a route out for her.  She’d taken the head-of-table chair, which left her with a difficult path to make a graceful retreat.  I nearly knocked down a one-year-old who was toddling about right outside the door, but her mother was reassuringly calm for both of us.  I have to mentioning this, as she’s one of the people I have kept meeting all weekend!

 

When the rest finally emerged, I walked along with them and we exchanged some info, as we clearly have some interests in common.  I met Ruth’s sister and daughter and the daughter’s friend.

 

Oh, well, time to go get dinner and go to boffers.  It’s a bit of driving, but I made it to a Subway and scored a tuna salad.  I was so hungry it was a challenge to not tear into the salad box on the drive back.  And then I nearly left my sword in the car!

Sunday night Go to the Firefly LARP and then do Regency Dancing, and listen to concerts if any run that late.

Who's Boffer, eh?

Who’s Boffer, eh?

 

 

 

 

Why "Lena" is already so good--this is her dad!

Why “Lena” is already so good–this is her dad!

 

 

 

 

 

 

Mary Cordero (right), shares the fun and treats at her Belly Jam Party

Mary Cordero (right), shares the fun and treats at her Belly Jam Party

 

Tech meets Tambour at Belly Jam

Tech meets Tambour at Belly Jam

 

 

 

 

Regency dancers take over

Regency dancers take over

Representatives of PEERS turn out in the best costumes.

Representatives of PEERS turn out in the best costumes.

Our Dance Master takes a turn at the waltz.

Our Dance Master takes a turn at the waltz.

 

 

Thirteen--original artists...on Amazon.

Thirteen–original artists…on Amazon.

Well, the kids were at boffers.  That is, Ruth’s daughter and her friend.  Or their clones, anyhow.  I ate furiously, anxious to get in on the action while there were still some kids around willing to teach me how to play.  There was also an older tween-aged girl there with her mom, impatiently waiting for her dad or one of her dad’s friends to come and battle with her.  She clearly felt not well-matched with the younger kids.  So I said I’d play as soon as I finished.

 

“Lena” gave me a basic lesson and then thrashed me soundly.  So the other girls’ main battle became over who had dibs on playing the newbie next.   If memory serves, I did manage to beat one of them once.  Maybe twice.  There was absolutely no way I could have won against my tutor.  It is a very energetic game and not as violent as it might be.

Here are the rules, as taught by the Kids of Boffers:  1) No trying to hurt the other person 2) No head shots, at least not on purpose 3) If you’re hit on the arm or leg, you’ve lost that limb and have to do without it, so hop if you lose a leg, kneel if you lose both, switch hands if you lose your sword arm  4) Hits to hands or feet don’t count.  5) Torso hits are deadly.

 

I did my best performances when killed, of course, as death scenes are generally fun to do.  They all knew the old Monty Python Black Night routines and a few random Shakespeare quotes were tossed about.  These people were all around the age of 10-13.  The first girl’s dad (aha!  He’s a professional sword-fighting instructor!) finally appeared and played a couple of rounds with her.

Another of the skilled adults gave one of my smaller opponents a good lesson in using her dagger-and-shield.  She was a lot fiercer after that!  There were older (bigger) people there, kindly not taking me on.  Two members of the Silicon Valley Screwts, the quidditch team, spent the hour bashing one another.  And several were more eager to play boffer baseball.  When the kids who were battling me headed out, so did I.

I had intended to go to the Tucker and Tinney concert, but then remembered about the belly-dance teacher’s party.  She’d be disappointed if her students didn’t come.  So I found my way to the “Party Floor” (another first) and stayed a while.  She had snacks and drinks and music and drumming.

 

It was another hour of re-meetings.  The professional-swordfighter family was there–their daughter is also good at drumming.  Turns out the family is from the town next to mine.  And the Arduino guys were there.  And a writer from one of the panels I went to….whose reading I missed because I had to leave early.  And another woman from the class.

 

We all did some dancing.  Mary handed out some “Bellyrina” ribbons.  The swordfighter dad used me as a demo model to describe to the writer how traditional dance positions matched up with swordfighting moves and also how he and his wife would act out dramas in which the lady would join the fray and surprise the opponent.

 

I finally slipped out with my shoes and dress and boffer, explaining that I really wanted to do some Regency dancing, now that I even had a dress to wear.   And so spent the next three hours doing country dances.  The dance master would teach one set, guide us through the full dance, and then announce a brief waltz for a break.

 

There were plenty of people to ensure we could all appropriately switch partners around each time and, given the predominance of women in the group, to allow the women to switch genders from gent to lady and vice-versa.  We did a half-dozen or more dances before the dance master called “time” at 12:30 after his group’s signature piece, the Congress of Vienna waltz.

 

There was supposed to be open filking in the main music hall, so I slipped in there just as they were starting a new song.  The Bohnoff’s sang a couple of pieces, someone sang something I can’t name but which went up very high indeed while accompanied by Betsy Tinney playing “the flute part on the cello”, and someone else did the old silly song about writing a science paper and stuffing it with drivel to get published.

 

There was a request for something within the theme, so Maya sang Vixy & Tony’s “Thirteen”.  Someone’s daughter jumped up to sing one her own favorites from the same album (“Emerald Green”) and then two of the adults did their parody versions, one of which was a gentle bit of humor about the Emerald City but the other one upset the first singer as “horrible”, being a song about Soylent Green.

 

The musicians all had their computers and tablets out, pulling up lyrics and chords.  I even got to make a tiny contribution, rescuing from under a chair a small accessory the guitarist dropped under his chair.

 

But then it was nearly 1:30 and boffers would close at 2.  I ducked into a restroom on the way downstairs and swapped from dress to pants again, but the doors to the convention center were already locked–to my disappointment and the sharp dismay of one of the boffer organizers who wanted to get their stuff out of the room.  I followed her back to the lobby, where she sought help from the hotel staff and I added a contribution to the Welcome To BayCon whiteboard.  “Allons-y” has 2 ells in it, kids.

 

Time to grab a Coke from the Gaming Room’s Charity Soda Machine and get home.

 

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