Cometary Tales All That Was Asked,Blog Ready . . . set . . . and . . .

Ready . . . set . . . and . . .

Pre-Orders Are Open

You can now pre-order my new book direct from Paper Angel Press or through your favorite bookseller:
Barnes & Noble (all editions)
Amazon
Smashwords
Apple Books
Kobo Books

This first-contact story explores the challenges of communication between species–when neither side has a universal translator to rely on, when the alien in question is so odd most people would consider it an animal, not a person, and when accidents and misunderstandings get in the way.

Ansegwe’s a tagalong, a wannabe poet, and the pampered offspring of a rich, powerful family. When faced with the choice of leaving an injured alien creature to fend for itself in the wilds of a strange world, he makes decisions that force him to contend with his own failings–but also help him discover his mission in life.

Available in hardcover, trade paperback, and digital editions on January 31st. Pre-order now! Free shipping for B&N members and on Amazon Prime.

You might also like to read:

Review: Best Intentions, by J DarkReview: Best Intentions, by J Dark

I love a good crossover novel . . . or in this case, series of novels. An author who can successfully blend the tropes and themes of two kinds of worlds can perform that magical feat of pulling you outside your own world and showing you the things that bind people together, no matter what world they’re inhabiting.

The Glass Bottles series by J. Dark will give you that. Here, J Dark blends the noir detective story with urban fantasy. What makes it work is that the features of both worlds are both given their full due. Don’t think of this as a mashup–it’s more than that, it’s an overlay that draws on compelling elements of each type of story to bring fans of either just what they need. I’ve just finished the first one, Best Intentions, and I think you’ll agree that this is a dark, engaging tale that draws you in … and maybe kicks you a few times in the gut before it lets you go.

Yeah, yeah, yeah, you’ll get yours, you demanding film noir fan: the grim, gritty streets of The City, the denizens of the underworld–some better than they seem, some worse, the wiseacre Private Eye with the dingy little office, the mysterious crime that the police can’t handle, the stranger at the door…a stranger who may need her help…or may be about to kill her. Yeah, the PI is a dame, OK, a hot dame, no less, you got a problem with that?

Oh, and you, you urban fantasy addict, you get: a fully-worked out magic system that’s unique in its own way, but that you can pick up on as the story progresses, demons, pentagrams, spells, and rituals. These are all set against a backdrop of a seemingly ordinary city that’s fallen on tough times and normal complications of families, friends, and law versus order. All of these are contained within an ordered universe with an explanation for why-things-are-this-way…an explanation that ties directly to the deepest peril that the hero of the story must face.

While I don’t do spoilers, I will share a tiny content warning–this is not a story for children–got that?–not any more than the Maltese Falcon is a lighthearted romp for the kiddies. And while there are interesting magical–make that magickal–animals that play important roles, this is nothing like a Harry Potter story.

Here’s your setup. No Spoilers.

Fern Fatelli and her sister Fawn work on either side of the private-public law-enforcement line, in the city of Dayning (a fictionalized urban enclave of Halifax, Nova Scotia). Fern’s got her PI business to tend to, with equal parts moxie, magick, and good old-fashioned gumshoe footwork. When she needs a bodyguard, her old buddy–who also happens to be a troll–stands by her. There’s some baaaad stuff going down in the city…there are these strange little bottles that seem to suck something essential right out of a person, but no one knows what they are, where they came from, who is using them … let alone, why.

Our Fern is comfortable in the lower echelons of her city, using her limited magick on the old PI standards–scrounging up evidence on adultery for a disgruntled spouse. But this time, a seemingly typical case lands her in the role of hero, the one who has to solve an enormous puzzle to save her friends, her family, and her world…to save them all from an ancient evil that was set loose long ago, with the very best of intentions.

J Dark has a way with creating twists that will catch you off balance. Just when you think you sort of know what the solution to the mystery is going to be, something comes in out of left field–something that was there, all along, that you weren’t paying attention to–and everything changes again. You’ll enjoy the ride, but it’s like a roller coaster in the dark, so hang on tight.

At this point, there are three Glass Bottles books released, plus a short story, a prequel actually, A Last Good Day, that’s available for a free download at the publisher’s website. The books are on Barnes & Noble, Amazon, and several digital-books sites. J Dark has a blog, too, where you can read about writing or try to catch up with a serialized sci-fi work-in-progress.

If, like me, you’re kind of curious about this re-imagining of life in Nova Scotia–or, as it’s been renamed in these books, New Scotland–there’s a trove of imagery on Google’s map images–check out this awesome shot by Mark Lamontagne that captures the blend of old and new echoed in J Dark’s vision.

Lessons of a BayCon Gofer: There Is No DogLessons of a BayCon Gofer: There Is No Dog

The final day of a convention can be a downer: games are ending, there are no parties pending, the con suite is running short on the good stuff, some people you just got to know are leaving early, and—not the least of it—you’re really, really tired.

The Signs Are On the Wall

The Signs Are Coming Off The Walls, Now

I wasn’t due for “work” until afternoon, but I roused myself earlier, for the last DIY project—Make A Parasol (see Firefly).   Alas, I’d missed a program schedule update & the project was over. Long over—it had happened the day before! Won’t happen this year—I’ve finally joined the Smartphone Universe & so have access to the online schedule for BayCon 2015.

 

There's Planets Around Them Thar Stars

There’s Planets Around Them Thar Stars

I did have a backup plan—a panel discussion on new discoveries about extrasolar planets. But I’m kind of a Kepler fanatic, so the information being shared was, well, old hat. I found myself nodding off while people were talking about one of my favorite subjects.

So off to the Gofer Hole to check in and claim my spot as the Art Show Gofer. The day wasn’t boring any more.

My Final Badge-Ribbon Collection, Nowhere Near Championship Length

My Final Badge-Ribbon Set, Actually a Relatively Small Collection

I had my chance to be part of the Art Auction. That was cool—I’ve never been, because I can’t afford to bid anything near what auction items should go for. Instead, I got to set up bidder numbers for folks who did have the resources and were eager to support these wonderful artists.

Once the Auction wound down, I got to be on the giving end of the Art Show. That is, folks queued up to collect the pieces they’d won in the silent bidding and—later on—the auction. The staff took care of the official tasks of collecting payments and pacifying people who’d not won the pieces they wanted. As a Gofer, I fetched their purchases (from the stacks we’d so carefully arranged the night before) and saw those their faces light up with happiness.

Eventually, all but a few of the neat stacks were gone. A few winning bidders were late to collect their prizes. But we set those safely aside.

In the meantime, all afternoon, artists were coming by and packing up any pieces that hadn’t sold. We helped if needed—fetching supplies, finding paperwork they needed, taking down labels and hooks from the display boards—and it was cool to get to talk directly with the artists. Several artists had entrusted the convention staff to display the work on their behalf, having shipped the art with their registration forms. Most had a piece or two still unsold, and these needed to be repacked for shipping homeward. The original boxes were not necessarily available, so I made the rounds of the vendor room to scrounge empty boxes.

Gradually, one by one, the display boards were emptied, we collected all the hooks, labels, and trash, and the staff tracked down the last of the tardy winning bidders.

It was time to empty the room. Load-out time. Most of the stuff needing shifted was heavy—pegboards, frames, bins full of papers and supplies. So I called dibs on the job of getting all the art-to-be-shipped-home safely out to the Art Show director’s car. It took a few trips through a lobby full of exhausted attendees and staffers. Then I glommed onto an empty luggage cart. Plus, the Gofer King was one of the staffers in the lobby and he dispatched an idle Gofer to help on my last round. Whew.

So, most of these events end with what they call Dead Dog.   That’s one of the things you hear staffers talking about near the end of a convention, but they don’t share with mere members what exactly that is. The deep dark secret is: it’s a party. It’s the staff party that happens when everything’s over, the attendees have gone, and all the clean-up work that can get done is done. Aha, it’s what theater types call a strike party.

Kris & Alison, Art Show Maestrae

Kris & Alison, Art Show Maestrae, at Dead Dog

Generally speaking, it’s a Staff event, but Gofers who stick it out all the way to the end are welcomed into the party. There’s food. All the leftovers from the weekend, that no-one wants to have to haul home. All the ice-cold sodas left in the Magic Charity Soda Machine. Meanwhile, the hard-core staffers take the opportunity to give thank-you speeches to each other and praise the folks who’ve stepped up to chair the event next year.

It felt a little like crashing the party at that point, but the Art Show leaders were saying nice things to me, so I felt better. And Alison asked if maybe I’d help her as staff in 2015.  And finally, finally, I gathered up my own art purchases, and Went Home.

 

Art Show Victory!

2015 Art Show Staff!

Gofer Lesson of the Day:  If you stick it out to the end of everything, you can get into the fabulous Dead Dog party.  There will probably not be any dogs there, just tired-out volunteers.  Like you.

How to do this:

Method #1:  Walk into the Gofer Hole and sign up.  You do need to be 16, but there’s no upper limit.  Yes, really, you, too, can be a middle-aged Gofer.  For BayCon 2015, the secret lair is in Tasman.  Go up the escalator, turn right and it’ll be on your right before you reach the convention center.

Method #2:  Email the King of the Gofers.  That’s gofers15@baycon.org.  You get double credit for helping at setup on the day before the convention starts. If you’re super-eager to help & don’t get a reply, email me (cometary@cometarytales.com) and I’ll help you make contact.

Groundhog Day at NASA-Ames: Episode 3, Billions vs BillionsGroundhog Day at NASA-Ames: Episode 3, Billions vs Billions

(NASA Social 2/2/15 State of NASA)

The final stage of our State-Of-NASA day starts with Lunch. If you turn up in the morning with a bit of cash, you can sign up for a box lunch, and I knew from before that it’s a good one. But luckily today, I left my cash at home so my lunch is the granola bar that’s been hiding in my computer bag since I’m not sure when. But, yes, luckily, since we’ve gotten back to the visitor’s center just in time for the start of the budget presentation, livestreamed via the big screen at the Exploration Center. There’s no time to eat more than a granola bar if I want both hands free to type & tweet.

Now, I know that Ames employees were also gathered elsewhere watching the livestream. I’m wondering if it might have been more efficient and more socially fun to have the Social Media crew join that larger group for these livestreams. Maybe next time…

A Disclosure Moment

Sure, I’m a space fan, so it wouldn’t be out of line to assume I’m in favor of funding NASA.  But of course, on top of that, my husband does work for NASA, so there can be an actual family effect from budget decisions.  Though I’m really writing about a) the general budget picture and b) what it’s like at a NASA Social, I’ll avoid the budget topics that directly affect our family.  No, wait, the budget issue that’s most likely to have a real, measurable effect on us isn’t some line item, it’s the regular sequestration of funds by our truculent Congresspersons.  (As in, my husband hasn’t had an actual raise in more than 5 years.)  And then there are those wonderful times when Congress shuts down the government and he and all his colleagues don’t get paid at all and proceed to complain (bitterly) that they have been told to stay home and not work.  There’s nothing worse to a scientist than being told not to work. In any case, here I’m not aiming for a critical review, but more of a “what’s in the budget” overview.

The Proposed 2016 NASA Budget

You can delve into every element of the budget here. http://www.nasa.gov/news/budget/#.VOG06i4bKj8

Let’s see if I can squeeze it into a few paragraphs. And keep in mind this is the requested budget, part of President Obama’s 2016 budget. Congress has to approve it. These numbers sound big to us, spending $18.5 billion on NASA. Just keep in mind that this is 0.04% of the total 2016 Obama budget. And if compared to the defense portion of the military budget, it’s 3% of that.  Here’s the Big Picture:

The Big Picture (Can You Find NASA?)

The Big Picture (Can You Find NASA?)  Source: http://www.whitehouse.gov/interactive-budget

 

Did you find NASA?  OK, once you peer into that 0.04% of the total, here’s what you get:

Category I. Science. $ 5.29 billion (about the same as 2015)

 

New Horizons Nears Pluto

New Horizons Nears Pluto

For this, we get: Landsat and all its kin providing Earth images, taking over all of NOAA’s earth-observing satellites except for the weather satellites, all of the current & upcoming Mars missions, Cassini, the Pluto mission (New Horizons), a mission to Jupiter, detection of near-Earth asteroids, all the space telescopes, the search for exoplanets, the James Webb telescope project and dozens of solar physics projects. Whew.

Category II. Aeronautics. $0.57 billion (down)

For this we get air traffic management tools, tech for unmanned autonomous vehicles, and new technology development for air vehicles.NASA UAV Traffic Control

Category III. Space Technology. $0.73 billion (up)

This covers new technology development in and for space applications, such as alternative fuels, solar electric propulsion,

Orion at Splashdown

Orion at Splashdown

the life-support system development for Orion, and development of laser communications systems.

Category IV. Exploration. $4.51 billion (up)

This is a big category, because it’s for big stuff, mainly the Orion system, for which the first test flight went so well. Next up is the Exploration Mission, an unmanned trip to the Moon and back. And of course it’s all about The Journey To Mars. The Core MessageAnd a major subcategory is support for the development of commercial spaceflight. Like SpaceX and Boeing.

Category V. Space Operations. $4.00 billion (up)

That’s taking care of what we have up in space: mostly the International Space Station,

NASA's View of the ISS

NASA’s View of the ISS

but also the facilities for support of those space missions, from the satellite fleet that provides tracking to the launch support on the ground.

Category VI. Education. $0.89 billion (down 20%)

Wow. No clear explanation for this, but education funding has been shaved by about 25%. There’re education-related funds under other categories, but this is the core education funding for NASA’s contribution to the Federal plan to support STEM education. That includes Space Grant and programs to get more minority students interested STEM and going on to earn degrees in science and engineering. This is in addition to some education funding budgeted elsewhere, totaling $26.

Category VII. Safety, Security & Mission Services + Construction + Environmental Compliance + the office of the Inspector General. $ 3.25 billion (about the same)

That keeps all the NASA centers operating and takes care of any needed construction work (including environmental clean-up jobs).

We also get a few key bits to ponder:

On average, between 2015 and 2020, we’ve got about 17 launches per year planned, of which about 13 have a science focus.

NASA is taking on a lot of former NOAA stuff, like ozone monitoring, ocean altimetry, and non-defense Earth-observing satellites, leaving just the weather satellites in NOAA’s budget.

But–wait for it–the proposed budget assumes that the venerable Opportunity rover retires this year. Wait. Whaaaat? Oppy has not even hinted at a desire to quit her roving ways. If the “science value” makes sense, then they’ll try to provide funding anyhow.

The Stratospheric Observatory for Infrared Astronomy (la bella osservatoria in volo, SOFIA) is fully funded in this budget request (last year, it wasn’t funded, but they got Congress to fund it later on, which kept the airborne observatory flying through fiscal 2015. No need for such machinations in 2016.

The State of Ames

Aaand, for a grand finale we get our very own presentation by Director of Ames S. Pete Worden and Ames CFO Paul Agnew. I’m actually awfully impressed, that this small group gets the attention of these top administrators, when I’m sure they’ve been through a similar session with the “real” media.

Here’s the short version: Director Worden is delighted that the President supports a larger budget for NASA as a whole and happy that Ames is well taken care of in this budget, scoring its own $31 million overall budget increase with no cut in the education budget here. The special favorite is that solid funding for SOFIA, which is what bumps up Ames’ science budget. There’s funding for the CubeSats we saw today and for K-2 (the second-generation Kepler program) to keep ferreting out exoplanets around dwarf stars. And the upcoming new planet-finder TESS is in the works. Ames is on the forefront in reentry systems and several other areas critical to the Orion mission, so those are in well as is the Intelligent Robotics Group. The guys across the street from the Roverscape, the advanced computing group, also have a stable budget for next year.

SOFIA Celebrates Another Year

SOFIA Celebrates Another Year

And they are very pleased that Ames’ own SOFIA is saved for another budget year.

I asked how Ames managed to keep its education budget stable when the agency-wide budget has such big cuts. I got a fuzzy answer, broadly indicating that a center’s education budget is affected by what that center asked for at the agency level, and that Ames has established a steady set of relationships and grants.

Review

OK, just to review.

The requested budget for NASA is $18.5 billion, an increase of about $500 million.

But put this in context. The defense request is $605 billion.

So, NASA is asking for about 3.1% of what the military is asking for, just for current defense purposes, not including taking care of our veterans.

And that’s out of a total budget of $4 trillion.

So the President is asking if it’s OK if he spends 0.04% of our taxes on exploring our solar system, establishing a human presence in space, and using space-based research to find out all kinds of cool stuff that will help people on Earth.

So now we just have to wait and see what happens in Congress.

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