I spent my elementary-school years soaking up the very best in English literature.
For a preteen horse-mad bookworm that meant: Enid Blyton, Hilda Boden, Josephine Pullein-Thompson, her sister Christine Pullein-Thompson, and Many More. I didn’t notice at the time, but now it’s obvious: all my early writing models were women. My very first book purchase was a pony book by Hilda Boden, who took up writing stories to help support her family. I kept that book–Joanna’s Special Pony–for years, and reread it many times, imagining the windswept Scottish coast populated with wild (but tameable) ponies and admiring the resourceful, determined heroine of the tale.
From that day onward, every smidge of my allowance (well, sparing a few pennies for sweets) went for the next installment of the Famous Five or Malory Towers or any number of pony books.
All of those books stayed behind in Yorkshire when my mother had to pack us all up for the move to the States. My British childhood was over, and military moving allowances are based on weight, so . . . my pony books, boarding-school novels, and mysteries went to the thrift store for some other child to collect.
“I thought you were done with baby dolls, you still have the Barbies,” my mother argued.
“Not all of them,” I countered. “I promised that one, the littlest one, that I wouldn’t ever ever give her away.”
But it was too late.
I think maybe I broke my mom’s heart a little bit. Well, a little bit more. Motherhood involves a lot of heartache. Well, Baby Doll may have been lost to me forever, but I’m sure she had at least one more little girl make her similar promises.
The only good thing about the move was that all my friends had to study up for the Eleven-Plus, which would determine whether they’d go to a nice boarding/academic secondary school (like Malory Towers), get stuck in a dead-end “modern school” with no college track, or take up a trade and actually be able to earn a living. Me, I got to spend a couple of weeks coasting through the end of what Americans called “fifth grade” sitting in a classroom with children who–it seemed to me–hardly read at all, before being unleashed to a long, long American summer vacation. Luckily, my grandparents’ house was packed with books–mostly Reader’s Digest collections, but also a classic edition of One Thousand and One Nights and my dad’s stash of science fiction magazines.
Over the years, those old-style children’s books have been supplanted in the market by more literary-style books for children, others with science-fiction or fantasy roots, and thankfully many with more diverse casts of characters. A few have received a dusting-off over the years . . . there’s even a 2020 BBC-TV adaptation of Malory Towers that puts the storyline in a historical-fiction context while also envisioning a more diverse enrollment and faculty at the school.
Now, it’s my turn to have a house packed with books, and it’s an eclectic collection–not even taking into account all the books that aren’t technically mine, but my husband’s. No matter–I put them on the shelf and dust them (occasionally), so they’re mine in that sense. I’ve launched a little Instagram project to share a few of those books, on a regular basis–mostly the out-of-print ones, the ones I inherited from my Dad (a fellow SF fan), and ones that may be old but that still speak to current issues. The hard part is figuring out how to photograph them–top bookish instagrammers have such lovely still-life setups for their book posts. I’ll do my best to at least not to give people eyestrain.
None of that means I’ve stopped gathering-in books. Just in time for my birthday, my very first Quarantine Birthday, I retrieved a book long-lost in the move from England, my first book purchase, my favorite book from that day until the day it vanished to the thrift store with my dolls.
The dolls are gone, my mother long forgiven, but the books never have left my mind. Just this month, I made a birthday present for myself of a copy of Joanna’s Special Pony, dusted off from some other collector’s shelf–one in better condition than the one I left behind, PLUS a copy of the sequel. That was a book I never got my hands on, because it was only in hardcover and my allowance was two shillings sixpence, exactly the price of a paperback (my, what a coincidence–almost as if my parents wanted me to buy books).
If you like Instagram, the series is here. I’ll try to remember to link to those postings from the Facebook page as well.