Cometary Tales Blog The Importance of Making Connections

The Importance of Making Connections

I have lots of writer friends who cling to the old-fashioned notion of the lonely author toiling away in solitude, until emerging with their masterpiece ready to be snapped up by publishers. They know it’s not real. It’s never been real, but the myth has a certain romance to it. As a great bonus, it puts off into the far future that moment when you discover if your work has meaning to anyone other than yourself.

The one compromise they’ll take is to join a critique circle … more on those in a post I’m still working on. That way, you still have the comfort of an insular environment, listening to just a few voices who don’t actually have power over your publication chances. It feels safe, even when the feedback isn’t always “wow, that’s fantastic!”

Yet, as I’ve learned the hard way, and as publishing pros will tell you if you but listen, the journey to publishing that precious work (and all that follows) begins while you’re still writing. If you’re thinking of making even a part-time extra-gig career of being a writer, you need to approach it as a pro, and seek out the society of others in that endeavor. Sanity check? As an engineer in the power industry, I’m a senior member of the IEEE, our professional organization. It keeps me connected to advances in my field. Don’t you want that for your writing career?

Here are the key groups I’ve joined to network with other writers, learn new skills, and build a better platform for this career: the California Writers Club (and I assure you that wherever you are, there is a similar organization), the Women’s National Book Association, and the Science Fiction and Fantasy Writers Association.

The California Writers Club is a grand old organization, claiming Jack London as an early connection. The South Bay Writers branch is a friendly supportive group for writers at all levels and in all genres, including poetry. Quite a few poets, actually, who connect each other with poetry-focused events in the area.  The group hosts regular sociable (in person) meetings with a speaker and gets together for summer and winter celebrations. If you’ve followed me before, you’ll know we also sponsor twice-monthly online open mics, informal (not competitive) which also attract writers who can’t make it to meetings. At our last open mic, we met two new poets in the area (who didn’t know each other before but turned out to have a connection in their non-writing careers) and then we had a fun surprise, as one of our regulars was attending from his birthday celebration and shared not only a work-in-progress appropriate to Halloween but also the ceremonial candle-blowing-out portion of the party. Alas, he could not figure out how to send us slices on Zoom.

Birthday lit with last candle being lit, with candles that spell "Happy Birthday"
Nothing like friends when you need to celebrate

If you haven’t been a part of a professional organization before, keep in mind that in this context “social” has two elements: making friends (don’t we all need friends?) and networking (making friends who mutually help out each other careerwise). I’ve gained in both senses from being a part of this group, including making contacts beyond the group, as friends introduce me to other friends in the broader writing community. As is usual for CWC, all meetings are open to nonmembers, and usually attendance is free for a newbie, so anyone can visit and form their own impressions.

There are several CWC branches in my area, and they all welcome members of other branches, which is great for catching speakers you want to hear or just getting some variety in your mix of connections. Like others I kow, I’ve joined a second branch, the one based on the San Francisco Peninsula. It’s not convenient for me to attend most meetings, because they’re held an hour’s drive away, but that particular branch happens to have a higher concentration of sci-fi/fantasy writers, some of whom I’d met through online open mics. Now, I run that chapter’s online open mic and I’m leading the members-only anthology project. If I hadn’t joined this club, it might have been years (or never) before I’d had an opportunity to first assist an experienced anthology editor and then take the helm for the next edition.

Another resource I strongly recommend is the Women’s National Book Association, which has chapters all around the country and offers many online ways to interact and learn. This organization is all about supporting women and underrepresented authors as they work to professional goals; and no, you don’t need to be a woman to join or to attend events. The San Francisco chapter has a great cast of characters, including poets, nonfiction writers, novelists, short-story authors, agents, and local small publishers. Some members are involved with the annual San Francisco Writers Conference. Both the local and national organizations offer online programs as well as some in person events. During covid, this is one organization that took to heart the lessons we all learned about how effective the online environment can be to bring together those who can’t access distant in-person events.  For instance, they converted their formerly hard-to-access annual pitching workshop event to an online program, and chose to keep it that way.

Finally, with some effort, I’ve managed to qualify for membership in my genre’s professional organization, SFWA. They do require a certain amount of sales, and I work with a small publisher who likes my slightly off-the-beaten-trail work, so I was lucky there. However, even before I qualified for membership, I volunteered as a tech for the annual conference (when it was online) and have learned that I’m good at contributing on that end (the engineering degree did help a bit, there), which meant I could eventually earn my way to attend the annual writing conference, which otherwise would be outside my means. That’s another trick I’d learned from engineering conferences, where volunteering got me into events I couldn’t otherwise have attended. SFWA offers a lot of support, cameraderie, and networking connections to members. Not to mention the chance to hobnob with some of my SFF heroes and meet in person writers and techies I’d only been able to meet through Discord or on a Zoom call.

This essay started as an email to a new friend, a poet working on her MFA who was looking for connections in this area and reached out through our open-mic signup form. She’s taking a strong route, creatively seeking to build bridges early in her career. You, too, can look for the connections that will help you grow as a professional. Hey, if you’re not (or not only) a writer, but an engineer or an Amazon tech or a scientist or whatever, remember to connect with organizations that bring together others in your field for mutual benefit. (Yes, of course that includes unions.) Trust me, even if you’re an introvert like me, taking that step works to draw you out of your isolation and enliven your life and empower your career.

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Good News, Everyone!Good News, Everyone!

“Good news everyone! I’m sending you on an extremely controversial mission!”
―Professor Hugo Farnsworth, “The Birdbot of Ice-Catraz”, Futurama

It’s graduation season, and I’m in post-production now after playing the role of Audience Member in three recent productions of Commencement 2014. At UC Berkeley’s Department of Earth and Planetary Sciences, Professor Tanya Atwater of UC Santa Barbara provided the keynote address. She was excited to report on her experience as part of the team writing the new science standards.  For members of the EPS department, the “good news” is that the new standards specifically include Earth & Space Science as one of four core disciplines.  Advocates of coding-in-every-classroom will also be happy that one of the four is “Engineering, Technology, and Applications”, though they may be disappointed to find that coding is not all there is to technology.

However, as Professor Atwater pointed out, this is a creation devised by a committee, and a large one at that.  These standards are huge, complex, and demanding.  I won’t be surprised if primary teachers throw up their hands and say “Heck, the old Science Framework was complicated enough!  We’re going back to literature, thanks a lot.” I had a peek at a few pages–the new standard can be surveyed in an interactively, online.  For instance, if you select Grade 1 and Physical Sciences, you are taken to a page entitled Waves and Their Applications in Technologies for Information Transfer

If that’s not enough to send your primary-grade teacher screaming to the arts-and-crafts cupboard, he/she is then presented with a grid of expectations about what first-graders should be able to understand and demonstrate about waves, from sound waves to light waves.  I can tell by the “clarifying statements” and all the hyperlinks to definitions for everything from the requirement that students “Make observations to construct an evidence-based account” to explaining that you use “Cause and Effect” to show that when the lights are off you can’t see objects.  Well, says the gamer kid, what if I have my night-vision goggles on? 

Meanwhile, the teacher is supposed to be tracing all the Common-Core standards links and the cross-discipline values obtained.  As an engineer, I find that sort of thing daunting, while I suspect most trained teachers find those elements-links an easy yawn–it’s the demand they convey science skills to kids at what seems to be a very sophisticated level that presents a barrier.   Remember, it’s unusual for an elementary-school teacher to enter the field with more than a bare minimum of science or technology training.

Not good news?  Well, it may be good news for some students currently graduating in the sciences–the new standards create a market for teachers who have science toolkits ready to hand.   And if states are not too heavy-handed in adopting these standards, the NGSS provides tons of leeway in the actual curriculum developed and in both straight-up statements and in the subtext of the descriptive matter the NGSS strongly urges the use of hands-on, experiential learning techniques.  That’s good, especially in elementary school, because hands-on activities are the best, overall, at evoking those Aha! moments that make science exciting.  What the scientists working on that committee were most excited about was the prospect of bringing that thrill to more students, not only to attract some to actually becoming scientists or engineers but also to allow those following other paths to understand what motivates the ones who do follow the siren song of science.

For example, if you jumped to Professor Atwater’s page, you’d have read her non-committee-developed description of her motivations to teach and her love for science, “In lecture, I used to think I wasn’t a good scientist if I admitted my passion. No more. In the last few years I have adopted a style of expressing my delight along with sharing why I’m delighted – the intricate order and sense (and, sometimes, irony) of how things work – wonderful!”

One of my best experiences during Commencement Week was talking about education with a Kindergarten teacher who was struggling with making sure his (yeah, don’t go sexist on me–men can so teach kindergarten) students each got the attention they needed, despite a class size of more than thirty, in a year when he had no parent volunteers to help out.  And though he was looking forward to summer vacation, he was the most interested to hear about some of my “Messy Monday” science experiences.   As a result, I’m determined that the next couple of activities I put up here under the “Messy Monday” label will be ones targeted to the K-2 crowd.

So, well, the new science standards, if you can get past the committee-style presentation, could be turned into good news.   Let’s get kids doing the kind of science that comes naturally to them:  trying things out, making mistakes, watching what happens.  Let’s help them break free of seeing what they expect to see–it’s those wow moments of unexpectedness that give doing science that endorphin rush.  It’s when the comet is chasing its tail on its way out of the inner Solar System or a water jet sprays farther than you guessed or you suddenly realize that a rainbow isn’t part of a prism or a raincloud or even a soap bubble–it’s the light itself that makes the rainbow.

 

Chasing Comets

Chasing Comets: Notes for Project Leaders #2Chasing Comets: Notes for Project Leaders #2

OK, we’re back for part 2.  Remember that our goal is to impart an intuitive, long-term understanding of how comet tails work.  I’ll give you an observation worksheet that students can use during the Comet Running game, but if time or attention-spans are too short for a worksheet, dispense with that element in favor of learning through movement and Socratic dialogue. (What? You think an engineer wouldn’t have read the Greek philosophers?)

If you have time and enough outdoor space for the “Game” version of this simulation, move right along to “Stage 2” now. The promise of a chance to make their own models is what will entice the students back to the classroom. Otherwise, save the great outdoor model for another time or place and move directly to “Stage 3,” building the individual models.

Stage 2: The Game

Chasing Comets

That’s One Big Comet

This is an outdoor game, and it works to best advantage with a nice BIG comet model. Four five-yard lengths of white fabric streamers attached to a single badminton shuttlecock (“birdie”) make our Comet Chase model. A playground ball or a soccer ball (around 8” in diameter) stands for the sun.   Sort the participants into groups of no more than five and no fewer than three, and move to the great outdoors. A grassy area is safest, because this game involves some complicated running; if you’re stuck with pavement, tone down the running to “jogging” and allow a little extra time.

Start by laying out the ground rules for the game. First, each group will get to play every role. There are three parts: being the sun, being the comet, and being observers back on Earth. Remind everyone of your local rules for behavior outside. It’s harder to listen to instructions out in the sunshine and fresh air!

Take a moment to review the lesson so far. Place the model Sun on the ground, at least ten yards away. Ask an adult helper or one of the students to stand about halfway between the class and the Sun and to hold the head of the comet

Chasing Comets

Large Comet Head With Coma

while you extend the tail’s long white streamers.   This model is much more evocative of the scale of a real comet, which has a tail tremendously longer than the diameter of its coma, or head—but it’s still not a scale model. Allow for some oohs and aahs, but move on to your query: which direction should the comet’s tail point? Don’t move yet; both you and your helper just stand in place.

Chasing Comets

Large Comet: Incoming or Outbound?

Don’t be concerned if it takes more than one answer to get the right one! Some may still want to know which way your comet is moving. But in a few moments, you should achieve the consensus that the tail should point towards the class and away from the sun.

Now, add the movement and ask everyone to call out which way for you to move. Ask your helper to start walking (slowly, please!) towards the sun and then to loop around the sun. You will need to move quickly to keep the comet’s tail pointing away from the sun. In fact, even if your helper cooperates by walking slowly, you will need to break into a run! As you run, if the students aren’t already hollering directions to you, tel them to keep reminding you which way to point the tail: away from the Sun!

Pause partway and while you catch your breath you can demo a technique for helping to align the tail while in motion. With your outside hand, hold the streamers. With your inside hand, point at the Sun. The tail-runners should always find that pointing at the Sun also means pointing at the comet’s head.

Now, it is finally the students’ turn. Run as many iterations as necessary to ensure that each group does each job at least once. For instance, for a class of 20, allow time to run the game at least four times.

The Comet Group: The comet group needs one Head and up to four Tail-Runners. Name the comet after the person who’s serving as the Head. Comets are always named according to the last name of the comet’s discoverer. So if you have Robin Williams as the comet’s head, then this will be Comet Williams. Getting the comet named after him/her may compensate for the fact that the “head” only gets to walk slowly around the sun.

Meanwhile, the tail-runners get to hold the ends of the tail streamers and run to keep the comet’s head between themselves and the Sun.  In the normal course, the “tail” group will tend to lag a little and spread out, but that actually serves to more-accurately represent the shape of the dust tail. If you’re working with a two-tails group, designate one especially determined runner to represent the ion tail by taking one ribbon and maintaining a straight line from the ribbon end through the comet head to the sun.

The Sun Group: The sun group stands in the middle of your running space. One or two group members hold the model sun overhead. This makes it easier for the Comet group to see if they have successfully aligned the comet head and the sun. If the tail-runners stray out of line, members of the sun group need to to shout out “Got you! Got you!” or “Solar Wind Coming!” to warn them that the solar forces are blasting the tail.

The Astronomer Group: The people who are not part of the sun-comet demonstration still have a critical role. They are not just watching other people play the game, but they are tracking the shape of the comet’s tail as it passes around the sun, as observers on Earth. Depending on their perspective at each point in the comet’s orbit, the tail will appear longer or shorter. For example, if the comet is roughly between Earth and the Sun, the tail may look short, because it is stretched towards us. If you have time for writing, ask the Observers to sketch the comet as they see it. (See the handout.) In an average class, each student will get to observe the comet at least twice, which is very helpful for catching the unexpected views.

When every group has had a chance to play every role, take a few minutes to review one more time. As a comet is orbiting around the sun, which way does its tail point? By now, everyone should be willing to state that the tail always points away from the sun.

Still, you may still have a few hold-outs who are not quite sure this can be true. If you are lucky and it’s a sunny day, you have a hole card to play. Invite the students to each imagine that they are comets. “Guess what? You can see exactly where your tail would be. Who can point at it? Where’s your tail, Comet Human?”

If you are not saved by the insight of a student who’s totally absorbed the lesson, it is OK to resort to hints. “Everyone has one. It’s easy to see. Yes, you can see your comet tail! Where is it? Which way does a comet’s tail point? Right: away from the sun. Where’s the sun right now? What do you have that’s pointing away from the sun? It’s not bright and shiny like a comet’s tail. It’s dark, because there are no sunbeams there.

“Yes! Your shadow is your comet tail. It points away from the sun, always, no matter what direction you run.”

Stage 3: The Reward

Finally, everyone needs a model comet of their own to take home and show off and share with family members everything about how comet tails work. This is not an art project; it’s an opportunity to review and experiment individually. If some students are fussy about carefully arranging their streamers to make a colorful pattern, that is all right, but the point is to assemble a working model.

Each participant needs 24 feet of curling ribbon and a birdie (remember what I told you earlier about calling it by its proper name—be prepared for lots of giggling and teasing if you insist on that) . Cut the ribbon into eight lengths of roughly 3 feet. It is perfectly all right—and in fact more realistic—if the streamers come out various lengths. And depending on the students’ social skills, it is also all right for them to exchange colors once the cutting is done. (There are always some who prefer to discover a multi-color comet and others who prefer monotone.)

Once each student has six streamers, have them tie one end of each streamer to the head of the birdie.

Chasing Comets

Detail–Attaching Ribbon For Comet Tail

Your meticulous planners will distribute them evenly around the netting; others will be clumped randomly. Either is fine. Every comet is unique and most are quite non-uniform.

Be real. This project is not done when it the comets have been only built. Everyone needs a chance to try them out. They will, of course, want to toss them around the classroom; if this is not acceptable, make some provision for them to try out that technique outdoors. More scientific, of course, as time permits, is to allow the participants to take turns trying out their comets in the pretend “solar wind” of the classroom fan. As long as they willing and able to mind safety rules about working around a fan, by all means have everyone try out the tail position approaching, passing, and retreating from the Fan Sun. But don’t get all hot under the collar if other comets are flying through the room while you monitor the fan users. Just imagine you’re in the Oort Cloud and you’ll be OK.

Up next:  Supplies You Need and Resources You Can Use

Chasing Comets

A Cluster of Comets, Incoming & Outbound

Books Make the Best GiftsBooks Make the Best Gifts

A group of authors affiliated with the San Francisco chapter of the Women’s National Book Association got together earlier this month to celebrate our pandemic-time publications. Oh, my goodness, what a variety! What awesome works.

Are you shopping for friends and family who aren’t as committed to science fiction and fantasy as you are? Need some hot tips for books that will surprise and delight them with your confidence in stepping out from your own genre?

Here’s your directory, so you can jump to satisfy your target gift recipients’ desires. Each cover photo links to the relevant Amazon page. If you prefer to buy elsewhere, head for the author’s website.

Historical Fiction

Thrillers and Mysteries

Short Stories and Contemporary Fiction

Memoir

Poetry

Books for Children and Parents

Nonfiction and Self-Improvement

And we’re off!

Historical Fiction

COver for Betrayal on the Bayou, showing a broad pool with tall bayou trees leaning over the water and casting reflections.

Hungry for a story with deep African American and French connections? Sheryl J. Bize-Boutte’s Betrayal on the Bayou plunges the reader into 1854 Louisiana, where a young Parisian widower “sets off a twenty-eight-year chain of events that reveal the brutal truths of inequality, colorism, and betrayal.” Sheryl’s blog is here. You’ll find she also teaches writing.

Book cover for What Disappears, with the Eiffel Tower rising above a cityscape.

Russian history? The delights of Paris? Ballet? Does your gift recipient love any of these? Meet up with long-separated twins at the Ballet Russe, and hold your breath as to what will happen next, in Barbara Quick’s What Disappears. Visit Barbara at her website.

Thrillers and Mysteries

Cover for What Jonah Knew, with silhouettes of a small boy and a young man superimposed on one another.

How about a deep, soul-searching, thriller….head for Barbara Graham’s What Jonah Knew, on the surface a story about mothers and sons, but one that delves into “metaphysical questions about life and death—and what happens in between.” Follow Barbara on her website.

Cover for Detours, with a young woman gazing from the cover, pale, wide-eyed and serious.

From mothers and sons to a mothers and daughters, come to Sheri McGuinn’s newest book, Peg’s Story: Detours, which answers questions raised by the first book in this series, Running Away. Discover links between the stories as you follow Peg’s escape to a new life—only to see her mistakes spiral “into a life-changing series of events.” Catch up on Sheri’s website.

Contemporary Fiction

Cover for What Is Possible from Here, with title words on a cardlike field, with clusters of pink flowers behind and around the edges.

Do you want to share stories of real people finding their way through ordinary life? Stories set all over the country? Try Cynthia Gregory’s What is Possible From Here, a collection exploring “the nature of friendship and love, and the myriad ways we endeavor to make meaning in an unpredictable world.” You can also find her nonfiction book, Journaling as a Sacred Practice, through Cynthia’s website. If you’d like a hardcover copy of her collection, you can find it online at Barnes & Noble.

Cover for Begin Again, with a wide landscape of golden hills rising to rough brown hills and a deep blue-clouded sky, with a rainbow falling to earth.

Looking for grounded contemporary women’s fiction? Consider Kimberly Dredger’s Begin Again. This novel takes you on a young widow’s journey, “as she struggles to re-enter life, enduring more loss and sadness on her way to ultimate empowerment.” To expand your collection, you might also pick up Kimberly’s anthology of essays, stories, and poetry, starting on her author page.

Memoir

Cover for Dancing on the Wine-Dark Sea with a woman in a long dress twirling as she wades ankle-deep at the edge of the sea, with a sunset glowing in the sky and on the water.

How about a fabulous feminist travel memoir? Diane LeBow’s Dancing on the Wine-Dark Sea: Memoir of a Trailblazing Woman’s Travels, Adventures, and Romance takes you “dining with Corsican rebels and meeting a black stallion in a blizzard on the Mongolian steppes to assisting exiled Afghan women and savoring a love affair with an elegant French Baron.” Catch up with Diane on her website.

Full disclosure: I WON a copy of this book in the event giveaway, after listening to Diane give us more details about her story. Can’t wait until it arrives, so I can follow the whole adventure.

Cover of Loving Before Loving, with an old black-and-white photograph of a couple smiling together--a white woman with close-cropped hair, and a black man with a short hair and a short-trimmed moustache.

For a blend of social justice history and memoir, look for Joan Lester’s Loving Before Loving: A Marriage in Black and White, which takes the reader back in time. You’ll find a deeply personal story exploring racism, sexism, and marriage, through the lives of one couple: a memoir of love and life in the midst of the civil rights and women’s rights movements. Get to know Joan through her website.

Cover for The Red Sandals, with a graphic of a plant bowing down against a red background, with a black and white photo of a small Chinese girl in a white dress with white ribbons in her hair, her hands clasped together.

For an unflinching look into life in Mao’s China, and the impact on one girl, pick up Jing Li’s The Red Sandals: A Memoir, in which she shares her personal story of being the unwanted girl in a poverty-stricken family, her scholastic journey within the Chinese system, her transition to America, and growth as a teacher and writer. Learn more about Jing and her story here.

Cover for Promenade of Desire, with broad color slashes in yellow and blue and red, over a partially-concealed photograph of a young woman with her arm lifted, in a seemingly-seductive pose.

Through her dramatic memoir, Promenade of Desire—A Barcelona Memoir, Isidra Mencos uses her own story of learning to free herself from repression through books and salsa dance, to create a “sensual, page-turning coming-of-age story: Isidra evolves from a repressed Catholic virgin to a seductive Mata Hari.” Learn more about Isidra and her journey at her website.

Cover for Brown Skin Girl, a graphic design with an artist's representation of a young woman in a long skirt, her long dark hair sweeping out to form a background for the books's subtitle, with shapes of flowers, leaves, and birds woven into the background.

For a heartwarming story of one person’s escape from the abuses of family and culture, follow Mytrae Melania. In her Brown Skin Girl: An Indian-American Woman’s Magical Journey from Broken to Beautiful, she shows how her journey…through many trials…brought her to “freedom, love, and the magic that finds you when you follow your heart.” Find more about her mission at her website.

Poetry

Cover for Birds of San Pancho, with a golden-breasted bird perched on a twig, with blurred greenery in the background.

Shopping for someone who loves poetry? Travel? Birds? Lucille Lang-Day’s Birds of San Pancho and Other Poems of Place deploys Lucille’s wordsmithing to unveil her “vast curiosity, an intimate knowledge of flora and fauna, and a keen appreciation for the things of this world—travel, food, weather, the manifold creatures, love.” Follow Lucille at her website.

Cover for Deeply Notched Leaves, with a background of green leaves and one bright yellow daisy-like flower.

For “a merry-go-round of life experience in story-poems and social commentary full of spice and wisdom,” take a whirl with Dr. Jeanne Powell’s Deeply Notched Leaves. This 2021 collection will set your head spinning. Find more of Jeanne’s literary work at her website.

Books for Children and Parents

Cover for The Strider and the Regulus, a seascape with octopus/squid tentacles rising from the sea and curving through the letters of the title.

Looking for something fantastic for a young adult reader? Tricia Wagner’s The Strider and the Regulus is the opening salvo in a three-volume series. “A starry-eyed boy. A cryptic map. A mythical treasure. What perils await in the chasing of dreams?” Get to know Tricia at her website.

Cover for The Smugglers, with an old-timey suitcase covered with stickers about aliens and space and spaceships, sitting in a long metallic hallway that looks like part of a space structure.

My own 2022 release, The Smugglers, falls in this category. This LGBTQ-friendly story centers on an adolescent alien who’ll face changes in his world—and herself—as they rush to the rescue of an escaped animal. Written for children (middle grade readers and up) and their parents, the story shows us both the mother’s and the child’s point of view through this adventure.

Cover for The Peddler's Gift, wtih drawing of a man in a long coat and rond hat, with several villagers behind him.

Need a storybook for a young person…or do you just love those old traditional-style tales and beautiful illustrations of life in the Old Country? Maxine Schur’s The Peddler’s Gift, illustrated by Kimberly Bulcken Root, is a new edition of the “wistful, moving tale of a boy who steals a toy from a foolish peddler only to discover he’s not so foolish after all.” Find more of Maxine’s books, including Finley Finds His Fortune, at her website.

Cover for Treasure Hunt, with three children peering standing in a large cardboard box, with a pinwheel shape of yellow and green behind them.

Young readers (the 3-8-year-old set) on your gift list? I used to set up treasure hunts for my little brothers…so much fun. Here, Stephanie Wildman’s Treasure Hunt, with art by Estafania Razo, takes three siblings on a search for wonders In their own home. For grownup reading, find Stephanie’s website to discover her book on the perils of privilege in America.

Cover for Sun and Moon's Big Idea, with a cartoon sun and moon, smiling at each other above a cartoon city.

Another something sweet for the 8-and-unders, Karen Faciane’s The Sun and the Moon’s Big Idea, illustrated by Sierra Mon Ann Vidal, brings together the two most prominent “lights” in our sky… to celebrate “the uniquely, wonderful person you were born to be.” Keep up with Karen on her author page.

Nonfiction

Book Cover for Chakra Tonics, showing two glasses filled with a purplish mixture topped by raspberries and blueberries with sprigs of mint.

It’s that time of year, when people are looking for paths to self improvement, for personal well-being and creating moments of calm in this crazy world. Try out Elise Marie Collins’ Chakra Tonics, Essential Elixirs for the Mind, Body, and Spirit. Yes, finally, a “lively information packed recipe book filled with positive life lessons based on the ancient Indian spiritual system, known as the Chakras.” Catch up to Elise via her contact tree.

Book cover for Make Every Move a Meditation, with wavelike shapes in shades of red to gold rolling under words about mindfulness, mental health, and well-being.

Here’s more nonfiction for personal wellbeing: Nita Sweeney’s Make Every Move a Meditation: Mindful Movement for Mental Health, Well-Being, and Insight. Do you imagine meditation is all about sitting still or following strict formulas for movement? Nita teaches ways to understand meditation more deeply: “What if lifting weights, dancing, or walking across a room counted? What if you could make every move a meditation?” At her website, you can pick up a free handout.

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