Cometary Tales Blog The Importance of Making Connections

The Importance of Making Connections

I have lots of writer friends who cling to the old-fashioned notion of the lonely author toiling away in solitude, until emerging with their masterpiece ready to be snapped up by publishers. They know it’s not real. It’s never been real, but the myth has a certain romance to it. As a great bonus, it puts off into the far future that moment when you discover if your work has meaning to anyone other than yourself.

The one compromise they’ll take is to join a critique circle … more on those in a post I’m still working on. That way, you still have the comfort of an insular environment, listening to just a few voices who don’t actually have power over your publication chances. It feels safe, even when the feedback isn’t always “wow, that’s fantastic!”

Yet, as I’ve learned the hard way, and as publishing pros will tell you if you but listen, the journey to publishing that precious work (and all that follows) begins while you’re still writing. If you’re thinking of making even a part-time extra-gig career of being a writer, you need to approach it as a pro, and seek out the society of others in that endeavor. Sanity check? As an engineer in the power industry, I’m a senior member of the IEEE, our professional organization. It keeps me connected to advances in my field. Don’t you want that for your writing career?

Here are the key groups I’ve joined to network with other writers, learn new skills, and build a better platform for this career: the California Writers Club (and I assure you that wherever you are, there is a similar organization), the Women’s National Book Association, and the Science Fiction and Fantasy Writers Association.

The California Writers Club is a grand old organization, claiming Jack London as an early connection. The South Bay Writers branch is a friendly supportive group for writers at all levels and in all genres, including poetry. Quite a few poets, actually, who connect each other with poetry-focused events in the area.  The group hosts regular sociable (in person) meetings with a speaker and gets together for summer and winter celebrations. If you’ve followed me before, you’ll know we also sponsor twice-monthly online open mics, informal (not competitive) which also attract writers who can’t make it to meetings. At our last open mic, we met two new poets in the area (who didn’t know each other before but turned out to have a connection in their non-writing careers) and then we had a fun surprise, as one of our regulars was attending from his birthday celebration and shared not only a work-in-progress appropriate to Halloween but also the ceremonial candle-blowing-out portion of the party. Alas, he could not figure out how to send us slices on Zoom.

Birthday lit with last candle being lit, with candles that spell "Happy Birthday"
Nothing like friends when you need to celebrate

If you haven’t been a part of a professional organization before, keep in mind that in this context “social” has two elements: making friends (don’t we all need friends?) and networking (making friends who mutually help out each other careerwise). I’ve gained in both senses from being a part of this group, including making contacts beyond the group, as friends introduce me to other friends in the broader writing community. As is usual for CWC, all meetings are open to nonmembers, and usually attendance is free for a newbie, so anyone can visit and form their own impressions.

There are several CWC branches in my area, and they all welcome members of other branches, which is great for catching speakers you want to hear or just getting some variety in your mix of connections. Like others I kow, I’ve joined a second branch, the one based on the San Francisco Peninsula. It’s not convenient for me to attend most meetings, because they’re held an hour’s drive away, but that particular branch happens to have a higher concentration of sci-fi/fantasy writers, some of whom I’d met through online open mics. Now, I run that chapter’s online open mic and I’m leading the members-only anthology project. If I hadn’t joined this club, it might have been years (or never) before I’d had an opportunity to first assist an experienced anthology editor and then take the helm for the next edition.

Another resource I strongly recommend is the Women’s National Book Association, which has chapters all around the country and offers many online ways to interact and learn. This organization is all about supporting women and underrepresented authors as they work to professional goals; and no, you don’t need to be a woman to join or to attend events. The San Francisco chapter has a great cast of characters, including poets, nonfiction writers, novelists, short-story authors, agents, and local small publishers. Some members are involved with the annual San Francisco Writers Conference. Both the local and national organizations offer online programs as well as some in person events. During covid, this is one organization that took to heart the lessons we all learned about how effective the online environment can be to bring together those who can’t access distant in-person events.  For instance, they converted their formerly hard-to-access annual pitching workshop event to an online program, and chose to keep it that way.

Finally, with some effort, I’ve managed to qualify for membership in my genre’s professional organization, SFWA. They do require a certain amount of sales, and I work with a small publisher who likes my slightly off-the-beaten-trail work, so I was lucky there. However, even before I qualified for membership, I volunteered as a tech for the annual conference (when it was online) and have learned that I’m good at contributing on that end (the engineering degree did help a bit, there), which meant I could eventually earn my way to attend the annual writing conference, which otherwise would be outside my means. That’s another trick I’d learned from engineering conferences, where volunteering got me into events I couldn’t otherwise have attended. SFWA offers a lot of support, cameraderie, and networking connections to members. Not to mention the chance to hobnob with some of my SFF heroes and meet in person writers and techies I’d only been able to meet through Discord or on a Zoom call.

This essay started as an email to a new friend, a poet working on her MFA who was looking for connections in this area and reached out through our open-mic signup form. She’s taking a strong route, creatively seeking to build bridges early in her career. You, too, can look for the connections that will help you grow as a professional. Hey, if you’re not (or not only) a writer, but an engineer or an Amazon tech or a scientist or whatever, remember to connect with organizations that bring together others in your field for mutual benefit. (Yes, of course that includes unions.) Trust me, even if you’re an introvert like me, taking that step works to draw you out of your isolation and enliven your life and empower your career.

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Sunday at BayCon 2013Sunday at BayCon 2013

The last full day of the convention is truly the moment when plans and results can be expected to diverge the most.  One must combine shifts in plans from the ORIGINAL plan with adjustments in expectations resulting from events of the first few days.  Here is how this instance worked out:

Time Frame What the Plan was What really happened
Sunday morning See if there’s something different to do in the Arduino II workshop and if not, go to the Dr. Who birds-of-a-feather (BoF) get-together.  Sit in on the panel discussion on how to differentiate among various dragons–if that is boring, go on to the live podcast of Poe’s “The Raven”.

Trish Henry's Butterflytastic Arduino Organ Housing

Trish Henry’s Butterflytastic Arduino Organ Housing

And My Own Finished Arduino Project

And My Own Finished Project

 

 

Costume Swap find, ready for Regency dancing.

Costume Swap & Dealers’ Room finds, ready for Regency!

 

Actually made it to the Arduino workshop at 9:30.  They were still getting things organized for the second session, so maybe that counts as being on time.  It was the same projects, but with fewer participants (it being 9 a.m. on Sunday), so there was plenty of room for me. 

I joined a table where two others had chosen the same project–a master-crafter who put together her project in half the time I needed and an astronomer from Reno who had watched the annular eclipse not far from where I had been.

 

In time, I got my software downloaded, wiring connections made, taking advantage of help from Arduino Labs’ Larry Burch & his friend Tim Laren & the soldering wizard whose name I failed to get.  Got all my decorations done and even sort of got it working.  The mapping of the connections isn’t quite right on the scale, but I can reprogram at home.  Yay!

The costume swap took place in the back of the DIY room while we were hot-gluing our hardware.  When the swap was over, the person-in-charge called out, “Last call!  If you want something, take it!”  We tech DIY’rs were stalled waiting for turns to get software downloaded at the time, so several of us rummaged through the pile.  I found a long dress that was part of someone’s costume for something & one of the other women encouraged me to give it a try.  Hey, I could squeeze into it—so now I have a dress to wear for Regency dancing tonight!

 

And by the time we were all done, it was after noon.  I carried my prizes out to the car and ate lunch.  More peanut-butter-or-jelly, but with salad today.  Forgot to pack chips.

 

Next:  plenty of time for a purchasing visit to the Dealers’ Room.  Found a piece of jewelry (a necklace in a vaguely steampunk style) within my budget and bought it.  Sweet.  Finally feel “dressed for SF”.

Sunday afternoon Go to session on getting the “swords” right in Swords and Sorcery, then to the Cassini Mission panel–the ONLY real science panel at this con.

American 1890's belly-dancer "Little Egypt"

American 1890’s belly-dancer “Little Egypt”

 

 

NASA-CassiniTitan

Cassini at Titan? Missed this panel!

 

 

 

What the youngsters don't know about kaffeeklatsch

Can you believe what  youngsters don’t know about kaffeeklatsch?

 

 

 

 

 

 

 

 

 

 

Remember WorldCon 2002?

Remember WorldCon 2002?

 

 

 

 

 

 

LMB signs my copy of her first appearance in Analog! Yesss!

LMB signs my copy of her first appearance in Analog! Yesss!

 

And Installment IV--signed, too.

And Installment IV–signed, too.

 

 

 

 

 

 

 

 

 

 

Ewww.  The Swords presentation turned out to be extremely in-your-face (literally) factual, with photographs of people with cuts and blood and so on.  Double-icky.  I exited swiftly and dashed to Mary Cordero’s belly-dance workshop.

 

Oh, now, that was so much super-fun!  Learned basic belly-dance techniques, picked up some dance history, practiced and played with movement, and had fun in a roomful of women.  Well, let’s be honest, two of the drummers were  guys and one brave man was trying the dance himself.

 

Most people think belly dance is only for women, but clearly Mary is not one to put up barriers–and there’s a strong tradition of men (and not just gay men) involved in the art form.  Check out “Whose dance is this anyway?”  I have also since learned about Tahtib, which is stick-fighting, like Eskrima, and would be a totally cool addition to this con, as it blends boffers and belly-dance.

 

This “women’s dance” is real exercise, so I pulled off my overjacket and scarf, to discover I’d put on my butterfly shirt backwards.  Oh, well, I pulled my arms in and switched it around.  We’re all “girls” here, right?  Mary kept the workload light, so we ended up a little sweaty but not exhausted.  She passed out random badge ribbons and encouraged us to come to her party later.

 

Luckily, I was already prepared for my first change-in-plan, which resulted from my stumbling into signing up for the Guest of Honor Kaffeeklatsch.  The deal is “bring your own coffee” so I took time to cool down from belly-dancing and then sought out a cup of tea (using my Inner Gail to persuade the store clerk to rummage in a drawer for more English Breakfast teabags). Others brought drinks, but coffee was not a popular choice.  While waiting to begin, the key discussion item was whether “kaffeeklatsch” is  a real thing (from which I discover I am now on the “other side” of the generation gap) and whether the activity should be renamed because no-one brings coffee.

 

It was a pleasant group “visit” with Lois McMaster Bujold, though likely it was on the torturous side for our hostess.  My suspicions that she is a member of our society of introverts was confirmed, even as she was peppered with questions about the Vorkosigans and the culture Chalion and her other novels.

 

We were a very mixed bag of folks…but we had more in common than admiring “LMB”.  One guy went to ConJose for his first SF con and he described the line I was standing in to get Bujold to sign a book for me at my first con.  The “girl” across from me was also in the Arduino workshop with me–she tried to get Lois to accept her glowing Arduino badge as a gift, and succeeded in getting her to keep it for the session.

 

Bujold had already announced that she’s rather tired of working in the “Vorkoverse” but attendees were brimming with ideas of stories they’d like to hear.  Near the end of our allotted time, however, the talk ranged more freely, and the participants chatted more among themselves about television and science and child-rearing and books, so at least Bujold had a chance to not talk a little.

 

When it looked as though the session was ending, she agreed to a photo with Ruth (my fellow Arduino-ist) and to sign my Analogs. Mysteriously, (or not-so, with Analog’s mid-month issues), I was missing an issue.  But, as she puts it, I could choose to make my life mission to find that last issue and get it signed.  Or not.  I’d only asked her to sign one, and she offered to do them all.  Like me, she regrets doing the three-name routine, as it makes her name soooo long to sign.

 

But six o’clock rolled around and the last few deep fans were still reluctant to set her free.  I made my exit hoping that would provide a route out for her.  She’d taken the head-of-table chair, which left her with a difficult path to make a graceful retreat.  I nearly knocked down a one-year-old who was toddling about right outside the door, but her mother was reassuringly calm for both of us.  I have to mentioning this, as she’s one of the people I have kept meeting all weekend!

 

When the rest finally emerged, I walked along with them and we exchanged some info, as we clearly have some interests in common.  I met Ruth’s sister and daughter and the daughter’s friend.

 

Oh, well, time to go get dinner and go to boffers.  It’s a bit of driving, but I made it to a Subway and scored a tuna salad.  I was so hungry it was a challenge to not tear into the salad box on the drive back.  And then I nearly left my sword in the car!

Sunday night Go to the Firefly LARP and then do Regency Dancing, and listen to concerts if any run that late.

Who's Boffer, eh?

Who’s Boffer, eh?

 

 

 

 

Why "Lena" is already so good--this is her dad!

Why “Lena” is already so good–this is her dad!

 

 

 

 

 

 

Mary Cordero (right), shares the fun and treats at her Belly Jam Party

Mary Cordero (right), shares the fun and treats at her Belly Jam Party

 

Tech meets Tambour at Belly Jam

Tech meets Tambour at Belly Jam

 

 

 

 

Regency dancers take over

Regency dancers take over

Representatives of PEERS turn out in the best costumes.

Representatives of PEERS turn out in the best costumes.

Our Dance Master takes a turn at the waltz.

Our Dance Master takes a turn at the waltz.

 

 

Thirteen--original artists...on Amazon.

Thirteen–original artists…on Amazon.

Well, the kids were at boffers.  That is, Ruth’s daughter and her friend.  Or their clones, anyhow.  I ate furiously, anxious to get in on the action while there were still some kids around willing to teach me how to play.  There was also an older tween-aged girl there with her mom, impatiently waiting for her dad or one of her dad’s friends to come and battle with her.  She clearly felt not well-matched with the younger kids.  So I said I’d play as soon as I finished.

 

“Lena” gave me a basic lesson and then thrashed me soundly.  So the other girls’ main battle became over who had dibs on playing the newbie next.   If memory serves, I did manage to beat one of them once.  Maybe twice.  There was absolutely no way I could have won against my tutor.  It is a very energetic game and not as violent as it might be.

Here are the rules, as taught by the Kids of Boffers:  1) No trying to hurt the other person 2) No head shots, at least not on purpose 3) If you’re hit on the arm or leg, you’ve lost that limb and have to do without it, so hop if you lose a leg, kneel if you lose both, switch hands if you lose your sword arm  4) Hits to hands or feet don’t count.  5) Torso hits are deadly.

 

I did my best performances when killed, of course, as death scenes are generally fun to do.  They all knew the old Monty Python Black Night routines and a few random Shakespeare quotes were tossed about.  These people were all around the age of 10-13.  The first girl’s dad (aha!  He’s a professional sword-fighting instructor!) finally appeared and played a couple of rounds with her.

Another of the skilled adults gave one of my smaller opponents a good lesson in using her dagger-and-shield.  She was a lot fiercer after that!  There were older (bigger) people there, kindly not taking me on.  Two members of the Silicon Valley Screwts, the quidditch team, spent the hour bashing one another.  And several were more eager to play boffer baseball.  When the kids who were battling me headed out, so did I.

I had intended to go to the Tucker and Tinney concert, but then remembered about the belly-dance teacher’s party.  She’d be disappointed if her students didn’t come.  So I found my way to the “Party Floor” (another first) and stayed a while.  She had snacks and drinks and music and drumming.

 

It was another hour of re-meetings.  The professional-swordfighter family was there–their daughter is also good at drumming.  Turns out the family is from the town next to mine.  And the Arduino guys were there.  And a writer from one of the panels I went to….whose reading I missed because I had to leave early.  And another woman from the class.

 

We all did some dancing.  Mary handed out some “Bellyrina” ribbons.  The swordfighter dad used me as a demo model to describe to the writer how traditional dance positions matched up with swordfighting moves and also how he and his wife would act out dramas in which the lady would join the fray and surprise the opponent.

 

I finally slipped out with my shoes and dress and boffer, explaining that I really wanted to do some Regency dancing, now that I even had a dress to wear.   And so spent the next three hours doing country dances.  The dance master would teach one set, guide us through the full dance, and then announce a brief waltz for a break.

 

There were plenty of people to ensure we could all appropriately switch partners around each time and, given the predominance of women in the group, to allow the women to switch genders from gent to lady and vice-versa.  We did a half-dozen or more dances before the dance master called “time” at 12:30 after his group’s signature piece, the Congress of Vienna waltz.

 

There was supposed to be open filking in the main music hall, so I slipped in there just as they were starting a new song.  The Bohnoff’s sang a couple of pieces, someone sang something I can’t name but which went up very high indeed while accompanied by Betsy Tinney playing “the flute part on the cello”, and someone else did the old silly song about writing a science paper and stuffing it with drivel to get published.

 

There was a request for something within the theme, so Maya sang Vixy & Tony’s “Thirteen”.  Someone’s daughter jumped up to sing one her own favorites from the same album (“Emerald Green”) and then two of the adults did their parody versions, one of which was a gentle bit of humor about the Emerald City but the other one upset the first singer as “horrible”, being a song about Soylent Green.

 

The musicians all had their computers and tablets out, pulling up lyrics and chords.  I even got to make a tiny contribution, rescuing from under a chair a small accessory the guitarist dropped under his chair.

 

But then it was nearly 1:30 and boffers would close at 2.  I ducked into a restroom on the way downstairs and swapped from dress to pants again, but the doors to the convention center were already locked–to my disappointment and the sharp dismay of one of the boffer organizers who wanted to get their stuff out of the room.  I followed her back to the lobby, where she sought help from the hotel staff and I added a contribution to the Welcome To BayCon whiteboard.  “Allons-y” has 2 ells in it, kids.

 

Time to grab a Coke from the Gaming Room’s Charity Soda Machine and get home.

 

Avoiding HyperboleAvoiding Hyperbole

OK, right, it’s been so long since the last post that even my backup program is writing me off as too far gone. Too bad, Updraft, back to work, you lazy batch of code.

True, some comets hare off to interstellar space on hyperbolic orbits. However, two or three things:
1) There’s much to be said for the sweet homey stability of an elliptical orbit.
2) On a hyperbola, there are two arms, and who’s to say if you’re on the right one?
3) My top speed is less than 2 m/sec whereas an escape trajectory on Earth demands moving at about 11,500 m/sec.
4) I’m not actually a comet, I’m a human being who is interested in comets both as astronomical objects and as metaphorical images.
5) That’s four or five things.

Aiee Hyperbola Wiki

Redlining on a hyperbola. Aieeee!

Stuff happens, and it’s not exactly a huge crime to neglect a blog that no-one is reading. Last year, I whined about the inconveniences of having a broken arm. Well, there’s worse stuff than a broken arm. Besides, I needed time to read other people’s websites. Like catching up on the doings at Gunnerkrig Court. Like reading anything about robots that turns up on IEEE Spectrum. Or reliving grad school days on Jorge Chan’s Ph.D. comic. Or vacillating between reading Allie Brosh’s hardcopy book or her online stories at Hyperbole-and-a-Half.

In the meantime, I’ve managed to keep up a little better on the easier-to-maintain Facebook & twitter side of things, under the Pixel Gravity moniker.

But it’s time to dump more stuff out on the world and see if anyone who isn’t a spammer notices.

Here’s the deal:  I’ve got a year’s worth of science projects for kids that I want to share.  Maybe they’ll be a book too, some day.  (Insert self-knowing laugh here.)  I’m a year behind on delivering my Grand Canyon stories & pictures, which I promised my fellow-travellers would be “up” by the end of last summer.   But there’s other stuff I want to address as well.  So there will be a little discipline applied, in a way that would help any of my imaginary readers look ahead for the next entry in a category of interest.

First week of the month:  One “Messy Monday” project

Second week:  One “Grand Canyon” entry–either a half-day of storytelling or a photo album.

Third week:  Science & fiction stuff–the science fairly topical, the fiction

Fourth week:  An extra week to play catch up, first on the Grand Canyon, and later on Messy Monday, but also a piece of flexible time for interesting stuff of the moment.  For instance, Memorial Day Weekend will yield four days of BayCon 2014.

Next up:  Comets in orbit…

 

 

 

Marichka Explains Etheric EngineeringMarichka Explains Etheric Engineering

Explain etherics? Hah!

Nobody can explain etheric engineering. Or the stuff that makes it work: aether.

The best anyone can do is describe aether. To our faulty three-plus-temporal-dimension senses, aether is nothing but a dark brownish fluid. It seems to bubble, giving off flashes well into the UV end of the spectrum.

That’s why one’s advised to wear goggles (or install UV-protective mods if you’re likely to encounter the stuff regularly). Relatively cheap, those. Even I have ’em, and you know what my finances are like! If you get the stuff on you (I strongly advise against it!), it tends to adhere.

так.

Is sticky. You don’t want it stuck to you, trust me.

If aether gets loose, you want to corral it fast. Every compartment at risk of an aether spill (that is, any compartment etheric conduit passes through) should be equipped with an aether net. When deployed, it becomes a fine, gauzy web that attracts aether. Not to worry, it’ll draw off whatever’s stuck to you as well as gather up the globules floating in your face. So, no, it’s not a “net” so much as an “attractor.” I’d be happy to argue semantics with you any day.

Don’t get in my face about why it’s pronounced ay-ther in Standard. Open your chem reference, search for (C2H5)2O, and shut up already.

A swril of orange with a black ball at the core, and a bright blue jet

Aether’s the stuff that wormholes tunnel through. So no surprise that aether’s about as safe to play with as your average gravitational singularity. Aether is all places at once. That is, it knows only one where and one when.

The aether in the conduits of my ship is the aether flowing in yours. That’s why our comms people can talk to each other in real time. That’s why skipships don’t get lost, navigating the galactic byways, why the big ships that barge through gate-boosted wormholes don’t crush us as they pass. We’re all floating in the same ocean of aether.

There are…entities…out there who can perceive and manipulate aether directly. Some of them invented devices that make use of it. We lesser beings—humans, our allies, our enemies, our uncanny neighbors—have taken it on ourselves to copy those devices. Nobody knows what happens when you make a mistake copying Ancient etheric devices.

Nobody knows, because nobody comes back from those experiments. I like to think they’re gently transported to a parallel universe, given a kindly lecture on interfering with things they know not of, and sent off to some alt-universe pastoral countryside to learn…I dunno, painting, country dance, noveling, harmless little hobbies.

It’s nicer to imagine that than the alternative. Aether is dangerous stuff. A seemingly innocuous ball of cute fizzy brown goo can happily float straight through your ship’s hull. Try breathing vacuum sometime. Not fun. Not fun at all, no matter how well trained your crew is or how good your mods are.

And that’s just for starters.

So take it from me: don’t mess with aether without proper training. Even then, keep all the tools you might need right handy. You never know when you might need them.

Image Credits:

  1. Detail from cover of “Coke Machine,” by Niki Lenhart.
  2. Artist’s depiction of a black hole at the center of a galaxy. NASA/JPL-Caltech. (Modified for effect)

In certain portions of this timeline, Marichka Zelenskyy (no relation) may be found fixing things at the Truck Stop at the Center of the Galaxy. In other portions of the timeline, she is busy elsewhere.

© 2012-2025 Vanessa MacLaren-Wray All Rights Reserved