Walking to Pluto: Step 3

Step 3: Making the Journey

If you skipped Part 1, then you need to know know that in this activity, you will build a scale model of the Solar System as far as Pluto. You will use familiar objects and easy, approximate measurements—mostly simply pacing off distances. This is not a project about being extremely precise; the goal is to develop a strong perception of just how big the solar system is and how small the planets are within that system.

For preparation, you need only to assemble the collection of properly-sized objects listed in the requirements table (See Step 2) and print out the “cheat sheet” you’ll carry on the Walk. A glance at a map of your local area will help you decide which way to take your expedition and to identify some landmarks to stand in for more-distant things like the far edge of the Oort Cloud.  To build your own interest and enjoy some discoveries of your own, check out some of the links I’ll include in the references section (Step 4).

You can feel free to substitute alternate model planets, using the scaled sizes as a guide; however, most of the items called for can be found in an average family home, borrowed from classroom parents, or purchased at a very modest outlay. While modern kids may not find the contents of kitchen spice jars terribly fascinating, using an allspice or peppercorn seed as your “Earth” model will give them a lifelong reference point–they’ll be smelling pumpkin pie or watching a chef grind pepper and that spark of memory will remind them of this project.

Because the scaled planets range from the size of a pin point to the size of a jacks ball, it also makes sense to attach each object to something larger, such as an inverted cup or a 4 by 6 index card. If you have access to sports equipment, the bright-colored cones often used for laying out a temporary playing field are helpful. You can position the planet-holder and also tape a “Please Leave Our Experiment Here” sign to the top of the cone. And the bright colors and signs help the explorers to look back and spot the distant planets. Again, be creative! There is no need to run out and buy sports equipment—any handy rock or a brick will do to keep your objects and notes in place.

Here's my Walk kit, ready to go.

Here’s my Walk kit, ready to go.

When reviewing the Cheat Sheet, you’ll see that this model describes our solar system as far as the outer edge of the Oort Cloud. However, to go all the way to the Oort Cloud in this model is a journey of 75 miles (100 km), so don’t expect to travel that far. Instead, as part of your preparation, identify a few local landmarks 1 or 2 miles from your start point and also pick some regional and further-off destinations to match the scaled distances for such key locales as the Oort Cloud, the heliopause, the estimated positions of the Pioneer and Voyager spacecraft, the far edge of the Kuiper belt, and our further neighbors in the Universe. If you’re too short on time, the Cheat Sheet includes some general destinations, but your own localized ones will be much more meaningful to the group. If your group won’t have time to walk all the way to Pluto, find out where Pluto would be in that locale and point ahead to that location before you do turn back.

Once in the classroom, before launching your exploratory mission, start with a quick review of the concept of scale. Regardless of your target age group, toys which are also scale models of cars or airplanes or trains are helpful examples. Quickly walk through a sample of numerical proportions to give a sense of how it goes when you are creating your own scale model: for instance, sketch on the board or a sheet of poster paper a rough scale drawing of the classroom room at 1 inch per foot (5 cm per m). Rather than slowing down the project with extra work, prepare for this session by making your own rough measurements of the classroom dimensions in advance—simply pace off the length and width and note any additional features to the room. Remember, the idea is to illustrate your point, not to create an architectural drawing.

Moving on to the Solar System, start with the Sun…an 8-inch-diameter playground ball or an ordinary soccer ball fits our scale. Ask if anyone can guess what size the Earth should be to go with this “Sun”. The guesses are very likely to be way off, because most “models” used in classrooms and the pictures in the textbooks are not at all to scale. In those, Earth is shown as a recognizable ball appearing as much as a tenth the size of the Sun.

Once you have a few guesses on record, share the key data. Write on the board or a flip chart as you go, to keep the presentation lively. (Nothing kills attention like a PowerPoint!) The Sun’s diameter is about 800,000 miles (1400 thousand km), and we’re using an 8-inch (18 cm) ball, so each inch stands for 100,000 miles (or, a cm stands for 75,000 km). The Earth’s diameter is only 8,000 miles (12,700 km). So how big will the model Earth be? It turns out we need something less than 1/10th of an inch across, only 0.08 inches (0.17 cm). So now you can pass around your “Earth”…a peppercorn will work, so will an allspice seed. (And, yes, you can get away with crumbling up a bit of paper and claiming it’s a spitwad you found.) If you have a spice-jar worth of seeds, everyone can have their own Earth to keep. Let the students take a moment to actually compare the sizes of Earth and Sun. It’s a dramatic difference, nothing like what their textbooks show.

Now it’s time to figure out where the Earth and Sun should be to fit in with this scale. Start by inviting students to guess…they will likely assume you can fit the Earth-Sun model easily inside the room. So now, add the distance data they need and we can “step” through the necessary calculation:

  • The Earth is roughly 93 million miles (150 million km) from the sun.
  • In our scale model, that’s 930 inches (2000 cm)
  • or 78 feet (20 m),
  • or 39 steps of about 2 feet (40 steps of 0.5 m)

Notes:

  • In our model we’re using a pace distance reasonably close to the average woman’s step length and not too far off the step length of a child who is supposed to be walking but can’t resist running. If your group is adult men or tall women, you can use the worksheet to adjust the number of steps accordingly.
  • Our scale in SI (Système international, or metric) is slightly different than in English units, so that those using the SI version can also use simple round figures.

At this point, try to keep a straight face while pretending to start building the model inside the classroom. Dramatically place the “Sun” at one end of the room and try to pace off 39 or 40 steps. Unless you’re doing this activity in a large lecture hall or a cafeteria, you will quickly run out of space (pun intended). By now, it should be clear to the students that this is to be an outdoor activity.

If the group is not too insanely anxious to get outdoors, you can take one more minute to assemble a part of the model which will fit in the room—the Earth-Moon system. Our Moon is nearly ¼ the diameter of Earth, so it’s actually an important body in its own right. And it’s close by. In our scale model, the Moon—which can be represented by a single nonpareil or cake “décor” candy—is 2 3/8” or 5 cm from Earth—so Earth & Moon can be stuck to a card or piece of paper. Keep in mind that if your group is too anxious to get outside, you can choose to save this step for your arrival at the Earth’s position in the model outside.

Earth and Moon are stuck together

Earth and Moon are stuck together

Set the very few ground rules for the mission plan. The model is built by counting steps—the students will be the ones to do the counting and you (the project leader) will expect them to try hard and in return will not be too fussy about precision or how the measurement accuracy may be affected when leadership shifts from short to tall students.   The group will remain cohesive, so no-one misses out on any important discoveries—and no one will charge ahead lest they get “lost in space”. And everyone should understand the time constraints.

When the group is large, I’ve had success assigning small subgroups to accompany one adult leader as the “vanguard” to each planet, leaving the rest behind until they have “landed,” then allowing the followers to run full-speed to catch up. If you do this, it’s important to ensure everyone has a turn to be in the vanguard at least once. If the students have been studying the planets, the vanguard students can also be asked to provide just a few key bits of information to the other explorers as features they have “discovered” about the planet they just reached. However, resist the urge to turn each stop into a seminar—the goal is to travel as far as possible across the system quickly enough to return before class time ends.

Remind the group that it’s a long walk across the solar system and then get started for real. Carry your Sun to a central location outside. If you can park Sol near a tall landmark (such as a flagpole), you’ll find it easier to point back to the “center of the Solar System” as you move further away. Take your Cheat Sheet in hand (the page from the resource kit listing your step-off distances) and read out the number of steps from the sun to Mercury. Send the Mercury explorer team ahead to place Mercury in its position, and quickly join them with the rest of the group. If the vanguard has some cool facts to share about Mercury, give them time to speak. And move on to Venus and the rest of the inner planets.

The asteroid belt portion is the first region containing many objects. If you pause at Ceres, the biggest dwarf planet in the inner Solar System, it helps reduce the stigma of Pluto being “only” a dwarf planet. The fun part in these “belt” regions is to pretend to dodge the small asteroids or other objects—while you may mention that there really isn’t any significant risk of running into an asteroid, that is no reason to turn down the chance to pretend you’re in a crowded mess of obstacles just like in the movies. Even Neil deGrasse Tyson, in his reboot of Cosmos, includes a sequence in which his Ship of the Imagination zigs and zags through, first, a crowded Asteroid Belt and later a densely-packed Oort Cloud.

If time is short or you are working with younger children, it is reasonable to make it to Jupiter (don’t forget to dodge the asteroids on the way out) point out roughly where the outer planets, Pluto, and the further objects would be found and then head back to Earth.

In any case, carry some ordinary first-aid supplies and be sure to have extra adults on hand to slow down those who want to jump to lightspeed. Don’t worry if you don’t have a straight route to use…twisting and turning your way around the streets of a neighborhood is equally impressive. If time will permit, participants can bring lunches and picnic in the Kuiper Belt before returning. And remember, as you return to collect the planet models, it is just as fun to rediscover the distances on the way back.

 

 

 

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Saturday at BayCon 2013Saturday at BayCon 2013

In this exploration of theory and practice of bayconning, the divergence between plans and reality appeared to be diverging after only two days.  Will this trend continue?  Or will it stabilize?

Well, what can you expect?

Time Frame What the Plan was What really happened
Saturday morning Attend either the panel on how cultural norms affect people with autism or the one on how masquerade works.  Then go to the panel on Fans of Color.  About time.

QueenOfHunger by LEHLight

Queen Of Hunger by L. E. H. Light

 

Tankborn, by Karen Sandler

Tankborn, by Karen Sandler

 

Griffin's Daughter by Leslie Ann Moore

Griffin’s Daughter by Leslie Ann Moore

 

 

 

Remembered I have my first 5k run in exactly one week.  Did a training run, helped with horse chores for the morning, made sure my goldfish got fed and cat got his meds.  Got to con about 11:30, squirreled around to find the room for the Fans of Color panel.

Last door on the hall.  What a great panel, wish I’d been there the whole time.  Highest concentration of folks-of-color ever–on panel and in the room.  Great discussions.Especially interesting to hear real people—not canned advice-mongers–talking about how to deal with multi-ethnicity and whether or not any individual should be expected to represent their ‘race’ (or really, culture, since race is technically meaningless) to others.  There seemed general agreement that if one is uncertain about another’s background, it’s much preferred to be asked than pigeonholed in the wrong category.  As well as some shared amusement at turning people’s expectations upside-down.

All of the published writers in the group complained about the difficulty of marketing their work when the standards in cover art lean strongly to picturing characters as white, regardless of how they are described in text.  At the same time, they were each somewhat philosophical about bending a bit in that regard if it could get someone to pick up the book in the first place.

 

Self-published authors have more control over cover art but need to make their own choices to draw readers;  Leslie Ann Moore chose cover art in which her lead character is pictured from the back, but directed the artist to be sure the character’s hair was like her own natural African-American hair, so the observant reader looking for books with “people like me” in them would be quickly clued-in while the casual browser would be first attracted to the scenery the character is contemplating and by then have the book in hand, ready to purchase.

 

Afterwards, chatted briefly with Heidi Stauffer, a Ph.D. candidate at the UCSC Earth Sciences department who happens to be Singaporean-American as well as female.  She also sees a dearth of women in her field and is politely exasperated by people assuming she’s Mexican-American.     I got her card to share with my Berkeley Earth&Planetary Sciences son.  It’s a relief to talk to someone who isn’t characterizing climate change as something that is “controversial”.

Saturday afternoon Eat lunch, then go build something in the Arduino workshop, then stop in to the Bujold autograph session and, if time, go to a panel on self-promotion for writers.

Donate!

Donate!

 

 

 

 

 

Arduino Labs Workshop--Organ

Arduino Labs Workshop–Organ

 

 

 

 

 

Sandra SanTara is also Windwolf Studios

Sandra SanTara is also Windwolf Studios

Daniel Cortopassi does more than Cat Art

Daniel Cortopassi does more than Cat Art

 

 

On the way to the parking lot (where my lunch is hiding), spotted sign for the blood drive.  Well, why not?  The Stanford Hospital van was parked in front of the hotel, cookies and juice prominently on display.  “Is this where the free cookies are?” I kidded.  And up into the van, for filling out electronic forms which repeatedly want to know if I might have BCE or HIV.Fortunately, the blood transfusions I had for surgeries in the 1960’s don’t count, so I was declared qualified to enjoy having a needle in my arm for fifteen minutes.  Felt dizzy partway through, but helpful nurse-in-charge had practical suggestions to get rid of that feeling.  Got more than cookies, too.  As a first-timer, was awarded a cool key-chain and a brag sticker, plus they had badge ribbons, pretzels, juice, and…wait for it…ice cream!  Ice cream was so solidly frozen, I ended up eating a snickerdoodle and a bunch of pretzels and taking the ice-cream to go.And just in time, too…barely made it to the Arduino workshop.  This was totally great, but we only had time to get most of the way through building and decorating our boxes, collect our electronic parts, and pay, before time is up.  Have to come back in the morning to finish during the second workshop.I’d forgotten to bring any Bujold books with me today, so no point going to the autograph session.  And sign-ups for tomorrow’s Kaffeeklatsch with Bujold  had been at 9 a.m., so, oh, well, at least I got to listen to her reading.  Stopped at info desk to pick up a newsletter.  And there was the sign-up sheet, with only 5 people signed up so far.  Weird.  I put my name down, fast.  Then read the form.  Oh, ah, they moved the session from 9 a.m. to 4 p.m., and so the sign-ups had only just started.  Woo-hoo.

 

Feeling lucky for the moment, I turned back and sought out the Art Show, signed up as a bidder, and took a serious look at the offerings.  Found two small pieces with “direct sale” prices I could afford and paid for them.  And placed a minimum-bid on one of the butterfly-dragon prints, positive I’d be outbid, but enjoying the feeling of taking part.

 

Finally, decided it was time to retire for a delicious “lunch” of a peanut-butter-or-jelly sandwich and some chips, in the quiet of my personal car.  Plus, it being late afternoon, I was able to move the car close in.

 

Back into the venue, for a stroll through the Dealer’s Room.  Not too overwhelming.  Maybe worth coming back later.  One of the people from the Fans of Color session was reading upstairs, so I ducked into that session.  Dang.  Her name was last in the list, but she had read first, instead.  I listened to two readings and started to feel faint in the hot, stuffy room.  Out again.  Time to sit a bit and review the program for the evening.

Saturday evening Play Through the Looking Glass Croquet, then go watch the Masquerade and go next door to give my sword a try-out in the Boffers room.  Take in some music.  Maya and Jeff Bohnhoff are playing.

BayCon 2013, Triskaidekaphobicon

The Two Alices setting up croquet

BayCon 2013, Triskaidekaphobicon

Wonderland croquet team in action

 

 

 

 

 

BayCon 2013, Triskaidekaphobicon

Tops! Amazon Warrior, Katniss, Knit Klingon

 

 

BayCon 2013, Triskaidekaphobicon

Strange Synergy–My Favorite

 

 

BayCon 2013, Triskaidekaphobicon

Songs of Chalion

 

 

Keepers of the Gongs--Klingon Auction

Keepers of the Gongs–Klingon Auction

 

BayCon 2013, Triskaidekaphobicon

Top-Earning Merchandise

The first step was to wonder (pun intended) where the croquet would be happening.  The Pocket Program says,  “Other 4.”  What???I continued my Dealer’s Room stroll out the back door of that room, and there encountered Alice.  Actually, Double-Alice.   Two of them, that is, one a traditional blue-dress Alice, one a scarier white-pinafore-with-blood-on-it Alice.  There were no Flamingoes.  But they did have handmade (yes, made by Scary Alice) PVC wickets, proper mallets, and rather bouncy croquet balls.The hallway turned out to be problematic for croquet, as it was also the hallway for the dealers and shoppers exiting the Dealers’ Room, as the stores close down for the day, AND it was also the hallway in which participants and audience were queuing for the Masquerade.    There was an issue with Scary Alice having left her petticoat in her hotel room. One does NOT play croquet with no petticoat on.  But, in due time, we were set up, we had seven players and a patient Gofer guarding the end wicket, and the game was conducted.Traditional Alice forged swiftly into the lead, I had a lucky break and overtook her, coming to a turn-end at the entrance to the final wicket, but Green came up behind, knocked me clear, and won the game!  Naturally, we had agreed to continue until all completed the pass.  It took a couple of turns, but, yes, I came in second, so have time to take some pictures while the rest finish.  Yay!

And am starved.  And it is still some time before the masquerade, so I stop at the little store and buy a sandwich.

 

I got myself back at the Masquerade hall a few minutes after 7:30, but, uh, it was over bar the judging.  Wow.  Fast.  Probably they started at 7 instead.  Oh, well, I could sit and watch the robots from RoboGames dance about while the judges finished and watch the awards and take some pictures afterwards.  My personal fav–the group of women dressed as Dr. Who villains, plus K-9.  Today was my day to wear my Tom Baker Dr. Who scarf.  In fact, during the croquet game, a passer-by awarded me a “Jelly Baby?”  ribbon for my Whovian-ness.

 

I peeked into the boffers room briefly, but the Stanford nurse had been very firm about “no strenuous activity for 24 hours”, so instead I hiked to the music room.  There was a Bujold-themed performance coming up.  When I arrived, a harpist and a guitarist were in the middle of their last piece.  Then Diana Paxson and friends arrived in Chalion costumes, explained the concept–she wrote songs using the themes from Bujold’s book, and with the help of the previous pair, Margaret and Christoph, they performed five songs to the “Chalion” gods.  Then they forced Bujold to stand and be applauded, too.

 

Enough music for now…there was supposed to be a panel discussion on science fiction down the hall.  I’m kind of dozy in the small room, but Altoids help and the discussion is relatively lively.  I’m annoyed to be embarrassed when the response to my question about fiction related to games (one panelist had said he works in gaming) was “it’s sh***”.  Great place to find a closed mind.  Good questions from the one young teen in the audience did get some reasoned responses.  Still, kind of relieved to head back to the music room.

 

However, on the way, I heard gongs and laughter from another room and stopped in to watch the Klingon Slave Auction in progress.  It’s fun for a bit and nice to see people bidding each other up to donate to the Make-A-Wish foundation.  But there was a concert I wanted to see!  And I just barely caught the last few songs from the Bohnhoffs and feel sorry I didn’t get to hear more.  Maya K.B. has always been one of my favorite Analog short-story writers, but I’ve only just learned what a good singer she is.  Darn, should have skipped the panel talk.

 

 

Chasing Comets

Chasing Comets: Notes for Project Leaders #2Chasing Comets: Notes for Project Leaders #2

OK, we’re back for part 2.  Remember that our goal is to impart an intuitive, long-term understanding of how comet tails work.  I’ll give you an observation worksheet that students can use during the Comet Running game, but if time or attention-spans are too short for a worksheet, dispense with that element in favor of learning through movement and Socratic dialogue. (What? You think an engineer wouldn’t have read the Greek philosophers?)

If you have time and enough outdoor space for the “Game” version of this simulation, move right along to “Stage 2” now. The promise of a chance to make their own models is what will entice the students back to the classroom. Otherwise, save the great outdoor model for another time or place and move directly to “Stage 3,” building the individual models.

Stage 2: The Game

Chasing Comets

That’s One Big Comet

This is an outdoor game, and it works to best advantage with a nice BIG comet model. Four five-yard lengths of white fabric streamers attached to a single badminton shuttlecock (“birdie”) make our Comet Chase model. A playground ball or a soccer ball (around 8” in diameter) stands for the sun.   Sort the participants into groups of no more than five and no fewer than three, and move to the great outdoors. A grassy area is safest, because this game involves some complicated running; if you’re stuck with pavement, tone down the running to “jogging” and allow a little extra time.

Start by laying out the ground rules for the game. First, each group will get to play every role. There are three parts: being the sun, being the comet, and being observers back on Earth. Remind everyone of your local rules for behavior outside. It’s harder to listen to instructions out in the sunshine and fresh air!

Take a moment to review the lesson so far. Place the model Sun on the ground, at least ten yards away. Ask an adult helper or one of the students to stand about halfway between the class and the Sun and to hold the head of the comet

Chasing Comets

Large Comet Head With Coma

while you extend the tail’s long white streamers.   This model is much more evocative of the scale of a real comet, which has a tail tremendously longer than the diameter of its coma, or head—but it’s still not a scale model. Allow for some oohs and aahs, but move on to your query: which direction should the comet’s tail point? Don’t move yet; both you and your helper just stand in place.

Chasing Comets

Large Comet: Incoming or Outbound?

Don’t be concerned if it takes more than one answer to get the right one! Some may still want to know which way your comet is moving. But in a few moments, you should achieve the consensus that the tail should point towards the class and away from the sun.

Now, add the movement and ask everyone to call out which way for you to move. Ask your helper to start walking (slowly, please!) towards the sun and then to loop around the sun. You will need to move quickly to keep the comet’s tail pointing away from the sun. In fact, even if your helper cooperates by walking slowly, you will need to break into a run! As you run, if the students aren’t already hollering directions to you, tel them to keep reminding you which way to point the tail: away from the Sun!

Pause partway and while you catch your breath you can demo a technique for helping to align the tail while in motion. With your outside hand, hold the streamers. With your inside hand, point at the Sun. The tail-runners should always find that pointing at the Sun also means pointing at the comet’s head.

Now, it is finally the students’ turn. Run as many iterations as necessary to ensure that each group does each job at least once. For instance, for a class of 20, allow time to run the game at least four times.

The Comet Group: The comet group needs one Head and up to four Tail-Runners. Name the comet after the person who’s serving as the Head. Comets are always named according to the last name of the comet’s discoverer. So if you have Robin Williams as the comet’s head, then this will be Comet Williams. Getting the comet named after him/her may compensate for the fact that the “head” only gets to walk slowly around the sun.

Meanwhile, the tail-runners get to hold the ends of the tail streamers and run to keep the comet’s head between themselves and the Sun.  In the normal course, the “tail” group will tend to lag a little and spread out, but that actually serves to more-accurately represent the shape of the dust tail. If you’re working with a two-tails group, designate one especially determined runner to represent the ion tail by taking one ribbon and maintaining a straight line from the ribbon end through the comet head to the sun.

The Sun Group: The sun group stands in the middle of your running space. One or two group members hold the model sun overhead. This makes it easier for the Comet group to see if they have successfully aligned the comet head and the sun. If the tail-runners stray out of line, members of the sun group need to to shout out “Got you! Got you!” or “Solar Wind Coming!” to warn them that the solar forces are blasting the tail.

The Astronomer Group: The people who are not part of the sun-comet demonstration still have a critical role. They are not just watching other people play the game, but they are tracking the shape of the comet’s tail as it passes around the sun, as observers on Earth. Depending on their perspective at each point in the comet’s orbit, the tail will appear longer or shorter. For example, if the comet is roughly between Earth and the Sun, the tail may look short, because it is stretched towards us. If you have time for writing, ask the Observers to sketch the comet as they see it. (See the handout.) In an average class, each student will get to observe the comet at least twice, which is very helpful for catching the unexpected views.

When every group has had a chance to play every role, take a few minutes to review one more time. As a comet is orbiting around the sun, which way does its tail point? By now, everyone should be willing to state that the tail always points away from the sun.

Still, you may still have a few hold-outs who are not quite sure this can be true. If you are lucky and it’s a sunny day, you have a hole card to play. Invite the students to each imagine that they are comets. “Guess what? You can see exactly where your tail would be. Who can point at it? Where’s your tail, Comet Human?”

If you are not saved by the insight of a student who’s totally absorbed the lesson, it is OK to resort to hints. “Everyone has one. It’s easy to see. Yes, you can see your comet tail! Where is it? Which way does a comet’s tail point? Right: away from the sun. Where’s the sun right now? What do you have that’s pointing away from the sun? It’s not bright and shiny like a comet’s tail. It’s dark, because there are no sunbeams there.

“Yes! Your shadow is your comet tail. It points away from the sun, always, no matter what direction you run.”

Stage 3: The Reward

Finally, everyone needs a model comet of their own to take home and show off and share with family members everything about how comet tails work. This is not an art project; it’s an opportunity to review and experiment individually. If some students are fussy about carefully arranging their streamers to make a colorful pattern, that is all right, but the point is to assemble a working model.

Each participant needs 24 feet of curling ribbon and a birdie (remember what I told you earlier about calling it by its proper name—be prepared for lots of giggling and teasing if you insist on that) . Cut the ribbon into eight lengths of roughly 3 feet. It is perfectly all right—and in fact more realistic—if the streamers come out various lengths. And depending on the students’ social skills, it is also all right for them to exchange colors once the cutting is done. (There are always some who prefer to discover a multi-color comet and others who prefer monotone.)

Once each student has six streamers, have them tie one end of each streamer to the head of the birdie.

Chasing Comets

Detail–Attaching Ribbon For Comet Tail

Your meticulous planners will distribute them evenly around the netting; others will be clumped randomly. Either is fine. Every comet is unique and most are quite non-uniform.

Be real. This project is not done when it the comets have been only built. Everyone needs a chance to try them out. They will, of course, want to toss them around the classroom; if this is not acceptable, make some provision for them to try out that technique outdoors. More scientific, of course, as time permits, is to allow the participants to take turns trying out their comets in the pretend “solar wind” of the classroom fan. As long as they willing and able to mind safety rules about working around a fan, by all means have everyone try out the tail position approaching, passing, and retreating from the Fan Sun. But don’t get all hot under the collar if other comets are flying through the room while you monitor the fan users. Just imagine you’re in the Oort Cloud and you’ll be OK.

Up next:  Supplies You Need and Resources You Can Use

Chasing Comets

A Cluster of Comets, Incoming & Outbound

Rediscovering Old BooksRediscovering Old Books

I spent my elementary-school years soaking up the very best in English literature.

For a preteen horse-mad bookworm that meant: Enid Blyton, Hilda Boden, Josephine Pullein-Thompson, her sister Christine Pullein-Thompson, and Many More. I didn’t notice at the time, but now it’s obvious:  all my early writing models were women. My very first book purchase was a pony book by Hilda Boden, who took up writing stories to help support her family. I kept that book–Joanna’s Special Pony–for years, and reread it many times, imagining the windswept Scottish coast populated with wild (but tameable) ponies and admiring the resourceful, determined heroine of the tale.

I’d nearly forgotten Lilian Buchanan’s illustrations–until I saw them again, and recognized them.

From that day onward, every smidge of my allowance (well, sparing a few pennies for sweets) went for the next installment of the Famous Five or Malory Towers or any number of pony books.

All of those books stayed behind in Yorkshire when my mother had to pack us all up for the move to the States. My British childhood was over, and military moving allowances are based on weight, so . . . my pony books, boarding-school novels, and mysteries went to the thrift store for some other child to collect.

“I thought you were done with baby dolls, you still have the Barbies,” my mother argued.

“Not all of them,” I countered. “I promised that one, the littlest one, that I wouldn’t ever ever give her away.”

But it was too late. 

I think maybe I broke my mom’s heart a little bit. Well, a little bit more. Motherhood involves a lot of heartache. Well, Baby Doll may have been lost to me forever, but I’m sure she had at least one more little girl make her similar promises.

The only good thing about the move was that all my friends had to study up for the Eleven-Plus, which would determine whether they’d go to a nice boarding/academic secondary school (like Malory Towers), get stuck in a dead-end “modern school” with no college track, or take up a trade and actually be able to earn a living. Me, I got to spend a couple of weeks coasting through the end of what Americans called “fifth grade” sitting in a classroom with children who–it seemed to me–hardly read at all, before being unleashed to a long, long American summer vacation. Luckily, my grandparents’ house was packed with books–mostly Reader’s Digest collections, but also a classic edition of One Thousand and One Nights and my dad’s stash of science fiction magazines.

Over the years, those old-style children’s books have been supplanted in the market by more literary-style books for children, others with science-fiction or fantasy roots, and thankfully many with more diverse casts of characters. A few have received a dusting-off over the years . . . there’s even a 2020 BBC-TV adaptation of Malory Towers that puts the storyline in a historical-fiction context while also envisioning a more diverse enrollment and faculty at the school.

Now, it’s my turn to have a house packed with books, and it’s an eclectic collection–not even taking into account all the books that aren’t technically mine, but my husband’s.  No matter–I put them on the shelf and dust them (occasionally), so they’re mine in that sense. I’ve launched a little Instagram project to share a few of those books, on a regular basis–mostly the out-of-print ones, the ones I inherited from my Dad (a fellow SF fan), and ones that may be old but that still speak to current issues.  The hard part is figuring out how to photograph them–top bookish instagrammers have such lovely still-life setups for their book posts. I’ll do my best to at least not to give people eyestrain.

None of that means I’ve stopped gathering-in books. Just in time for my birthday, my very first Quarantine Birthday, I retrieved a book long-lost in the move from England, my first book purchase, my favorite book from that day until the day it vanished to the thrift store with my dolls. 

The dolls are gone, my mother long forgiven, but the books never have left my mind. Just this month, I made a birthday present for myself of a copy of Joanna’s Special Pony, dusted off from some other collector’s shelf–one in better condition than the one I left behind, PLUS a copy of the sequel. That was a book I never got my hands on, because it was only in hardcover and my allowance was two shillings sixpence, exactly the price of a paperback (my, what a coincidence–almost as if my parents wanted me to buy books).

If you like Instagram, the series is here. I’ll try to remember to link to those postings from the Facebook page as well.

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