Cometary Tales Blog,Craft Success as an author?

Success as an author?

Depends what you mean by “success”

One of my writing groups (the one that isnā€™t a critique circle) has set a blog-post prompt of ā€œHow do you measure success as an author?ā€
Weā€™re supposed to introspect, come up with wise words to inspire and console others. I donā€™t know about yā€™all, but the past two years have been a low-rising roller coaster, beginning with a brief burst of elation that my first book (my ā€œdebutā€ if you want to get precious about it) was coming out.

WIte, red, and blue award ribbons from a fair

Only then we had a little bit of a pandemic to deal with.

And now itā€™s two years later.

All That Was Asked has never had a book-launch party (it slightly predates online launch parties), a signing session, a reading at a conventionā€”none of those things. Not uncoincidentally, it hasnā€™t made much dough for me or for my publisher. At least the print copies are mostly print-on-demand, so no oneā€™s staring at a warehouse full of unsold copies and calling a shredding company.

But is selling a ton of books a success? To stay sane in this business, I think you have to measure success more on the basis of what you are doing than what you have done. If youā€™re making oodles of money in the publishing industry, thatā€™s mostly a matter of luck, so is that success? Iā€™d call it good fortune. Itā€™s very much a lottery. Iā€™ve read absolutely stunning work in critique circles, listened to mind-blowing readings by little-known writers, and Iā€™ve even had people tell me after a reading ā€œwow, that was awesome!ā€

What makes sense is to measure how this workā€”writingā€”impacts your life. Is this what you live for? Not in a rosy-eyed, dreamy way, not ā€œI luv writing <3ā€ but ā€œwriting is what drags me out of everything elseā€ and ā€œwriting is my food, drink, and sleepā€ and ā€œwriting is how I exist in this universe.ā€

What Iā€™m doing right now is working on projects that Iā€™ve wanted to tackle for yearsā€”no, decadesā€”but never could due to the vicissitudes of child-rearing, day-job workload, personal upheavals, and disability.Ā  Iā€™m not whining. These are just facts. I chose to raise kids, and it was satisfying work (and, yes, frustrating, too, but in all the right ways). However, doing the best job possible involved more than dropping them off at our barely-adequate schools. It meant advocating for them, fighting an uncaring administrative system, volunteering, fundraising, and, as a last-resort, homeschooling. At least in the pandemic age, there are more parents out there who understand that homeschoolingā€”at least not ideallyā€”isnā€™t a romp in the garden, itā€™s serious work. And, like most of us, for me that was work that had to take place in parallel with earning a living.

So right now, Iā€™m successful. Every morning (afternoon?) I wake up, and thereā€™s writing to do.

  • This kind of writing, which is off-the-cuff, barely edited, and hurled into the interweb’s event horizon, never to be seen by human eyes.
  • Critical writing, where Iā€™m critiquing work by fellow writers, trying to help them make their stories the best they can be.Ā 
  • Social-media writingā€”mostly Twitterā€”where I practice being concise, kind, and thoughtful.
  • And, finally, yes, writing my own stories, the ones Iā€™ve been wanting to read.

What I’ve been looking forā€”and yes, I’ve found some, but far too fewā€”are stories led by characters who have trouble communicating, who donā€™t fit in, who think differently than others but find a way through life anyhow. I’m tired of hero’s-journey stories and chosen-one tales that take themselves too seriously. I don’t mind playing with the tropes. For instance, one of my WIPs has a seeming “chosen one” in it, but the whole thing is a crock, a scheme worked up by a person who’s trying to change society and is using an old myth to get buy-in. Not that the “chosen” person isn’t worthy, but there’s no magic in the processā€”they’re carefully selected for capability and then trained for the job.

Iā€™m not writing to market. I admit that. So I canā€™t complain about sales, not too much. It may take time for people like me to find the stories Iā€™m writing for them. Thatā€™s OK. I waited a long time. A little longerā€”I can deal.

Well, I’m trying to, anyhow.

In the meantime, Iā€™m keeping on. For me, that writers learned to use remote meetings to connect for critiques, discuss craft, conduct conventions, and more has been a compensatory gain during the pandemic. Itā€™s not a benefit of this horrible time; itā€™s a thing we could should have been doing all along, and only just now learned to value. When the pandemicā€™s over, weā€™ll keep connected this way. Thatā€™s a good thing, but we donā€™t get to pretend itā€™s all right that millions of people died while those of us privileged to live were fumbling our way to this belated discovery.

Iā€™ve leveraged that new learning, because Iā€™m an engineer and tech things come naturally to me. Iā€™ve let myself get roped into volunteering to help others less comfortable with the technologyā€”and thatā€™s OK, because participating with other writers helps me connect more deeply with my writing community.  I value the friendships Iā€™ve formed with people Iā€™ve only met in Zoom rooms. This is not a trivial feelingā€”I dedicated my Monday afternoons for half this past year to help a Zoom friend whose critique circle had lost their only zoom-capable member. That meant stepping aside from one of my other critique circles, one that needed me less. Iā€™m returning to my prior group as of this month, because my friend’s old zoom-host has returned. Iā€™ll miss the new friends I made in her circle, even though we only ever saw each other in little boxes on our computer screens.

Am I a failure because I had to defer my writing career? Looking back through my drawer of shelved and partly-done stories, one thing is strikingly clearā€”I was so young, so ignorant, so clueless. Much of what Iā€™m writing now, I couldnā€™t have done when I was younger. In technique, I’m much better than my younger self; some of that gain I can attribute to years of writing science and engineering reports and papers, working collaboratively with colleagues on phrasing, structure, and word choice … plus coping with deadlines. Beyond the technique, older me is able to imagine more-complex characters, see worlds with more-different people in them. Through personal experience, I know most livesā€”most real storiesā€”don’t have a ā€œcall to adventureā€ or a ā€œsupreme ordeal.ā€ Thereā€™s no wise mentor waiting to guide us. We have to muddle through, try to survive in an irrational universe, and deal with the fact we’ll never quite make sense of it all.

Sure, Iā€™m still learning. You have to keep learning. Itā€™s the key to growth in every respect. Even there, though, Iā€™m doing better, working actively to learn more of what I need to continue improving.

In my next posting, Iā€™ll demonstrate my success by sharing a list of what I consider to be my 2021 accomplishments not only as a writer but also as a member of the writing community.

Iā€™ll warn you right now: itā€™s a longer post.

You might also like to read:

Oh, right, I’m on MastodonOh, right, I’m on Mastodon

Everybody’s making the move. Most of the people I’ve followed on Twitter have slowed down engagement. Some stick to it purely for promotions, so maybe it’ll become the book-promotion site. For those of us looking to connect with other writers, with readers, with people in the business or whose creativity overlaps with ours…Mastodon is the place to go.

I’m CometaryTales over there, like I am everywhere, because that just makes it easy, doesn’t it? I’m a member of two instances, wandering.shop and sfba, because one is for SFF people and one is for SF Bay Area folks and that lets me feel connected in two ways. But, mostly, I’m on hanging out on wandering.shop, where you’ll find me posting about the works in progress (WIPs), the upcoming books, things that happen to interest me, and my friends’ bookish stuff. C’mon over!

Here are a couple of useful resources to help you navigate the move: This one gives you all the basics if you’re an author moving to Mastodon (but, really, the advice applies to anyone). This one tells WordPress users how to do the fiddly bits of verifying your website connection, if you want to do that.

Awwwriiiight! Let’s go!

Review: Memory and Metaphor, by Andrea MonticueReview: Memory and Metaphor, by Andrea Monticue

Sharon Manders is having a very bad day. She’s been drop-kicked into the distant future–a thousand years out of time–and has no memory whatsoever of making any plans to go anywhen. She’s an archaeologist with a thriving career in good old 21-century Earth. And here she is in the 31st century, where everyone’s calling her by some other name that she doesn’t recognize. And she’s accused of treason, sabotage, terrorist acts. She has a lot on her plate, and she’s going to have to move fast while trying to figure out just what happened.

And you’ll be reading along, trying to figure that out, too. When she finally solves the last layer of that puzzle, you’ll lean back and say, “Oh, yeah, why on Earth didn’t I think of that?” But you won’t have thought of it. Andrea Monticue leads you quite a merry chase. I really can’t roll in too much detail without spoiling the whole thing for you.

Let’s just say a woman from our time finds herself plunged into a high-tech future with AI, biological engineering, and dangerous politics. Just when you think you have everything figured out, Monticue rotates the horizon by 37 degrees and you’re floating in space again, looking for answers. The book has to end (which you will not want it to do) and she ties all those twists and tangles together in one stunner of a unique conceptual shift.

Engaging characters, complex political situations that nonetheless remind you of the mistakes humans make right here on Earth in the “distant past”, and a plot that moves ever faster–all that will keep you glued to the page/e-reader.

At the very least, if all you take from this story is the tech (and there’s way more to it than tech), you will not think about artificial intelligence the same way, not ever again.

I got my copy directly from the publisher, at last year’s Bay Area Science Fiction Convention (BayCon), and was lucky to meet the author, who has the experience and technical background to make this story come alive.

So . . . my copy is autographed. You can get a signed first edition, too, direct from the publisher, at Paper Angel Press. Or you can choose your favorite digital medium or snag the trade paperback from Amazon or Barnes and Noble.

Full disclosure: at this point, I’ve also had a book published by Paper Angel Press. I was impressed by Monticue’s book and her publisher, enough so that I submitted my own book, hoping to follow in her footsteps. Rest assured there are way, way more explosions (literal and metaphorical) in Memory and Metaphor!

News FlashNews Flash

Nowadays, everyone says a writer needs a newsletter. I’m beginning to lose count of the number of things I’m supposed to produce that isn’t my stories. But what about all those goodies that don’t make it into the stories?

  • That chapter I deleted. The one that’s now just a couple of sentences buried in a conversation. Well, more like, how that works, how you decide to kill off 3000 words in exchange for 50, for the sake of the story.
  • The interview between me and my MC, you know, the one that went over so well at that open mic.
  • My research on the folk sayings that spark each of the chapters in Wind and Smoke. The ones that prove that Ireland and South Korea are pretty much the same.
  • The things I want to tell agents. Not mean things. Just advice. Would you sign with an agency if their website takes 20 seconds to load a page?
  • I could blurt out some of the things I wanted to say at book club, because other people sure have a lot to say. Or is it not OK to reveal that writers are readers, too?

Dangit.

I have all that stuff.

So now I have a new work-in-progress.

I won’t be sending a newsletter more often than monthly, because that’s what I like in a newsletter. Maybe the occasional special edition, like when I sign with an agent or get that next book deal.

Target date for first issue: Let’s make it Valentine’s Day.

Penny Cards–last century’s newsletter
(Public Domain, from Newberry Library via Wikimedia Commons)

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